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Cleobis
Kleobis (Cleobis) and Biton (Ancient Greek language, Ancient Greek: Κλέοβις, gen.: Κλεόβιδος; Βίτων, gen.: Βίτωνος) are two Archaic Greek Kouros brothers from Ancient Argos, Argos, whose stories date back to about 580 BC. Two statues, discovered in Delphi, represent them. The story can first be seen in Herodotus’ ''Histories (Herodotus), Histories'' (1.31)'','' where Solon tells King of Lydia, Croesus about the happiest person in the world. Legend Herodotus' story The legend begins with the story of Solon, upon his meeting with Croesus. Solon was an Athenian statesman, lawmaker, and poet and Croesus was the King of Lydia who reigned for 14 years. Croesus, concerned about his legacy over the kingdom, takes the time to ask Solon who he found to be the happiest person in the world. Upon his reply, Solon names three separate people. The first being Tellus of Athens, Tellus, the second and third being the brothers known as Kleobis and Biton. When hearing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleobis And Biton By Adam Müller
Kleobis (Cleobis) and Biton (Ancient Greek language, Ancient Greek: Κλέοβις, gen.: Κλεόβιδος; Βίτων, gen.: Βίτωνος) are two Archaic Greek Kouros brothers from Ancient Argos, Argos, whose stories date back to about 580 BC. Two statues, discovered in Delphi, represent them. The story can first be seen in Herodotus’ ''Histories (Herodotus), Histories'' (1.31)'','' where Solon tells King of Lydia, Croesus about the happiest person in the world. Legend Herodotus' story The legend begins with the story of Solon, upon his meeting with Croesus. Solon was an Athenian statesman, lawmaker, and poet and Croesus was the King of Lydia who reigned for 14 years. Croesus, concerned about his legacy over the kingdom, takes the time to ask Solon who he found to be the happiest person in the world. Upon his reply, Solon names three separate people. The first being Tellus of Athens, Tellus, the second and third being the brothers known as Kleobis and Biton. When hearing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cydippe (mother Of Cleobis)
In Greek mythology, Cydippe (Ancient Greek: Κυδίππη, ''Kudíppē''), was the mother of Cleobis and Biton and a priestess of Hera at Argos. Mythology Cydippe was on her way to a festival in the goddess' honor. The oxen which were to pull her cart were overdue and her sons, Biton and Cleobis pulled the cart the entire way (45 stadia; 8 km). Cydippe was impressed with their devotion to her and asked Hera to give her children the best gift a god could give a person. Hera had the two brothers drop dead instantaneously as the best thing she could give them was for them to die at their moment of highest devotion. This is Herodotus's account (''Histories'' 1.31) of the story and it comes couched as advice from Solon the Athenian to Croesus as to who the most blessed people in history are. The most often used quotation from this episode is (roughly translated) "call no man blessed until he is dead." Herodotus, the original source for this story, does not state the name of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphi Archaeological Museum
Delphi Archaeological museum (Modern Greek : ''Αρχαιολογικό Μουσείο Δελφών'') is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture (Ephorate of Antiquities of Phocis). Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era. Organised in fourteen rooms on two levels, the museum mainly displays statues, including the famous Charioteer of Delphi, architectural elements, like the frieze of the Siphnian Treasury and ex votos dedicated to the sanctuary of Pythian Apollo, like the Sphinx of Naxos. The exhibition floor space is more than 2270m2, while the storage and conservation rooms (mosaics, ceramics and metals) take up 558m2. Visitors are also catered to by an entrance hall, a cafeteria and a gift shop. History of the museum First museum A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priestess Of Hera At Argos
The Priestess of Hera at Argos was the High Priestess of the Goddess Hera, the protective city deity of Ancient Argos, on the Heraion of Argos in Argos. It was the highest religious office in Ancient Argos, and its official enjoyed great prestige and played an official role. The Heraion of Argos was a Pan-Hellenic sanctuary, and her office was that of great status not only in Argos but in all Greece. A sign of her prestige was the fact that the time period of the office of each Priestess was used as a time chronology in large parts of Greece.Garland, Robert, Religion and the Greeks, Bristol Classical Press, London, 1994 Hellanicus of Lesbos composed a chronology of all priestesses of Hera at Argos, going back to about 1000 BC. There are several different legends about whom the first office holder was. The office likely predated the temple, as the cult was celebrated in the open long before the sanctuary was built. The Priestess was likely selected from a family with inherited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greek Sculptures
Archaic is a period of time preceding a designated classical period, or something from an older period of time that is also not found or used currently: *List of archaeological periods **Archaic Sumerian language, spoken between 31st - 26th centuries BC in Mesopotamia (Classical Sumerian is from 26th - 23rd centuries BC). ** Archaic Greece **Archaic period in the Americas **Early Dynastic Period of Egypt * Archaic Homo sapiens, people who lived about 300,000 to 30,000 B.P. (this is far earlier than the archaeological definition) * Archaism, speech or writing in a form that is no longer current * Archaic language, one that preserves features that are no longer present in other languages of the same language family *List of archaic musical instruments This is a list of medieval musical instruments as used in European music. List References External links''Zampogne e Ciaramella'' {{DEFAULTSORT:Medieval musical instruments Medieval In the history of Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Excavations At Delphi
Archaeological investigation in Delphi started in the second half of the 19th century, but it was not until 1892 when a systematic excavation began under the direction of Théophile Homolle and the French Archaeological School of Athens. The "Great Excavation" (La Grande Fouille) lasted 10 years and was concluded by the creation of the first museum on-site. In the years to follow, the site never ceased to be excavated and investigated. Several of the monuments were restored and new interpretations continue to see the light in the academic field. The rediscovery of Delphi In the course of the Ottoman period the archaeological site of Delphi was often visited by European travelers, inspired by the Renaissance spirit. The first one was Cyriacus of Ancona in 1436. The backwater village of Kastri in Phocis became renowned through their descriptions, sketches and engravings. Yet, although the site of ancient Delphi had been securely identified, it was very difficult to start a syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heroic Nudity
Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument. In ancient Greek art, warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts. Idealized young men (but not women) were carved in ''kouros'' figures, and cult images in the temples of some male deities were nude. Later, portrait statues of the rich, including Roman imperial families, were given idealized nude bodies; by now this included women. The bodies were always young and athletic; old bodies are never seen. Pliny the Elder noted the introduction of the Greek style to Rome. Agnolo Bronzino's painting ''Portrait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouroi2
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Smile
The archaic smile was used by sculptors in Archaic Greece, especially in the second quarter of the 6th century BCE, possibly to suggest that their subject was alive and infused with a sense of well-being. One of the most famous examples of the archaic smile is the Kroisos Kouros, and the Peplos Kore is another. By the middle of the Archaic Period of ancient Greece (roughly 800 BCE to 480 BCE), the art that proliferated contained images of people who had the archaic smile, ''A Brief History of the Smile'', Angus Trumble, 2005, , p.11, Google Books link: books-google-AT11 "Archaic smile", Britannica Online Encyclopedia, 2009, webpage: -->Archaic-smile EB-Smile as evidenced by statues found in excavations all across the Greek mainland, Asia Minor, and on islands in the Aegean Sea. The significance of the convention is not known although it is often assumed that for the Greeks, that kind of smile reflected a state of ideal health and well-being. It has also b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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