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Clear-Vision
Clear-Vision is a Japanese EDTV ( Extended Definition TV) television system introduced in the 1990s, that improves audio and video quality while remaining compatible with the existing broadcast standard. Developed to improve analog NTSC, it adds features like progressive scan, ghost cancellation and widescreen image format. A similar system named PALPlus was develop in Europe with the goal of improving analog PAL broadcasts. The initial version of the system was called IDTV (Improved Definition Television, or SuperNTSC) and was based on advanced signal processing on TV receivers. This allowed improvements such as progressive scan, ghost cancellation (reducing the effects of multipath propagation) and NTSC luminance and chroma crosstalk reduction (by way of filtering), without requiring any extra information being broadcast. These early studies were done by NTV, under the direction of the MPT ( Ministry of Post and Telecommunications) and the BTA (Broadcasting Technology Associa ...
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Widescreen Signaling
In television technology, Wide Screen Signaling (WSS) is digital metadata embedded in invisible part of the analog TV signal describing qualities of the broadcast, in particular the intended aspect ratio of the image. This allows television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format, by displaying them in full screen, letterbox, widescreen, pillar-box, zoomed letterbox, etc. This development is related to introduction of widescreen TVs and broadcasts, with the PALplus system in the European Union (mid 1990s), the Clear-Vision system in Japan (early 1990s), and the need to downscale HD broadcasts to SD in the US. The bandwidth of the WSS signal is low enough to be recorded on VHS (at the time a popular home video recording technology). It is standardized on Rec. ITU-R BT.1119-2. A modern digital equivalent would be the Active Format Description, a standard set of codes that can be sent in a MPEG v ...
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PALplus
PALplus (or ''PAL+'') is an analogue television broadcasting system aimed to improve and enhance the PAL format by allowing 16:9 (or 1.77:1) aspect ratio broadcasts, while remaining compatible with existing television receivers, defined by International Telecommunication Union, ITU recommendation BT.1197-1. Introduced in 1993, it followed experiences with the HD-MAC (high definition) and D2-MAC, hybrid analogue-digital widescreen formats that were incompatible with PAL receivers. It was developed at the University of Dortmund in Germany, in cooperation with German terrestrial broadcasters and European and Japanese manufacturers. The system had some adoption across Europe during the late 1990s and helped introduce widescreen TVs in the market, but never became mainstream. A similar system, developed in Japan at the same time and named Clear-Vision, EDTV-II/ Wide-aspect Clear-vision, allows for 16:9 NTSC broadcasts. History The Multiplexed Analogue Components, MAC family of standard ...
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Multiple Sub-Nyquist Sampling Encoding
MUSE (Multiple sub-Nyquist Sampling Encoding), commercially known as Hi-Vision (a contraction of HIgh-definition teleVISION) was a Japanese analog HDTV system, with design efforts going back to 1979. It used dot-interlacing and digital video compression to deliver 1125 line, 60 field-per-second (1125i60) signals to the home. The system was standardized as ITU-R recommendation BO.786 and specified by SMPTE 260M, using a colorimetry matrix specified by SMPTE 240M. As with other analog systems, not all lines carry visible information. On MUSE there are 1035 active interlaced lines, therefore this system is sometimes also mentioned as ''1035i''. It employed 2-dimensional filtering, dot-interlacing, motion-vector compensation and line-sequential color encoding with time compression to "fold" an original 20 MHz bandwidth source signal into just 8.1 MHz. Japan began broadcasting wideband analog HDTV signals in December 1988, initially with an aspect ratio of 2:1. The ...
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Enhanced-definition Television
Enhanced-definition television, or extended-definition television (EDTV) is a Consumer Electronics Association (CEA) marketing shorthand term for certain digital television (DTV) formats and devices. Specifically, this term defines formats that deliver a picture superior to that of standard-definition television (SDTV) but not as detailed as high-definition television (HDTV). The term refers to devices capable of displaying 480-line or 576-line signals in progressive scan, commonly referred to as 480p ( NTSC-HQ) and 576p ( PAL/SECAM) respectively, as opposed to interlaced scanning, commonly referred to as 480i (NTSC) or 576i (PAL, SECAM). High-motion is optional for EDTV. In Australia, the 576p resolution standard was used by the Special Broadcasting Service (SBS TV) and Seven Network, being technically considered high-definition. In Japan the term is associated with improvements to analog NTSC called EDTV-I (or "Clear-vision") and EDTV-II (or "Wide-aspect Clear-vision") inc ...
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Mitsubishi Group
The is a group of autonomous Japanese multinational companies in a variety of industries. Founded by Yatarō Iwasaki in 1870, the Mitsubishi Group historically descended from the Mitsubishi zaibatsu, a unified company which existed from 1870 to 1946. The company was disbanded during the occupation of Japan following World War II. The former constituents of the company continue to share the Mitsubishi brand and trademark. Although the group of companies participate in limited business cooperation, most famously through monthly "Friday Conference" executive meetings, they are formally independent and are not under common control. The four main companies in the group are MUFG Bank (the largest bank in Japan), Mitsubishi Corporation (a general trading company), Mitsubishi Electric and Mitsubishi Heavy Industries (both diversified manufacturing companies). History The Mitsubishi company was established as a shipping firm by Iwasaki Yatarō (1834–1885) in 1870 under the name . ...
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Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U =  B′ − Y′ (blue − luma) and V =  R′ − Y′ (red − luma). Each of these difference components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the phase and amplitude of this modulated chrominance signal correspond approximately to the hue and saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digital sample values. Separating RGB color signals into luma a ...
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Electronic Industries Association Of Japan
Founded in 1948, the Electronic Industries Association of Japan (EIAJ) was one of two Japanese electronics trade organizations that were merged into the Japan Electronics and Information Technology Industries Association (JEITA). Prior to the merger, EIAJ created a number of electronics industry standards that have had some use outside Japan, including: *The EIAJ connectors used for DC power (EIAJ RC-5320A, EIAJ RC-5321, and EIAJ RC-5322 *The D-Terminal connector (RC-5237), used instead of three RCA plugs for component video connections. *The TOSLINK (EIAJ Optical, RC-5720C) optical S/PDIF audio connector. *The EIAJ-1 videotape format, the first standardized format for industrial/non-broadcast video tape recording, released in 1969. Another standard is the multi-channel TV sound system used with the NTSC-J analog TV system. It is often referred to simply as EIAJ, or sometimes as FM-FM audio. Transistor nomenclature The Japanese technical standard JIS-C-7102 provides a meth ...
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Multiplexing
In telecommunications and computer networking, multiplexing (sometimes contracted to muxing) is a method by which multiple analog or digital signals are combined into one signal over a shared medium. The aim is to share a scarce resource - a physical transmission medium. For example, in telecommunications, several telephone calls may be carried using one wire. Multiplexing originated in telegraphy in the 1870s, and is now widely applied in communications. In telephony, George Owen Squier is credited with the development of telephone carrier multiplexing in 1910. The multiplexed signal is transmitted over a communication channel such as a cable. The multiplexing divides the capacity of the communication channel into several logical channels, one for each message signal or data stream to be transferred. A reverse process, known as demultiplexing, extracts the original channels on the receiver end. A device that performs the multiplexing is called a multiplexer (MUX), and a ...
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Luminance
Luminance is a photometric measure of the luminous intensity per unit area of light travelling in a given direction. It describes the amount of light that passes through, is emitted from, or is reflected from a particular area, and falls within a given solid angle. Brightness is the term for the ''subjective'' impression of the ''objective'' luminance measurement standard (see for the importance of this contrast). The SI unit for luminance is candela per square metre (cd/m2). A non-SI term for the same unit is the nit. The unit in the Centimetre–gram–second system of units (CGS) (which predated the SI system) is the stilb, which is equal to one candela per square centimetre or 10 kcd/m2. Description Luminance is often used to characterize emission or reflection from flat, diffuse surfaces. Luminance levels indicate how much luminous power could be detected by the human eye looking at a particular surface from a particular angle of view. Luminance is thus ...
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Subcarrier
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it. FM stereo Stereo broadcasting is made possible by using a subcarrier on FM radio stations, which takes the left channel and "subtracts" the right channel from it — essentially by hooking up the right-channel wires backward (reversing polarity) and then joining left and reversed-right. The result is modulated with suppressed carrier AM, more correctly called sum and difference modulation or SDM, at 38  kHz in the FM signal, which is joined at 2% modulation with the mono left+right audio (which ra ...
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Low-pass Filter
A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filter design. The filter is sometimes called a high-cut filter, or treble-cut filter in audio applications. A low-pass filter is the complement of a high-pass filter. In optics, high-pass and low-pass may have different meanings, depending on whether referring to frequency or wavelength of light, since these variables are inversely related. High-pass frequency filters would act as low-pass wavelength filters, and vice versa. For this reason it is a good practice to refer to wavelength filters as ''short-pass'' and ''long-pass'' to avoid confusion, which would correspond to ''high-pass'' and ''low-pass'' frequencies. Low-pass filters exist in many different forms, including electronic circuits such as a hiss filter used in audio, anti-alia ...
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High-pass Filter
A high-pass filter (HPF) is an electronic filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency. The amount of attenuation for each frequency depends on the filter design. A high-pass filter is usually modeled as a linear time-invariant system. It is sometimes called a low-cut filter or bass-cut filter in the context of audio engineering. High-pass filters have many uses, such as blocking DC from circuitry sensitive to non-zero average voltages or radio frequency devices. They can also be used in conjunction with a low-pass filter to produce a bandpass filter. In the optical domain filters are often characterised by wavelength rather than frequency. High-pass and low-pass have the opposite meanings, with a "high-pass" filter (more commonly "long-pass") passing only ''longer'' wavelengths (lower frequencies), and vice versa for "low-pass" (more commonly "short-pass"). Descrip ...
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