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Claudia Pinza Bozzolla
Claudia Pinza Bozzolla (July 27, 1925 in Buenos Aires, Argentina – August 3, 2017 in Pittsburgh, Pennsylvania) was an Argentine-American operatic soprano, vocal coach, and voice teacher of Italian origin. As a singer she performed in operas throughout Italy and the United States, including appearances at La Scala, the Metropolitan Opera, and the San Francisco Opera. She taught voice for several decades at Duquesne University, the University of Pittsburgh, and Carlow University, and served on the board and vocal coaching staff of the Pittsburgh Opera. Several of her pupils have had successful performance careers of their own, including Metropolitan Opera singers Vivica Genaux and Andrey Nemzer, and Andrew Kurtz, founder of the Center City Opera Theater. She also hosted a weekly radio program "Opera with Claudia" on WDUQ-FM radio. The only existing recording of the singer is from a November 1951 broadcast of ''The Bell Telephone Hour'' in which she performed the final Act o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires, Argentina
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bell Telephone Hour
''The Bell Telephone Hour'' (also known as ''The Telephone Hour'') is a concert series that began April 29, 1940, on NBC Radio, and was heard on NBC until June 30, 1958. Sponsored by Bell Telephone as the name implies, it showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968. Throughout the program's run on both radio and television, the studio orchestra on the program was conducted by Donald Voorhees. Synopsis After early shows featuring James Melton and Francia White as soloists, producer Wallace Magill restructured the format on April 27, 1942, into the "Great Artists Series" of concert and opera performers, beginning with Jascha Heifetz. The list of talents heard over the years includes Marian Anderson, Bing Crosby, Margaret Daum, Nelson Eddy, Benny Goodman, Josef Hofmann, José Iturbi, Fritz Kreisler, Gregor Piatigorsky, Oscar Levant, Ezio Pinza, Lily Pons, Gladys Swarthout, and H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Music (Philadelphia)
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City. The hall was built in 1855–57 and is the oldest opera house in the United States that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Philadelphia Ballet and Opera Philadelphia. It was also home to the Philadelphia Orchestra from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy. The hall was designated a National Historic Landmark in 1962.Charles E. Shedd Jr., et al. (December 1979) , National Park Service and History The Academy of Music held an inaugural ball on January 26, 1857. At the time ''The New York Times'' described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia La Scala Opera Company
The Philadelphia La Scala Opera Company (defunct) was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954. In 1955 the company merged with the Philadelphia Civic Grand Opera Company to form the Philadelphia Grand Opera Company. History Founded under the name La Scala Grand Opera Company, the company's first production was of Giuseppe Verdi's ''La traviata'' on May 4, 1925 with Josephine Lucchese as Violetta, Dimitri Onofrei as Alfredo, Elia Palma as Giorgio, and Fulgenzio Guerrieri conducting. The company presented fifteen more operas during the 1925-1926 season including Gaetano Donizetti's ''Lucia di Lammermoor'' (with Rosalinda Rudko-Morini in the title role, Giuseppe Reschiglian as Edgardo, and Emanuel Nugnez as Enrico), Giuseppe Verdi's ''Aida'' (with Alice Eversman in the title role and Bernardo de Muro as Radames), Verdi's ''Rigoletto'', ''Cavalleria rusticana'' (with Emilia Vergeri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonino Votto
Antonino Votto, sometimes spelled Antonio Votto, (30 October 1896 – 9 September 1985) was an Italian operatic conductor and vocal coach. Votto developed an extensive discography with the Teatro alla Scala in Milan during the 1950s, when EMI produced the bulk of its studio recordings featuring Maria Callas. Though Votto was a dependable conductor (and the teacher of Riccardo Muti), critics frequently faulted his recordings for their lack of emotional immediacy. This may have been an occupational hazard of working in the studio, as his live sets with Callas, including a ''Norma'' (December 1955, La Scala) and ''La sonnambula'' (1957, Cologne) are considered to be great performances. Among his pupils was soprano Claudia Pinza Bozzolla. Commercial discography * Ponchielli: ''La Gioconda'' (Callas, Barbieri, Amadini, Poggi, Silveri, Neri; 1952) Cetra * Puccini: ''La bohème'' (Callas, Moffo, di Stefano, Panerai, Zaccaria; 1956) EMI * Verdi: ''Un ballo in maschera'' (Callas, Rat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatorio Giovanni Battista Martini
The Conservatorio Giovanni Battista Martini (previously known as the Liceo Musicale di Bologna, and sometimes referred to in English as the Bologna Conservatory) is a college of music in Bologna, Italy. The conservatory opened on 3 December 1804, as the Liceo Musicale di Bologna. It was initially housed in the convent at the Basilica of San Giacomo Maggiore. The first faculty at the school included the composers Stanislao Mattei and Giovanni Callisto Zanotti, and the composer and singer Lorenzo Gibelli. Gioachino Rossini was a pupil at the school beginning in 1806, and was appointed head of the school in 1839. Later directors of the school included Luigi Mancinelli (1881-1886), Giuseppe Martucci (1886-1902), Marco Enrico Bossi (1902-1911), and Cesare Nordio (1925-1945). In 1945, the conservatory became a state conservatory, and it was rebranded as the Conservatorio Giovanni Battista Martini, after musician and composer Giovanni Battista Martini. Directors of the conservatory f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudia Muzio
Claudia Muzio (7 February 1889 – 24 May 1936) was an Italian operatic soprano who enjoyed an international career during the early 20th century. Early years Claudina Emilia Maria Muzzio was born in Pavia, the daughter of Carlo Muzio, an operatic stage manager, whose engagements during her childhood took the family to opera houses around Italy as well as to Covent Garden in London and to the Metropolitan Opera in New York. Her mother was a choir singer, Giovanna Gavirati. Muzio arrived in London at the age of 2 and went to school there, becoming fluent in English, before returning to Italy at the age of 16 to study in Turin with Annetta Casaloni, a piano teacher and former operatic mezzo-soprano who had created the role of Maddalena in the world première of Verdi's ''Rigoletto''. Muzio then continued her vocal studies in Milan with Elettra Callery-Viviani. She also took the stage name of Claudia Muzio. Career Muzio made her operatic début in Arezzo (15 January 1910) in the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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