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Claude Simpol
Claude Simpol, ''Claude Saint-Pol'' or ''Claude Saint-Paul'' (c. 1666 – before 1711) was a French painter. Life Born in Clamecy, he studied under Boullogne and frère Luc. He was admitted to the Académie de Saint-Luc on 23 March 1695 and won several prizes (including the second prize in the 1687 prix de Rome for ''Noah's Flood'') at the Académie royale, to which he was admitted on 30 April 1701. Specialising in grisailles, he was listed on 2 March 1709 as still not having provided his academy work, whose subject was ''Neptune's Dispute with Minerva, or the Naming of the City of Athens''. He was described by Pierre-Jean Mariette as an artist who had "little love for work" and who adopted "bad conduct, which continually forced him to struggle with need:. Even so, he produced paintings for the menagerie at the Palace of Versailles in 1702 and 1703 and produced a May for Notre-Dame in Paris in 1704 (''Jesus in the House of Martha and Mary'', now in the Musée des beaux-arts d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Paul Saint Roch Et L%27ange
In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denomination. In Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglican Communion, Anglican, Oriental Orthodox, and Lutheranism, Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, History of religion, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century French Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Painters
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Nièvre
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Philippe De Chennevières-Pointel
Charles-Philippe, marquis de Chennevières-Pointel, known as Jean de Falaise (23 July 1820, Falaise – 1 April 1899) was a French writer and art historian. Life and career Chennevières was a learned connoisseur and collected thousands of French drawings from 1500 to 1860. His friends included Charles Baudelaire, Theophile Gautier and the Goncourt brothers. He served in the arts administration of the Second Empire (1851-1870). He joined the Louvre in 1846, and later became its curator from 1852 to 1870, and was responsible for the Fine Arts exhibition at the 1855 Paris World's Fair. In 1873, Chennevières became the Director of the national École des Beaux-Arts (School of Fine Arts). From March 8 to June 7, 2007, selections from his collection of drawings were the subject of an exhibition at the Louvre museum, "Philippe de Chennevières - Collector of French 19th Century Drawings". Works * ''Essai politique d’un cousin de Charlotte Corday'', Nogent-le-Rotrou, Gouve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Simpol, Saint Martinien , a form of brainstem stroke syndrome
{{disambig, geo ...
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
May (painting)
The Mays were a series of paintings in 17th and early 18th century Paris. They were commissioned by the goldsmiths' guild of Paris to offer to the cathedral of Notre-Dame de Paris Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the ... in the early days of the month of May. The tradition began in 1630 and one painting was offered each year between then and 1707, with the exception of 1683 and 1694. List of the Mays {{Authority control 1630 establishments 1707 disestablishments Lists of paintings Notre-Dame de Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Jean Mariette
Pierre-Jean Mariette (7 May 1694 – 10 September 1774) was a collector of and dealer in old master prints, a renowned connoisseur, especially of prints and drawings, and a chronicler of the careers of French Italian and Flemish artists. He was born and died in Paris, and was a central figure in the artistic culture of the city for decades. Early life and training Mariette was born to a long-established and highly successful family of engravers, book publishers and printsellers in Paris. His father was Jean Mariette (1660–1742). In 1657 his father's father, Pierre Mariette (ii) (1634–1716), had bought the family business from his ailing father, Pierre Mariette (i) (1596–1657), for 30,000 livres. Family connections put him in contact as a young man with antiquarians such as the comte de Caylus, for whom Mariette would write his ''Lettre sur Leonardo da Vinci'', printed as a preface to Caylus's book on Leonardo's caricatures, 1730. In 1722 he first met the imm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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