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Classical Milanese Orthography
The classical Milanese orthography is the orthography used for the Western Lombard language, in particular for the Milanese dialect, by the major poets and writers of this literature, such as Carlo Porta, Carlo Maria Maggi, Delio Tessa, etc. It was first used in the sixteenth century by Carlo Maria Maggi; Maggi first introduced the trigram ''oeu'', while previous authors, like Bonvesin de la Riva (thirteenth century), used Latinizing orthographies. In 1606 G. A. Biffi with his ''Prissian de Milan de la parnonzia milanesa'' began the first codification, incorporating vowel length and the use of ''ou'' to represent the sound . The classical orthography came as a compromise between the old Tuscan system and the French one; the characteristic that considerably differentiates this orthography from the effective pronunciation is the method for the distinction of long and short vowels. As of today, because it has become more archaic, it is often replaced by simpler methods that use si ...
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Orthography
An orthography is a set of conventions for writing a language, including norms of spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation. Most transnational languages in the modern period have a writing system, and most of these systems have undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g., "would" and "should"); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g., "honor" and "honour"). Some nations (e.g. France and Spain) have established language academies in an attempt to regulate orthography officially. For most languages (including English) however, there are no such authorities and a sense of 'correct' orthography ...
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French Orthography
French orthography encompasses the spelling and punctuation of the French language. It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100–1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years. Even in the late 17th century, with the publication of the first French dictionary by the Académie française, there were attempts to reform French orthography. This has resulted in a complicated relationship between spelling and sound, especially for vowels; a multitude of silent letters; and many homophones—e.g., ''/////'' (all pronounced ) and ''//'' (all pronounced ). This is conspicuous in verbs: ' (you speak), ' (I speak) and ' (they speak) all sound like . Later attempts to respell some words in accordance with their Latin etymologies further increased the number of silent letters (e.g., ' vs. ...
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International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form.International Phonetic Association (IPA), ''Handbook''. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical (and, to a limited extent, prosodic) sounds in oral language: phones, phonemes, intonation, and the separation of words and syllables. To represent additional qualities of speech—such as tooth gnashing, lisping, and sounds made with a cleft lip and cleft palate—an extended set of symbols may be used. Segments are transcribed by one or more IPA symbols of two basic types ...
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Diphthongs
A diphthong ( ; , ), also known as a gliding vowel, is a combination of two adjacent vowel sounds within the same syllable. Technically, a diphthong is a vowel with two different targets: that is, the tongue (and/or other parts of the speech apparatus) moves during the pronunciation of the vowel. In most varieties of English, the phrase "no highway cowboy" () has five distinct diphthongs, one in every syllable. Diphthongs contrast with monophthongs, where the tongue or other speech organs do not move and the syllable contains only a single vowel sound. For instance, in English, the word ''ah'' is spoken as a monophthong (), while the word ''ow'' is spoken as a diphthong in most varieties (). Where two adjacent vowel sounds occur in different syllables (e.g. in the English word ''re-elect'') the result is described as hiatus, not as a diphthong. (The English word ''hiatus'' () is itself an example of both hiatus and diphthongs.) Diphthongs often form when separate vowels are ...
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Circumflex Accent
The circumflex () is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from la, circumflexus "bent around"a translation of the el, περισπωμένη (). The circumflex in the Latin script is chevron-shaped (), while the Greek circumflex may be displayed either like a tilde () or like an inverted breve (). For the most commonly encountered uses of the accent in the Latin alphabet, precomposed characters are available. In English, the circumflex, like other diacritics, is sometimes retained on loanwords that used it in the original language (for example, '' crème brûlée''). In mathematics and statistics, the circumflex diacritic is sometimes used to denote a function and is called a '' hat operator''. A free-standing version of the circumflex symbol, , has become known as ''caret'' and has acquired special uses, particularly in computi ...
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Grave Accent
The grave accent () ( or ) is a diacritical mark used to varying degrees in French, Dutch, Portuguese, Italian and many other western European languages, as well as for a few unusual uses in English. It is also used in other languages using the Latin alphabet, such as Mohawk and Yoruba, and with non-Latin writing systems such as the Greek and Cyrillic alphabets and the Bopomofo or Zhuyin Fuhao semi-syllabary. It has no single meaning, but can indicate pitch, stress, or other features. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. For less-used and compound diacritics, a combining character facility is available. A free-standing version of the symbol, commonly called a backtick, also exists and has acquired other uses. Uses Pitch The grave accent first appeared in the polytonic orthography of Ancient Greek to mark a lower pitch than the high pitch of the acute accent. In modern practice, ...
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Acute Accent
The acute accent (), , is a diacritic used in many modern written languages with alphabets based on the Latin, Cyrillic, and Greek scripts. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. Uses History An early precursor of the acute accent was the apex, used in Latin inscriptions to mark long vowels. Pitch Ancient Greek The acute accent was first used in the polytonic orthography of Ancient Greek, where it indicated a syllable with a high pitch. In Modern Greek, a stress accent has replaced the pitch accent, and the acute marks the stressed syllable of a word. The Greek name of the accented syllable was and is (''oxeîa'', Modern Greek ''oxía'') "sharp" or "high", which was calqued (loan-translated) into Latin as "sharpened". Stress The acute accent marks the stressed vowel of a word in several languages: *Blackfoot uses acute accents to show the place of stress in a word: soyóp ...
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Italian Alphabet
Italian orthography (writing) uses a variant of the Latin alphabet consisting of 21 letters to write the Italian language. This article focuses on the writing of Standard Italian, based historically on the Florentine dialect. Italian orthography is very regular and has an almost one-to-one correspondence between letters or sequences of letters and sounds or sequences of sounds, that is, it is almost a phonemic orthography. The main exceptions are that stress placement and vowel quality (for and ) are not notated, and may be voiced or not, and may represent vowels or semivowels, and a silent is used in a very few cases other than the digraphs and used for the hard and sounds before and . Alphabet The base alphabet consists of 21 letters: five vowels (A, E, I, O, U) and 16 consonants. The letters J, K, W, X and Y are not part of the proper alphabet, and appear only in loanwords (e.g. 'jeans', 'weekend'), foreign names, and in a handful of native words—such as the name ...
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Italian Orthography
Italian orthography (writing) uses a variant of the Latin alphabet consisting of 21 letters to write the Italian language. This article focuses on the writing of Standard Italian, based historically on the Florentine dialect. Italian orthography is very regular and has an almost one-to-one correspondence between letters or sequences of letters and sounds or sequences of sounds, that is, it is almost a phonemic orthography. The main exceptions are that stress placement and vowel quality (for and ) are not notated, and may be voiced or not, and may represent vowels or semivowels, and a silent is used in a very few cases other than the digraphs and used for the hard and sounds before and . Alphabet The base alphabet consists of 21 letters: five vowels (A, E, I, O, U) and 16 consonants. The letters J, K, W, X and Y are not part of the proper alphabet, and appear only in loanwords (e.g. 'jeans', 'weekend'), foreign names, and in a handful of native words—such as the name ...
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Western Lombard
Western Lombard is a group of dialects of Lombard, a Romance language spoken in Italy. It is widespread in the Lombard provinces of Milan, Monza, Varese, Como, Lecco, Sondrio, a small part of Cremona (except Crema and its neighbours), Lodi and Pavia, and the Piedmont provinces of Novara, Verbano-Cusio-Ossola, the eastern part of the Province of Alessandria ( Tortona), a small part of Vercelli (Valsesia), and Switzerland (the Canton of Ticino and part of the Canton of Graubünden). After the name of the region involved, land of the former Duchy of Milan, this language is often referred to as Insubric (see Insubria and Insubres) or Milanese, or, after Clemente Merlo, (literally "of this side of Adda River"). Western Lombard and Italian In Italian-speaking contexts, Western Lombard is often incorrectly called a dialect of Italian. Western Lombard and Standard Italian are very different. Some speakers of Lombard varieties may have difficulty understanding one another ...
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Giovanni Ambrogio Biffi
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * '' Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * '' Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * * Geovani * Giovanni Battista * San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Ba ...
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Bonvesin De La Riva
Bonvesin da la Riva (; sometimes Italianized in spelling Bonvesino or Buonvicino; 1240 – c. 1313) was a well-to-do Milanese lay member of the '' Ordine degli Umiliati'' (literally, "Order of the Humble Ones"), a teacher of (Latin) grammar and a notable Lombard poet and writer of the 13th century, giving one of the first known examples of the written Lombard language. He is often described as the "father" of the Lombard language. He taught in Legnano and in Milan. His ''De magnalibus urbis Mediolani'' ("On the Marvels of Milan"), written in the late spring of 1288, languished unknown in a single manuscript in the Biblioteca Nacional de España, Madrid, until 1894. Its eight chapters form a monument of civic pride typical of the Italian communes, written by a man in a position to offer an unrivalled statistical report of the city that he felt was exalted above all others, like the eagle among birds. In Milan, he counted the belltowers (120) and the ''portoni'', massive front doo ...
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