Classic 100 Concerto (ABC)
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Classic 100 Concerto (ABC)
During 2007, the Australian radio station ABC Classic FM held a Classic 100 Concerto countdown. The works in the countdown were selected by votes cast by listeners to the station. The broadcasting of the results of the countdown began on 27 October 2007 and concluded on 31 October 2007. The concert featuring the final five works was broadcast live from the Hamer Hall in Melbourne, and featured the Australian Pro Arte Chamber Orchestra. Countdown results The results of the countdown are as follows: By composer The following 45 composers were featured in the countdown: See also *Classic 100 Countdowns Since 2001, ABC Classic FM, ABC Classic has organised a number of Classic 100 Countdown surveys. The results of each survey are decided by votes cast by the listeners of ABC Classic. After the voting, the works are played in reverse order of popul ... References External links * {{ABC Classic FM Classic 100 Countdowns (ABC) 2007 in Australian music ...
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ABC Classic FM
ABC Classic, formerly ABC-FM (also ABC Fine Music), and then ABC Classic FM, is an Australian classical music radio station available in Australia and internationally. Its website features classical music news, features and listening guides. It is operated by the Australian Broadcasting Corporation (ABC). History ABC Classic was established in 1976 as "ABC-FM", and later for a short time was known as "ABC Fine Music" (a play on the letters FM). It became known as ABC Classic FM in 1994, before adopting its current name in January 2019. It was the ABC's first experiment in FM broadcasting – which had become a necessity in Australia as broadcasters ran out of AM frequencies on which to transmit. This was before most commercial stations had started using FM, and the ABC was first to use satellite transmissions. The creation of ABC Classic FM was inspired partly by the example of BBC Radio 3, and its focus was on fine music and the arts. ABC Classic FM's studios were establis ...
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Violin Concerto (Berg)
Alban Berg's Violin Concerto was written in 1935 (the score is dated 11 August 1935). It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel", Manon Gropius. It was the last work that Berg completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona, on 19 April 1936, after the composer's death. Conception and composition The piece stemmed from a commission from the violinist Louis Krasner. When he first received the commission, Berg was working on his opera ''Lulu'', and he did not begin work on the concerto for some months. The event that spurred him into writing was the death by polio of 18-year-old Manon Gropius, the daughter of Alma Mahler (once Gustav Mahler's wife) and Walter Gropius. Berg set ''Lulu'' aside to write the concerto, which ...
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The Four Seasons (Vivaldi)
''The Four Seasons'' ( it, Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as (''The Contest Between Harmony and Invention''). ''The Four Seasons'' is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera ''Il Giustino''. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi repr ...
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Sinfonia Concertante For Violin, Viola And Orchestra (Mozart)
The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the last including a divided viola section, which accounts for the work's rich harmony. The solo viola part is written in D major instead of E major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments. Movements Recordings Richard Wigmore in '' Gramophone'' (October 2015) writes that ...
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Warsaw Concerto
The ''Warsaw Concerto'' is a short work for piano and orchestra by Richard Addinsell, written for the 1941 British film '' Dangerous Moonlight'', which is about the Polish struggle against the 1939 invasion by Nazi Germany. In performance it normally lasts just under ten minutes. The concerto is an example of programme music, representing both the struggle for Warsaw and the romance of the leading characters in the film. It became very popular in Britain during World War II. The concerto is written in imitation of the style of Sergei Rachmaninoff. It initiated a trend for similar short piano concertos in the Romantic style, which have been dubbed "tabloid concertos", or " Denham concertos" (the latter term coined by Steve Race). Background The composer, Richard Addinsell, was born in London and initially studied law before turning to a career in music. His time at the Royal College of Music was brief, as he was soon drawn to musical theatre, and he also wrote for radio, but his m ...
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Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established Gershwin's reputation as an eminent composer, and eventually became one of the most popular of all concert works. The ''American Heritage'' magazine posits that the famous opening clarinet glissando has ...
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Double Concerto (Brahms)
__NOTOC__ The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra. The orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings. Origin of the work The Double Concerto was Brahms' final work for orchestra. It was composed in the summer of 1887, and first performed on 18 October of that year in the in Cologne, Germany. Brahms approached the project with anxiety over writing for instruments that were not his own. He wrote it for the cellist Robert Hausmann, a frequent chamber music collaborator, and his old but estranged friend, the violinist Joseph Joachim. The concerto was, in part, a gesture of reconciliation towards Joachim, after their long friendship had ruptured following Joachim's divorce from his wife Amalie. (Brahms had sided with Amalie in the dispute.) The concerto makes use of the musical motif A–E–F, a permutation of F–A–E, which stood for a personal motto ...
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Concerto In F (Gershwin)
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced ''Rhapsody in Blue''. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long. Genesis of the Concerto Damrosch had been present at the February 12, 1924 concert arranged and conducted by Paul Whiteman at Aeolian Hall in New York City titled ''An Experiment in Modern Music'' which became famous for the premiere of Gershwin's ''Rhapsody in Blue'', in which the composer performed the piano solo. The day after the concert, Damrosch contacted Gershwin to commission from him a full-scale piano concerto for the New York Symphony Orchestra, closer in form to a classical concerto and orchestrated by the composer. Because of contractual obligations for three different Broadway musicals, he was not able to begin sketching ideas until May 1925. He began the two-p ...
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Trumpet Concerto (Hummel)
Johann Nepomuk Hummel wrote his Concerto a Trombe Principale (''Trumpet Concerto in E Major'') for Viennese trumpet virtuoso and inventor of the keyed trumpet, Anton Weidinger (as had Joseph Haydn). It was written in December 1803 and performed on New Year's Day 1804 to mark Hummel's entrance into the court orchestra of Nikolaus II, Prince Esterházy as Haydn's successor. There are places, primarily in the second movement, where Weidinger is believed to have changed the music because of the execution of the instrument. It is unknown whether this was in agreement with Hummel. Originally this piece was written in E major. The piece is often performed in E-flat major, which makes the fingering less difficult on modern E-flat and B-flat trumpets. A typical performance lasts around 17 minutes. Form The work is composed in three movements (typical of a concerto) and they are marked as follows: * I. Allegro con spirito * II. Andante * III. Rondo Instrumentation The work is scor ...
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Clarinet Concerto No
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore (wind instruments), bore and a flared bell, and uses a Single-reed instrument, single reed to produce sound. Clarinets comprise a Family (musical instruments), family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the contrabass clarinet, BB♭ contrabass to the E-flat clarinet, E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the ...
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Concerto For Orchestra (Bartók)
The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement orchestral work composed by Béla Bartók in 1943. It is one of his best-known, most popular, and most accessible works. The score is inscribed "15 August – 8 October 1943". It was premiered on December 1, 1944, in Symphony Hall, Boston, by the Boston Symphony Orchestra conducted by Serge Koussevitzky. It was a great success and has been regularly performed since. It is perhaps the best-known of a number of pieces that have the apparently contradictory title '' Concerto for Orchestra''. This is in contrast to the conventional concerto form, which features a solo instrument with orchestral accompaniment. Bartók said that he called the piece a concerto rather than a symphony because of the way each section of instruments is treated in a soloistic and virtuosic way.Bartók, Béla. "Explanation to Concerto for Orchestra," for the Boston premiere at Symphony Hall. Composition The work was written in response to ...
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Rhapsody On A Theme Of Paganini
The ''Rhapsody on a Theme of Paganini'', Op. 43, (russian: Рапсодия на тему Паганини, ''Rapsodiya na temu Paganini'') is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement. Rachmaninoff wrote the work at his summer home, the Villa Senar in Switzerland, according to the score, from 3 July to 18 August 1934. Rachmaninoff himself, a noted performer of his own works, played the piano part at the piece's premiere on 7 November 1934, at the Lyric Opera House in Baltimore, Maryland, with the Philadelphia Orchestra conducted by Leopold Stokowski. Rachmaninoff, Stokowski, and the Philadelphia Orchestra made the first recording, on 24 December 1934, at RCA Victor's Trinity Church Studio in Camden, New Jersey. The English premiere on 7 March 1935 at Manchester Free Trade Hall also featured Rachmaninoff with The Hallé under Nikolai Malko. The best-known variation in the piece is t ...
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