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Clark Monroe’s Uptown House
Clark Monroe's Uptown House, sometimes shortened to Monroe's Uptown House or simply Monroe's, was a nightclub in New York City. Along with Minton's Playhouse, it was one of the two principal jazz clubs in the early history of bebop. History Clark Monroe opened the Uptown House in the 1930s at 198 West 134th St in Harlem, in a building which formerly held Barron's Club (where Duke Ellington worked early in the 1920s) and the Theatrical Grill. From the late 1930s, the club presented swing jazz; Billie Holiday held a residence there for three months in 1937. In the early 1940s, the club became known for its jam sessions, where many of the players involved in the birth of bebop played together. Al Tinney led Monroe's house band, which included Max Roach, Benny Harris, "Little" Benny Harris, George Treadwell, and Victor Coulsen. Charlie Parker was a featured soloist at the club in 1943. An important live recording of Charlie Christian features a jam "session at Monroes". Monroe mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightclub
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upsca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Treadwell
George McKinley Treadwell (December 21, 1918 in New Rochelle, New York – May 14, 1967 in New York City) was an American jazz trumpeter and the manager of the Drifters. Treadwell played in the house band at Monroe's in Harlem in 1941–1942, then worked with Benny Carter later in 1942 in Florida. Following stints with Ace Harris's Sunset Royals and Tiny Bradshaw, Treadwell worked with Cootie Williams (1943–1946) and J.C. Heard (1946–1947). As a member of Heard's ensemble, he accompanied Etta Jones and Sarah Vaughan, whom he married in 1947. He also recorded with Dicky Wells and Ethel Waters in 1946. Treadwell quit playing late in the 1940s to work as Vaughan's manager, and continued in this capacity after their divorce in 1957. He also managed the Drifters and Ruth Brown and did artists and repertoire (A&R) work in the 1950s. Treadwell met Fayrene Johnson in Los Angeles and they married in 1957. After 1959 Treadwell also worked as a songwriter A songwrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Clubs In New York City
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightclubs In Manhattan
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upscal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Jazz Clubs
This is a list of notable venues where jazz music is played. It includes jazz clubs, clubs, dancehalls and historic venues such as theatres. A jazz club is a venue where the primary entertainment is the performance of live jazz music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section. Large rooms were also more common in the Swing era, because at that time, jazz was popular as a dance music, so the dancers needed space to move. With the transition to 1940s-era styles like Bebop and later styles such as soul jazz, small combos of musicians such as quartets and trios were mostly used, and the music became more of a music to listen to, rather than a form of dance music. As a result, smaller clubs with small stages became practical. In the 2000s, jazz clubs may be found in the basements of large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spotlite
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
52nd Street
52nd Street is a -long one-way street traveling west to east across Midtown Manhattan, New York City. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s. Jazz center Following the repeal of Prohibition in 1933, 52nd Street replaced 133rd Street as "Swing Street" of the city. The blocks of 52nd Street between Fifth Avenue and Seventh Avenue became renowned for the abundance of jazz clubs and lively street life. The street was convenient to musicians playing on Broadway and the 'legitimate' nightclubs and was also the site of a CBS studio. Musicians who played for others in the early evening played for themselves on 52nd Street. In the period from 1930 through the early 1950s, 52nd Street clubs hosted such jazz musicians as Louis Prima, Art Tatum, Fats Waller, Billie Holiday, Trummy Young, Harry Gibson, Nat Jaffe, Dizzy Gillespie, Thelonious Monk, Charlie Parker, Miles Davis, Marian McPartland, and many more. Although musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Christian
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the album '' Solo Flight: The Genius of Charlie Christian'' (Columbia, 1972), Gene Lees wrote that "Many critics and musicians consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it."Liner notes. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Coulsen
Victor "Vic" Coulsen (dates unknown) was an American jazz trumpeter. Often referred to as Vic Coulsen, Vic Coulson, and even Vic Couslen, Coulsen was a member of the resident band at the Monroe's club, under Al Tinney's direction from as early as 1940. Coulsen has often been remembered as having had a seminal influence on the phrasing of early bebop by the likes of Thelonious Monk, Miles Davis, Dizzy Gillespie and several others - Charlie Parker among them. Parker remembers Coulsen (here spelled "Coulson") ''"playing things I'd never heard before"'', and states that the music he heard on those nights at Monroe's caused him to quit Jay McShann's band and relocate to New York City. These testimonies make Coulsen one of the founding fathers (albeit a minor one) of the bebop idiom. Unfortunately, Coulsen never recorded, except for some tracks taken in 1944 with an orchestra led by Coleman Hawkins, where he performs in the trumpet section, taking no solos. Nothing is known of Couls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Harris
"Little" Benny Harris (April 23, 1919 in New York City – May 11, 1975 in San Francisco) was an American bebop trumpeter and composer. A self-taught musician, in the mid-1930s Benny Harris was already playing with Thelonious Monk. In later years, he participated in some of the jam sessions that gave birth to the bebop jazz style. Reportedly, it was Harris that persuaded Dizzy Gillespie of Charlie Parker's ability by playing one of Parkers's improvisations to Gillespie. Harris's first major gig was in 1939 with Tiny Bradshaw.Scott Yanow, Benny Harrisat AllMusic He played with Earl Hines on and off from 1941 to 1945, and worked the 52nd Street bebop circuit in New York City in the 1940s, where he collaborated with Benny Carter, John Kirby, Coleman Hawkins, Don Byas, and Thelonious Monk. He was with Boyd Raeburn from 1944 to 1945 and Clyde Hart in 1944; he and Byas worked together again in 1945. He played less in the late 1940s, though he appeared with Dizzy Gillespie in 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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