|
Clarinet Quintet (Reger)
Traditionally a clarinet quintet is a chamber musical ensemble made up of one clarinet, plus the standard string quartet of two violins, one viola, and one cello. Now the term clarinet quintet can refer to five B clarinets; four B clarinets and a bass clarinet; three B clarinets and two bass clarinets; one E clarinet, two B clarinets, and two bass clarinets; or one E clarinet, two B clarinets, one E alto clarinet, and one bass clarinet. The term is also used to refer to a piece written for one of these ensembles. History One of the earliest and most influential works for this combination of instruments is Mozart's Quintet for Clarinet and Strings, K. 581, written for the clarinetist Anton Stadler in 1789. Although a few compositions for this ensemble were produced over the following years, including the Clarinet Quintet in B major, Op. 34 by Carl Maria von Weber, a composer famous for his solo clarinet compositions, it was not until Johannes Brahms composed his Clarinet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigismund Neukomm
Sigismond Neukomm or Sigismund Ritter von Neukomm fter ennoblement as a knight">ennoblement.html" ;"title="fter ennoblement">fter ennoblement as a knight(10 July 1778, in Salzburg – 3 April 1858, in Paris) was an Austrian composer and pianist. Neukomm first studied with the organist Weissauer and later studied theory under Michael Haydn and Leopold Mozart, though his studies at Salzburg University were in philosophy and mathematics. He became honorary organist at the Salzburg University church in 1792, and was appointed chorus-master at the Salzburg court theater in 1796. Neukomm was kapellmeister at St. Petersburg's German theatre from 1804 to 1809, and in the 1810s he spent time in Brazil, South America, where he popularized the works of Joseph Haydn and Wolfgang Mozart. He worked at D. João VI's court in Rio de Janeiro. His works had some currency in the nineteenth century: Johann Nepomuk Hummel's op. 123 is a ''Fantasie for Piano'' on themes by Hummel and von Neukomm. Bos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet Quintet (Fuchs)
Traditionally a clarinet quintet is a chamber musical ensemble made up of one clarinet, plus the standard string quartet of two violins, one viola, and one cello. Now the term clarinet quintet can refer to five B clarinets; four B clarinets and a bass clarinet; three B clarinets and two bass clarinets; one E clarinet, two B clarinets, and two bass clarinets; or one E clarinet, two B clarinets, one E alto clarinet, and one bass clarinet. The term is also used to refer to a piece written for one of these ensembles. History One of the earliest and most influential works for this combination of instruments is Mozart's Quintet for Clarinet and Strings, K. 581, written for the clarinetist Anton Stadler in 1789. Although a few compositions for this ensemble were produced over the following years, including the Clarinet Quintet in B major, Op. 34 by Carl Maria von Weber, a composer famous for his solo clarinet compositions, it was not until Johannes Brahms composed his Clarinet Qui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Fuchs
Robert Fuchs (15 February 1847 – 19 February 1927) was an Austrian composer and music teacher. As Professor of music theory at the Vienna Conservatory, Fuchs taught many notable composers, while he was himself a highly regarded composer in his lifetime. Biography He was born in Frauental, Austria in 1847. He studied at the Vienna Conservatory with Felix Otto Dessoff and Joseph Hellmesberger among others. He eventually secured a teaching position there and was appointed Professor of music theory in 1875. He retained the position until 1912. He died in Vienna in 1927. He was the youngest brother of Johann Nepomuk Fuchs, who was also a composer and an opera conductor. Robert Fuchs taught many notable composers, Notability "Unfailingly tuneful and enjoyable, Robert Fuchs’s piano trios are an easily accessible way to get to know a composer whom Brahms greatly admired," noted the magazine Gramophone. "In his time Fuchs was very highly regarded, with one critic famously p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Holbrooke
Joseph Charles Holbrooke (5 July 18785 August 1958) was an English composer, conductor, and pianist. Life Early years Joseph Holbrooke was born Joseph Charles Holbrook in Croydon, Surrey. His father, also named Joseph, was a music hall musician and teacher, and his mother Helen was a Scottish singer. He had two older sisters (Helen and Mary) and two younger brothers (Robert and James), both of whom died in infancy. The family travelled around the country, with both parents participating in musical entertainments. Holbrooke's mother died in 1880 from tuberculosis, leaving the family in the care of Joseph senior, who settled the family in London and took the position of pianist at Collins' Music Hall, Islington, and later at the Bedford Music Hall. Holbrooke was taught to play the piano and the violin by his father, who was not averse to the use of violence as a method of instruction, and played in music halls himself before entering the Royal Academy of Music as a student in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Marteau
Henri Marteau (31 March 1874 – 3 October 1934) was a French violinist and composer, who obtained Swedish citizenship in 1915. Life and career Marteau was born in Reims. He was of German and French ancestry. His father, a Frenchman, was a well known amateur violinist in Reims, and took a great interest in musical affairs. His mother, a Berliner, was an excellent pianist, who had studied under Clara Schumann. Through the influence of Camillo Sivori, Marteau's parents were easily persuaded to allow their son to adopt a musical career, and he showed remarkable aptitude in his studies, first under Bunzl, later under Hubert Léonard and from 1891 entered Jules Garcin's class at the Conservatoire de Paris. Marteau was remarkable both for his individuality and for his development. His debut was made when only ten years old, at a concert given by the Vienna Philharmonic Society, conducted by Hans Richter. A tour through Switzerland and Germany followed. A year later Charles Gounod sele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Coleridge-Taylor
Samuel Coleridge-Taylor (15 August 18751 September 1912) was a British composer and conductor. Of mixed-race birth, Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem ''The Song of Hiawatha'' by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 22. He married a British woman, Jessie Walmisley, and both their children had musical careers. Their son Hiawatha adapted his father's music for a variety of performances. Their daughter Avril Coleridge-Taylor became a composer-conductor. Early life and education Samuel Coleridge-Taylor was born at 15 Theobalds Road, Holborn, London, in 1875 to Alice Hare Martin (1856–1953), an English woman, and Daniel Peter Hughes Taylor, a Krio man from Sierra Leone who had studied medic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Glazunov
Alexander Konstantinovich Glazunov; ger, Glasunow (, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younger comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he publis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet Quintet (Täglichsbeck)
The Quintet for Clarinet and Strings in B-flat major, Op. 44, is a clarinet quintet by Thomas Täglichsbeck. It is scored for clarinet in Bb and string quartet, and was published in 1863. Structure The work is structured in four movements: # '' Allegro con fuoco'' # '' Scherzo: Allegro'' # ''Adagio'' # '' Rondo: Allegretto vivace'' References External links * Taglichsbeck 1863 compositions Events January–March * January 1 – Abraham Lincoln signs the Emancipation Proclamation during the third year of the American Civil War, making the abolition of slavery in the Confederate states an official war goal. It proclaims th ... Compositions in B-flat major {{chamber-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Täglichsbeck
Thomas Täglichsbeck (31 December 1799 - 5 October 1867) was a German violinist and composer. Täglichsbeck was born in Ansbach. His family settled in the region of the Vogtland between Bavaria, Thuringia and Saxony, in 1800. Following violin lessons from his father, Johann Täglichsbeck, young Thomas moved to Munich where he studied with Pietro Rovelli. In 1817 a mass of his, written under the supervision of Josef Gratz, was performed in Munich. That same year, Täglichsbeck became a violinist in the Isarthortheater orchestra. Two years later, at the age of 20, he succeeded Lindpaintner as music director, making him one of the youngest conductors of the theater orchestra in Lower Saxony. In 1822 he became a solo violinist at the Munich court, which had the added advantage of freeing up his time to work on composing. On 24 August 1823 his first opera, ''Webers Bild'', premiered at the court theater. His variations on ''La gazza ladra'' also date from this period. In 1824 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Baermann
Heinrich Joseph Baermann (also spelled Bärmann; 14 February 1784 – 11 June 1847) was a German clarinet virtuoso of the Romantic era who is generally considered as being not only an outstanding performer of his time, but highly influential in the creation of several important composers' works for his instrument. Life Baermann was born in Potsdam. In his youth, Baermann took lessons from Joseph Beer (1744–1811) at the military school in Potsdam. After his prowess came to the attention of the Berlin court in 1804, Prince Louis Ferdinand of Prussia had the 20-year-old musician pursue his training in Berlin under the guidance of Franz Tausch (1762–1817). He played in the court orchestra of Munich from 1807 until his retirement in 1834, when his son Carl Baermann succeeded him. Parallel to Baermann's rise, the clarinet was undergoing a series of developments in key construction and embouchure that allowed greater agility and flexibility in playing. The growing custom was to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
