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Cirque D'Été
The Cirque d'Été (Summer Circus), a former Parisian equestrian theatre (and a type of indoor hippodrome), was built in 1841 to designs by the architect Jacques Hittorff. It was used as the summer home of the Théâtre Franconi, the equestrian troupe of the Cirque Olympique, the license for which had been sold in 1836 to Louis Dejean by Adolphe Franconi, the grandson of its founder, Antonio Franconi.McCormick 1993, p. 31. The cirque was later also used for other purposes, including grand concerts conducted by Hector Berlioz. The new theatre was located on the north-east side of the present Rond-Point of the Champs-Élysées. At first called the Cirque National,Galignani 1846p. 439 Galignani 1852p. 495 it also became known as the Cirque des Champs-Élysées and the Cirque Olympique des Champs-Élysées.Holoman 1989, pp. 315–319. In 1853 it was renamed Cirque de l'Impératrice (in honor of the new Empress Eugénie), a name which it retained until the fall of the empire in 1870. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippodrome
The hippodrome ( el, ἱππόδρομος) was an ancient Greek stadium for horse racing and chariot racing. The name is derived from the Greek words ''hippos'' (ἵππος; "horse") and ''dromos'' (δρόμος; "course"). The term is used in the modern French language and some others, with the meaning of "horse racecourse". Hence, some present-day horse-racing tracks also include the word "hippodrome" in their names, such as the Hippodrome de Vincennes and the Central Moscow Hippodrome. In the English-speaking world the term is occasionally used for theatres. Overview The Greek hippodrome was similar to the Roman version, the circus. (The hippodrome was not a Roman amphitheatre, which was used for spectator sports, executions, and displays, or a Greek or Roman semicircular amphitheater used for theatrical performances.) The Greek hippodrome was usually set out on the slope of a hill, and the ground taken from one side served to form the embankment on the other side. One en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais De L'Industrie
The Palais de l'Industrie (Palace of Industry) was an exhibition hall located in Paris between the Seine River and the Champs-Élysées, which was erected for the Exposition Universelle (1855), Paris World Fair in 1855. This was the last of several buildings with the same name erected on the same site. The first ''Palais de l'Industrie'' was built in 1839 and was replaced for subsequent exhibitions in 1844 and 1849. The 1855 building was mainly designed by the architect Jean-Marie-Victor Viel and the engineer Alexis Barrault. It was demolished in 1897 to make way for the Grand Palais of the Exposition Universelle (1900), World Fair in 1900. Emperor Napoleon III wished the World's Fair of 1855, which followed London's Great Exhibition by four years, to prove the superiority of the French by surpassing the British fair in every way. In particular, he desired a spectacular exhibition hall to rival The Crystal Palace. A competition held in 1852 was won by a plan by architect Jean-Mari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Life For The Tsar
''A Life for the Tsar'' ( rus, "Жизнь за царя", italic=yes, Zhizn za tsarya ) is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name ''Ivan Susanin'' (russian: Иван Сусанин ). The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in St. Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who died in the expulsion of the invading Polish army for the newly elected Tsar Michael of Russia, the first of the Romanov dynasty, elected in 1613.Osborne (2007) p. 143 History Composition history The plot of ''A Life for the Tsar'' had been used earlier in 1815, when Catterino Cavos, an Italian-Russian composer, had written a two-act si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five (composers), The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Francs-juges
''Les francs-juges'' (translated as "The Free Judges" or "The Judges of the Secret Court") is the title of an unfinished opera by the French composer Hector Berlioz written to a libretto by his friend Humbert Ferrand in 1826. Berlioz abandoned the incomplete composition and destroyed most of the music. He retained the overture, which has become a popular concert item, and used some other musical material in later compositions. Opera Ferrand was a law student with a love of poetry who became a lifelong friend of Berlioz. He had already written the words to a cantata for the composer, ''La Révolution grecque'' in 1825. Now Ferrand gratified Berlioz's eagerness to write his first opera by providing him with a three-act libretto, ''Les francs-juges''. The work is set in Middle Ages, Mediaeval Germany and the title literally means "The Free Judges", referring to the Vehmic court, secret Vehmic trials held in the region during the late Middle Ages. The plot, with its stormy passions and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Désert
Le Désert () is a former commune in the Calvados department in the Normandy region in northwestern France. On 1 January 2016, it was merged into the new commune of Valdallière. 13 October 2015 Population See also *Communes of the Calvados department
The following is a list of the 528 communes of the Calvados department of France.
The communes cooperate in the following intercommunalities (as of 2020):
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Félicien David
Félicien-César David (13 April 1810 – 29 August 1876) was a French composer. Biography Félicien David was born in Cadenet, and began to study music at the age of five under his father, whose death when the boy was six left him an impoverished orphan. His good voice enabled him to study as a choirboy at the Church of Saint-Sauveur in Aix-en-Provence, which he left at the age of 15 with a sound knowledge of music, and a scholarship which enabled him to study literature at a Jesuit college. However, after three years, he abandoned these studies to pursue a musical career. He first obtained a position in the orchestra of the theatre at Aix. In 1829, he became '' maître de chapelle'' at Saint-Sauveur, but realised that to complete his musical education he needed to study at Paris. An allowance of 50 francs per month from a rich uncle made this possible. In Paris in 1830 he convinced Luigi Cherubini, the director of the Conservatoire, to enroll him as a pupil: despite his res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Berlioz)
The ''Grande Messe des morts'' (or Requiem), Op. 5, by Hector Berlioz was composed in 1837. The ''Grande Messe des Morts'' is one of Berlioz's best-known works, with a tremendous orchestration of woodwind and brass instruments, including four antiphonal offstage brass ensembles. The work derives its text from the traditional Latin Requiem Mass. It has a duration of approximately ninety minutes, although there are faster recordings of under seventy-five minutes. History In 1837, Adrien de Gasparin, the Minister of the Interior of France, asked Berlioz to compose a Requiem Mass to remember soldiers who died in the Revolution of July 1830. Berlioz accepted the request, having already wanted to compose a large orchestral work. Meanwhile, the orchestra was growing in size and quality, and the use of woodwinds and brass was expanding due to the increasing ease of intonation afforded by modern instruments. Berlioz later wrote, "if I were threatened with the destruction of the whole of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Carnaval Romain
French composer Hector Berlioz wrote a number of "overtures", many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems. ''Les francs-juges'' ''Les francs-juges'', Op. 3. Composed 1826. The overture to Berlioz's first attempt at opera, which was never staged. The overture was first performed in the concert hall of the Paris Conservatoire as part of an all Berlioz concert on 26 May 1828. In his study on the composer, Jacques Barzun describes the work as "a genuine tour de force for a young dramatic musician working without knowledge of Beethoven." The instrumentation is two flutes doubling piccolo, two oboes, two clarinets in C, two bassoons, contrabassoon, four horns (in E and D), three trumpets (two in E and one in E), three trombones, two ophicleides, percussion (timpani, bass drum and cymbals) and strings. ''Waverley'' ''Waverley: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alceste (Gluck)
''Alceste'', Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play ''Alcestis'' by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna. The famous preface When Gluck published the score of ''Alceste'' in Vienna in 1769, he added a famous preface in Italian almost certainly written by Calzabigi, which set out their ideals for operatic reform, whose programmatic points follow those exposed by Francesco Algarotti in his ''Saggio sopra l'opera in musica'' (''Essay on opera in music'', 1755), namely: * no da capo arias, * no opportunity for vocal improvisation or virtuosic displays of vocal agility or power, * no long melismas, * a more predominantly syllabic setting of the text to make the words more intelligible, * far less repetition of text within an aria, * a blurring of the distinction between recitative and aria, decla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hallé
Sir Charles Hallé (born Karl Halle; 11 April 181925 October 1895) was an Anglo-German pianist and conductor, and founder of The Hallé orchestra in 1858. Life Hallé was born Karl Halle on 11 April 1819 in Hagen, Westphalia. After settling in England, he changed his name to Charles Hallé. His first lessons were from his father, an organist. As a child he showed remarkable gifts for pianoforte playing. He performed a sonatina in public at the age of four, and played percussion in the orchestra in his early years. In August 1828 he took part in a concert at Cassel, where he attracted the notice of Spohr. He then studied under Christian Heinrich Rinck at Darmstadt, Germany in 1835, and as early as 1836 went to Paris, where for twelve years he often associated with Luigi Cherubini, Frédéric Chopin, Franz Liszt and other musicians, and enjoyed the friendship of such great literary figures as Alfred de Musset and George Sand. He had started a set of chamber concerts with Jean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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