CineAsset
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CineAsset
CineAsset is a complete mastering software suite by Doremi Labs that can create and playback encrypted (Pro version) and unencrypted DCI compliant packages from virtually any source. CineAsset includes a separate "Editor" application for generating Digital Cinema Packages (DCPs). CineAsset Pro adds the ability to generate encrypted DCPs and Key Delivery Messages (KDMs) for any encrypted content in the database. Features CineAsset DCP Editor * Convert popular video files to DCI compliant digital cinema packages (DCPs) * Multi-reel support * Multiple Filters (Scale, XYZ Colorspace Conversion, Timecode Burn-in, Logo Overlay, Audio Delay, Trimmer) * Create and playback DCPs with subtitles * Generate encrypted DCPs (Pro version only) * Support for still picture import (create DCPs from a single image) * Custom Luts and Matrix values for color conversion (.csv and .3dl files) * High Frame Rate support (47.95, 48, 50, 59.94, 60, 72 and 96) * Supplemental DCP support * Load/save proje ...
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Digital Cinema Package
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation for packaging DC contents. However, the industry tends to apply the term to the structure more formally known as the composition. ("You PLAY a composition, You do NOT play a Digital Cinema Package".) A DCP is a “packing crate” for compositions, a hierarchical file structure that represents a title version. The DCP may carry a partial composition (e.g. not a complete set of files), a single complete composition, or multiple and complete compositions. The composition consists of a Composition Playlist (in XML format) that defines the playback sequence of a set of Track Files. Track Files carry the essence, which is wrapped using Material eXchange Format (MXF). Two track files at a minimum must be present in every composition (see SMPTE ST429-2 D-Cine ...
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Doremi Labs
Doremi Laboratories, Inc., often shortened to Doremi Labs, was a developer and manufacturer of digital servers and format converters for the digital cinema, broadcast, post-production and professional A/V markets. It was established in 1985 in Burbank, California, United States, and was absorbed into Dolby Laboratories in a 2014 acquisition. History Doremi Labs was founded by Camille Rizko in Los Angeles in 1985. Shortly after, he was joined by fellow engineers, Emil Rizko and Safar Ghazal. The first product, the Digital Audio Workstation Nucleus (DAWN), was an editing device for dialog replacement and effects/ADR Foley. The product used a Macintosh Plus computer as its user interface. One of the features that set Doremi's DAWN apart is its ability to play 8 high quality audio tracks from a single hard disk. The product built a faithful following owing to its friendly user interface which emulates existing paper based workflow. In 1994, the company foresaw the need to replace VCRs ...
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picture info

JPEG2000
JPEG 2000 (JP2) is an image compression standard and coding system. It was developed from 1997 to 2000 by a Joint Photographic Experts Group committee chaired by Touradj Ebrahimi (later the JPEG president), with the intention of superseding their original JPEG standard (created in 1992), which is based on a discrete cosine transform (DCT), with a newly designed, wavelet-based method. The standardized filename extension is .jp2 for ISO/IEC 15444-1 conforming files and .jpx for the extended part-2 specifications, published as ISO/IEC 15444-2. The registered MIME types are defined in RFC 3745. For ISO/IEC 15444-1 it is image/jp2. JPEG 2000 code streams are regions of interest that offer several mechanisms to support spatial random access or region of interest access at varying degrees of granularity. It is possible to store different parts of the same picture using different quality. JPEG 2000 is a compression standard based on a discrete wavelet transform (DWT). The standard cou ...
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MPEG Transport Stream
MPEG transport stream (MPEG-TS, MTS) or simply transport stream (TS) is a standard digital container format for transmission and storage of audio, video, and Program and System Information Protocol (PSIP) data. It is used in broadcast systems such as DVB, ATSC and IPTV. Transport stream specifies a container format encapsulating packetized elementary streams, with error correction and synchronization pattern features for maintaining transmission integrity when the communication channel carrying the stream is degraded. Transport streams differ from the similarly-named MPEG program stream in several important ways: program streams are designed for reasonably reliable media, such as discs (like DVDs), while transport streams are designed for less reliable transmission, namely terrestrial or satellite broadcast. Further, a transport stream may carry multiple programs. Transport stream is specified in '' MPEG-2 Part 1, Systems'', formally known as ''ISO/IEC standard 13818- ...
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picture info

BMP File Format
The BMP file format, also known as bitmap image file, device independent bitmap (DIB) file format and bitmap, is a raster graphics image file format used to store bitmap digital images, independently of the display device (such as a graphics adapter), especially on Microsoft Windows and OS/2 operating systems. The BMP file format is capable of storing two-dimensional digital images both monochrome and color, in various color depths, and optionally with data compression, alpha channels, and color profiles. The Windows Metafile (WMF) specification covers the BMP file format. Device-independent bitmaps and the BMP file format Microsoft has defined a particular representation of color bitmaps of different color depths, as an aid to exchanging bitmaps between devices and applications with a variety of internal representations. They called these device-independent bitmaps or DIBs, and the file format for them is called DIB file format or BMP image file format. According to Microso ...
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MPEG2
MPEG-2 (a.k.a. H.222/H.262 as was defined by the ITU) is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard. Main characteristics MPEG-2 is widely used as the format of digital television signals that are broadcast by terrestrial (over-the-air), cable, and direct broadcast satellite TV systems. It also specifies the format of movies and other programs that are distributed on DVD and similar discs. TV stations, TV receivers, DVD players, and other equipment are often ...
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VC-1
SMPTE 421, informally known as VC-1, is a video coding format. Most of it was initially developed as Microsoft's proprietary video format Windows Media Video 9 in 2003. With some enhancements including the development of a new Advanced Profile, it was officially approved as a SMPTE standard on April 3, 2006. It was primarily marketed as a lower-complexity competitor to the H.264/MPEG-4 AVC standard. After its development, several companies other than Microsoft asserted that they held patents that applied to the technology, including Panasonic, LG Electronics and Samsung Electronics. VC-1 is supported in the now-deprecated Microsoft Silverlight, the briefly-offered HD DVD disc format, and the Blu-ray Disc format. Format VC-1 is an evolution of the conventional block-based motion-compensated hybrid video coding design also found in H.261, MPEG-1 Part 2, H.262/MPEG-2 Part 2, H.263, and MPEG-4 Part 2. It was widely characterized as an alternative to the ITU-T and MPEG video cod ...
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picture info

MPEG-4 AVC
Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. It is by far the most commonly used format for the recording, compression, and distribution of video content, used by 91% of video industry developers . It supports resolutions up to and including 8K UHD. The intent of the H.264/AVC project was to create a standard capable of providing good video quality at substantially lower bit rates than previous standards (i.e., half or less the bit rate of MPEG-2, H.263, or MPEG-4 Part 2), without increasing the complexity of design so much that it would be impractical or excessively expensive to implement. This was achieved with features such as a reduced-complexity integer discrete cosine transform (integer DCT), variable block-size segmentation, and multi-picture inter-picture prediction. An additional goal was to provide enough flexibility to allow the standard to be applied ...
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MPEG4
MPEG-4 is a group of international standards for the compression of digital audio and visual data, multimedia systems, and file storage formats. It was originally introduced in late 1998 as a group of audio and video coding formats and related technology agreed upon by the ISO/IEC Moving Picture Experts Group (MPEG) ( ISO/IEC JTC 1/SC29/WG11) under the formal standard ISO/IEC 14496 – ''Coding of audio-visual objects''. Uses of MPEG-4 include compression of audiovisual data for Internet video and CD distribution, voice (telephone, videophone) and broadcast television applications. The MPEG-4 standard was developed by a group led by Touradj Ebrahimi (later the JPEG president) and Fernando Pereira. Background MPEG-4 absorbs many of the features of MPEG-1 and MPEG-2 and other related standards, adding new features such as (extended) VRML support for 3D rendering, object-oriented composite files (including audio, video and VRML objects), support for externally specified Digital ...
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XVID
Xvid (formerly "XviD") is a video codec library following the MPEG-4 video coding standard, specifically MPEG-4 Part 2 Advanced Simple Profile (ASP). It uses ASP features such as b-frames, global and quarter pixel motion compensation, lumi masking, trellis quantization, and H.263, MPEG and custom quantization matrices. Xvid is a primary competitor of the DivX Pro Codec. In contrast with the DivX codec, which is proprietary software developed by DivX, Inc., Xvid is free software distributed under the terms of the GNU General Public License. This also means that unlike the DivX codec, which is only available for a limited number of platforms, Xvid can be used on all platforms and operating systems for which the source code can be compiled. History In January 2001, DivXNetworks founded ''OpenDivX'' as part of Project Mayo which was intended to be a home for open source multimedia projects. OpenDivX was an open-source MPEG-4 video codec based on a stripped-down version of ...
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DNxHD
Avid DNxHD ("Digital Nonlinear Extensible High Definition") is a lossy high-definition video post-production codec developed by Avid for multi-generation compositing with reduced storage and bandwidth requirements. It is an implementation of SMPTE VC-3 standard. Overview DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3 standard. DNxHD is intended to be an open standard, but as of March 2008, has remained effectively a proprietary Avid format. The source code for the Avid DNxHD codec is freely available from Avid for internal evaluation and review, although commercial use requires Avid licensing approval. It has been commercially licensed to a number of companies including Ikegami, FilmLight, ...
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