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Cinder Ellen Up Too Late
''Cinder Ellen up too Late'' is a musical Victorian burlesque, burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones (composer), Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, ''Cinderella''. The piece was first produced in Melbourne, Australia at the Princess's Theatre on 22 August 1891 and then in Sydney, on 5 October at the Theatre Royal. It then debuted in London at the Gaiety Theatre, London, Gaiety Theatre in London and ran from 24 December 1891 until 9 July 1892, a total of 181 performances. It was revised and revived later in 1892. The production was directed by Walter Raynham, with choreography by Katti Lanner and Willie Warde and costumes by William Charles John Pitcher, W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Charles John Pitcher
William John Charles Pitcher (21 March 1858 – 2 March 1925), known as Wilhelm or C. Wilhelm, was an English artist, costume and scenery designer, best known for his designs for ballets, pantomimes, comic operas and Edwardian musical comedies. Life and career Wilhelm was born at Northfleet, in Kent, England, the son of a shipbuilder."Mr. Pitcher's Art" - Obituary ''The Times'', 3 March 1925 The young artist showed early promise, and J. R. Planché recommended him to design for the Theatre Royal, Drury Lane. There, Wilhelm created costumes, beginning in 1877, for numerous works, including the famous pantomimes of Sir Augustus Harris and for others until 1897, including the spectacular drama, ''Armada'' (1888)."Famous Ballet Designer - Identity of 'C. Wilhelm' Revealed", ''The Times'', 1 June 1920, p. 14 He also designed costumes for various music hall artists and for many London theatres, including Her Majesty's Theatre, The Coliseum and The Crystal Palace, and for three pant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Cristo Jr
Monte may refer to: Places Argentina * Argentine Monte, an ecoregion * Monte Desert * Monte Partido, a ''partido'' in Buenos Aires Province Italy * Monte Bregagno * Monte Cassino * Montecorvino (other) * Montefalcione Portugal * Monte (Funchal), a civil parish in the municipality of Funchal * Monte, a civil parish in the municipality of Fafe * Monte, a civil parish in the municipality of Murtosa * Monte, a civil parish in the municipality of Terras de Bouro Elsewhere * Monte, Haute-Corse, a commune in Corsica, France * Monte, Switzerland, a village in the municipality Castel San Pietro, Ticino, Switzerland * Monte, U.S. Virgin Islands, a neighborhood * Monte Lake, British Columbia, Canada Arts, entertainment, and media * ''Monte'' (film), a 2016 drama film by Amir Naderi * Three-card Monte * Monte Bank or Monte, a card game Other uses * Monte (dessert) a milk cream dessert produced by the German dairy company Zott * Monte (mascot), the mascot of the University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Jack Sheppard
''Little Jack Sheppard'' is a Victorian burlesque, burlesque melodrama written by Henry Pottinger Stephens and William Yardley (cricketer), William Yardley, with music by Meyer Lutz, with songs contributed by Florian Pascal,Florian Pascal was a pseudonym for Joseph Williams, Jr. (1847-1923), a music publisher and composer. SeFlorian Pascal profile at the Gilbert and Sullivan Archiveand [http://catalogue.nla.gov.au/Search/Home?lookfor=author:%22Pascal,%20Florian,%201847-1923%22&iknowwhatimean=1 Songs by Florian Pascal] Richard Corney Grain, Corney Grain, Arthur Cecil, Michael Watson, Henry J. Leslie, Alfred Cellier and Hamilton Clarke. The comedy lampooned the serious plays based on the life of Jack Sheppard, especially the popular 1839 play by John Buckstone, which was in turn based on Jack Sheppard (novel), the novel of that year by William Harrison Ainsworth. The piece opened at the Gaiety Theatre, London, Gaiety Theatre in London on 26 December 1885 and initially ran for 155 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galatea, Or Pygmalion Reversed
''Galatea, or Pygmalion Re-Versed'' is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play '' Pygmalion and Galatea''. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. Background This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include ''The Bohemian G-yurl and the Unapproachable Pole'' (1877), ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), ''Little Jack Sheppard'' (1885), ''Monte Cristo Jr.'' (1886), '' Miss Esmeralda'' (1887), ''Frankenstein, or The Vampire's Victim'' (1887), ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), and ''Cinder Ellen up too Late'' (1891). Gilbert himself had written a series of burlesques of opera ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bohemian G-yurl And The Unapproachable Pole
''The Bohemian G-yurl and the Unapproachable Pole'' is a musical burlesque in two acts, with a score by Meyer Lutz to a libretto by Henry James Byron, which played under the management of John Hollingshead at the Gaiety Theatre in London in 1877. It was a parody of the popular opera ''The Bohemian Girl'' composed by Michael William Balfe with a libretto by Alfred Bunn. Background Burlesque of opera or classical works was popular in Britain from the 1860s to the 1880s, and ''The Bohemian G-yurl and the Unapproachable Pole'' fell into this tradition. Other examples at the Gaiety included ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), ''Galatea, or Pygmalion Reversed'' (1883), '' Little Jack Sheppard'' (1885), '' Monte Cristo Jr.'' (1886), ''Miss Esmeralda'' (1887), '' Frankenstein, or The Vampire's Victim'' (1887), ''Mazeppa'', ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), ''Cinder Ellen up too Late'' (1891) and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rheumatic Fever
Rheumatic fever (RF) is an inflammatory disease that can involve the heart, joints, skin, and brain. The disease typically develops two to four weeks after a streptococcal throat infection. Signs and symptoms include fever, multiple painful joints, involuntary muscle movements, and occasionally a characteristic non-itchy rash known as erythema marginatum. The heart is involved in about half of the cases. Damage to the heart valves, known as rheumatic heart disease (RHD), usually occurs after repeated attacks but can sometimes occur after one. The damaged valves may result in heart failure, atrial fibrillation and infection of the valves. Rheumatic fever may occur following an infection of the throat by the bacterium ''Streptococcus pyogenes''. If the infection is left untreated, rheumatic fever occurs in up to three percent of people. The underlying mechanism is believed to involve the production of antibodies against a person's own tissues. Due to their genetics, some peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ta-ra-ra Boom-de-ay
"Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song. Its first known public performance was in Henry J. Sayers' 1891 revue ''Tuxedo'' in Boston, Massachusetts. The song became widely known in the version sung by Lottie Collins in London music halls in 1892. The melody was later used in various contexts, including as the theme song to the television show ''Howdy Doody''. Background The song's authorship was disputed for some years."Live Musical Topics", ''The New York Times'', April 3, 1892, p. 12 It was originally credited to Henry J. Sayers, the manager of Rich and Harris, a producer of the George Thatcher Minstrels. Sayers used the song in the troupe's 1891 production ''Tuxedo'', a minstrel farce variety show where "Ta-ra-ra Boom-de-ay" was sung by Mamie Gilroy. Gänzl, Kurt"Ta-ra-ra-boom-de ... oy? " Kurt Gänzl's blog, 20 August 2018 However, Sayers later said that he had not written the song, but heard it performed in the 1880s by a black singer, Mama Lou, in a well-know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lottie Collins
Lottie Collins (16 August 1865 – 1 May 1910) was an English singer and dancer, most famous for introducing the song "Ta-ra-ra Boom-de-ay!" in England. Early life She was born Charlotte Louisa Collins in the East End of London in 1865. Her father was a woodworker and music hall entertainer. She started out in music hall at the age of 11 or 12 in 1877 in a skipping rope dance act with her younger sisters, Eliza (Lizzie) and Mary Ann (Marie) as ''The Three Sisters Collins''.Lottie Collins profile , PeoplePlayUK Theatre website Career In 1886, Collins became a solo act in music hall. She also played in theatre, appearing the same year as Mariette in the Gaiety ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topsy Sinden
Harriet Augusta Sinden (1877–1950), known professionally as Topsy Sinden, was an English dancer, actress and singer. She was best known for her performances in Edwardian musical comedy and pantomime, both in London and on tour. Sinden was an accomplished tap dancer and skirt dancer. Life and career Sinden was born and raised in London. According to the 1901 census, her parents were Augustus Sinden, a musician, and his wife Harriet. Her brother was the actor and dancer Bert Sinden (1879–1911).These dates are based upon London census records. Her nickname was "Topsy" from an early age. She was a distant cousin of the actor Sir Donald Sinden. Early career Sinden began to perform as a small child in entertainments at St. James's Hall and made her professional debut at age six, in 1884, as a little dancer in a fairy play at the Royalty Theatre, followed shortly by a pantomime of ''Dick Whittington'' at the Theatre Royal, Drury Lane and by engagements at other West End theatres. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Leslie
Frederick George Hobson, known as Fred Leslie (1 April 1855 – 7 December 1892), was an English actor, singer, comedian and dramatist. Beginning his career in operetta, Leslie became best known for starring in, and writing (under the pseudonym A. C. Torr, a pun on the word "actor"), popular burlesque plays and other comic works of theatre. Biography Leslie was born in Woolwich, London. He was the youngest son of Charles Hobson, a wealthy military outfitter, and Sarah Hobson, ''née'' Pye. Leslie was educated in Woolwich, Lewisham and Pas-de-Calais. As a young man, he performed in amateur plays while working in commerce. He married Louisa (Louie) Agate in 1879. The couple had three children. The oldest of them, William Herbert Leslie Hobson (1880–1945), became a stage and film actor and singer also using the name "Fred Leslie". Career After briefly touring the British provinces, he made his first stage appearance in London at the Royalty Theatre as old Colonel Hardy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Williams (actor)
Arthur Williams (9 December 1844 – 15 September 1915) was an English actor, singer and playwright best remembered for his roles in comic operas, musical burlesques and Edwardian musical comedies. As a playwright, Williams wrote several farces as well as some dramas. Born in Islington, London, Williams initially went into business as a law stationer but soon left to take up acting in 1861 when he was 17. He travelled to Gravesend, Kent, where he made his stage début as Alfred Martelli in "The Corsican Brothers". He made his London stage debut at the St James's Theatre in 1868, where his roles included Thomas in ''The Secret'', Baron Factotum in a burlesque of ''Sleeping Beauty'', and Moses in ''The School for Scandal''. After playing in dramas in the 1870s, he appeared in comic operas in the 1880s, in which he created the roles Sir Mincing Lane in ''Billee Taylor'', Sir Whiffle Whaffle in ''Claude Duval'', Amaranth CVIII in ''Lord Bateman'', his most famous role, Lurcher in ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
