Cimbasso
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Cimbasso
The cimbasso is a low brass instrument that developed from the upright serpent over the course of the 19th century in Italian opera orchestras, to cover the same range as a tuba or contrabass trombone. The modern instrument has four to six rotary valves (or occasionally piston valves), a forward-facing bell, and a predominantly cylindrical bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its valves allow for more agility than a contrabass trombone. Like the modern contrabass trombone, it is most often pitched in F, although models are made in E♭, and occasionally low CC or BB♭. Etymology The Italian word , first appearing in the early 19th century, is thought to be a contraction used by musicians of the term or (), sometimes appearing in scores as ''c. basso'' or ''c. in basso''. The term was used loosely to refer to the lowest bass instrument available in the brass family, which changed over the course of the 19th century; t ...
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Cimbasso In Bb By Stowasser SCCHMM-95928
The cimbasso is a low brass instrument that developed from the upright serpent over the course of the 19th century in Italian opera orchestras, to cover the same range as a tuba or contrabass trombone. The modern instrument has four to six rotary valves (or occasionally piston valves), a forward-facing bell (wind instrument), bell, and a predominantly cylindrical bore (wind instruments), bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its valves allow for more agility than a contrabass trombone. Like the modern contrabass trombone, it is most often pitched in F, although models are made in E♭, and occasionally low CC or BB♭. Etymology The Italian word , first appearing in the early 19th century, is thought to be a contraction used by musicians of the term or (), sometimes appearing in scores as ''c. basso'' or ''c. in basso''. The term was used loosely to refer to the lowest bass instrument available in the brass family, whic ...
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Contrabass Trombone
The contrabass trombone (german: Kontrabassposaune, it, trombone contrabbasso) is the lowest instrument in the trombone family of brass instruments. First appearing built in 18′ B♭ an octave below the tenor trombone, since the late 20th century it has largely been supplanted by a less cumbersome bass-contrabass instrument pitched in 12′ F, a perfect fourth below the tenor and bass trombone. Wagner notably specified the contrabass for his ''Der Ring des Nibelungen'' opera cycle in the 1870s, and it has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. In the 21st century it has enjoyed something of a revival, particularly in film and video game soundtracks. History The contrabass trombone first appeared during the late Renaissance period as the (), a sackbut in 18′ B♭. The bass trombones of the time were pitched in 12′ F (), or 14′ E♭ (). During this period, the contrabass trombone was built wi ...
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Contrabass Trombone
The contrabass trombone (german: Kontrabassposaune, it, trombone contrabbasso) is the lowest instrument in the trombone family of brass instruments. First appearing built in 18′ B♭ an octave below the tenor trombone, since the late 20th century it has largely been supplanted by a less cumbersome bass-contrabass instrument pitched in 12′ F, a perfect fourth below the tenor and bass trombone. Wagner notably specified the contrabass for his ''Der Ring des Nibelungen'' opera cycle in the 1870s, and it has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. In the 21st century it has enjoyed something of a revival, particularly in film and video game soundtracks. History The contrabass trombone first appeared during the late Renaissance period as the (), a sackbut in 18′ B♭. The bass trombones of the time were pitched in 12′ F (), or 14′ E♭ (). During this period, the contrabass trombone was built wi ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Serpent (instrument)
The serpent is a low-pitched early brass instrument developed in the Renaissance era with a trombone-like mouthpiece and tone holes (later with keys) like a woodwind instrument. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is generally made from wood, usually walnut, and covered with dark brown or black leather. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries. Characteristics Although closely related to the cornett, the serpent has thinner walls, a more conical bore, and no thumb-hole. The serpent is typically built in eight-foot C with six fingerholes, in two groups of three. Early serpents were keyless, while later instruments added keys for additional holes out of reach of the fingers, to improve intonation and extend range. There is no real standard for the serpent's range, which varies according to the instrument and the playe ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Upright Serpent
The serpent is a low-pitched early brass instrument developed in the Renaissance era with a trombone-like mouthpiece and tone holes (later with keys) like a woodwind instrument. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is generally made from wood, usually walnut, and covered with dark brown or black leather. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries. Characteristics Although closely related to the cornett, the serpent has thinner walls, a more conical bore, and no thumb-hole. The serpent is typically built in eight-foot C with six fingerholes, in two groups of three. Early serpents were keyless, while later instruments added keys for additional holes out of reach of the fingers, to improve intonation and extend range. There is no real standard for the serpent's range, which varies according to the instrument and the playe ...
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Upright Serpent
The serpent is a low-pitched early brass instrument developed in the Renaissance era with a trombone-like mouthpiece and tone holes (later with keys) like a woodwind instrument. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is generally made from wood, usually walnut, and covered with dark brown or black leather. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries. Characteristics Although closely related to the cornett, the serpent has thinner walls, a more conical bore, and no thumb-hole. The serpent is typically built in eight-foot C with six fingerholes, in two groups of three. Early serpents were keyless, while later instruments added keys for additional holes out of reach of the fingers, to improve intonation and extend range. There is no real standard for the serpent's range, which varies according to the instrument and the playe ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Bore (wind Instruments)
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or "bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore that na ...
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