Chōnin
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Chōnin
was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. Social Class The ''chōnin'' emerged in ''joka-machi'' or castle towns during the sixteenth century. The majority of ''chōnin'' were merchants, but some were craftsmen. were not considered ''chōnin''. Later, peasants, servants, and workers were also considered members of the social class. While ''chōnin'' are not as well known to non-Japanese as other social classes in Japan, they played a key role in the development of Japanese cultural products such as ''ukiyo-e'', ''rakugo'', and handicrafts. Aesthetic ideals such as ''iki'', ''tsū'', and ''wabi-sabi'' were also developed among the ''chōnin''. This association with cultural development emerged as a way for members of the class to break the strict social barriers that prevented individuals from ascending in the social hierarchy. Members of th ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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Edo Fukagawa 1
Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of Japan from 1603 as the seat of the Tokugawa shogunate. Edo grew to become one of the largest cities in the world under the Tokugawa. After the Meiji Restoration in 1868 the Meiji government renamed Edo as ''Tokyo'' (, "Eastern Capital") and relocated the Emperor from the historic capital of Kyoto to the city. The era of Tokugawa rule in Japan from 1603 to 1868 is known eponymously as the Edo period. History Before Tokugawa Before the 10th century, there is no mention of Edo in historical records, but for a few settlements in the area. Edo first appears in the Azuma Kagami chronicles, that name for the area being probably used since the second half of the Heian period. Its development started in late 11th century with a branch of the ...
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Edo Hibachi
Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of Japan from 1603 as the seat of the Tokugawa shogunate. Edo grew to become one of the largest cities in the world under the Tokugawa. After the Meiji Restoration in 1868 the Meiji government renamed Edo as ''Tokyo'' (, "Eastern Capital") and relocated the Emperor from the historic capital of Kyoto to the city. The era of Tokugawa rule in Japan from 1603 to 1868 is known eponymously as the Edo period. History Before Tokugawa Before the 10th century, there is no mention of Edo in historical records, but for a few settlements in the area. Edo first appears in the Azuma Kagami chronicles, that name for the area being probably used since the second half of the Heian period. Its development started in late 11th century with a branch of the c ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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Iemoto
is a Japanese term used to refer to the founder or current Grand Master of a certain school of traditional Japanese art. It is used synonymously with the term when it refers to the family or house that the iemoto is head of and represents. The word is also used to describe a system of familial generations in traditional Japanese arts such as tea ceremony (including ), , Noh, calligraphy, traditional Japanese dance, traditional Japanese music, the Japanese art of incense appreciation (), and Japanese martial arts. and Go once used the system as well. The system is characterized by a hierarchical structure and the supreme authority of the , who has inherited the secret traditions of the school from the previous . Titles An may be addressed by the title or , or by the title or . In English, is often translated as "Grand Master". The 's main roles are to lead the school and protect its traditions, to be the final authority on matters concerning the school, to issue or a ...
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Rice
Rice is the seed of the grass species ''Oryza sativa'' (Asian rice) or less commonly ''Oryza glaberrima ''Oryza glaberrima'', commonly known as African rice, is one of the two domesticated rice species. It was first domesticated and grown in West Africa around 3,000 years ago. In agriculture, it has largely been replaced by higher-yielding Asian r ...'' (African rice). The name wild rice is usually used for species of the genera ''Zizania (genus), Zizania'' and ''Porteresia'', both wild and domesticated, although the term may also be used for primitive or uncultivated varieties of ''Oryza''. As a cereal, cereal grain, domesticated rice is the most widely consumed staple food for over half of the world's World population, human population,Abstract, "Rice feeds more than half the world's population." especially in Asia and Africa. It is the agricultural commodity with the third-highest worldwide production, after sugarcane and maize. Since sizable portions of sugarcane and ma ...
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Four Divisions Of Society
The four occupations () or "four categories of the people" ()Hansson, pp. 20-21Brook, 72. was an occupation classification used in ancient China by either Confucian or Legalist scholars as far back as the late Zhou dynasty and is considered a central part of the fengjian social structure (c. 1046–256 BC).Fairbank, 108. These were the ''shi'' (gentry scholars), the '' nong'' (peasant farmers), the ''gong'' (artisans and craftsmen), and the ''shang'' (merchants and traders). The four occupations were not always arranged in this order. The four categories were not socioeconomic classes; wealth and standing did not correspond to these categories, nor were they hereditary. The system did not factor in all social groups present in premodern Chinese society, and its broad categories were more an idealization than a practical reality. The commercialization of Chinese society in the Song and Ming periods further blurred the lines between these four occupations. The definition of the ide ...
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Middle Class
The middle class refers to a class of people in the middle of a social hierarchy, often defined by occupation, income, education, or social status. The term has historically been associated with modernity, capitalism and political debate. Common definitions for the middle class range from the middle fifth of individuals on a nation's income ladder, to everyone but the poorest and wealthiest 20%. Theories like "Paradox of Interest" use decile groups and wealth distribution data to determine the size and wealth share of the middle class. From a Marxist standpoint, middle class initially referred to the 'bourgeoisie,' as distinct from nobility. With the development of capitalist societies and further inclusion of the bourgeoisie into the ruling class, middle class has been more closely identified by Marxist scholars with the term 'petite bourgeoisie.' There has been significant global middle-class growth over time. In February 2009, ''The Economist'' asserted that over half of the ...
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Iki (aesthetic Ideal)
is a Japanese aesthetical concept thought to have originated amongst the merchant classes of Edo (modern-day Tokyo) in Edo period Japan.Nussbaum, Louis-Frédéric. (2005). "''Iki'' in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. came to prominence within the context of the official social hierarchy of Edo-period Japan, subverting class through an expression of material wealth that formed an aesthetic language specifically aimed at one's peers – typically those within the merchant classes. Sometimes misunderstood in the West as the archetypal or stereotypical aesthetics of Japanese culture, refers to a distinct aesthetic ideal of subdued displays of taste and/or wealth, with an emphasis on belying, on first glance, the efforts – monetary or otherwise – taken to appear stylish. , having come into prominence around the same as many other now-traditional artforms, remains a cornerstone of aesthet ...
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Wabi-sabi
In traditional Japanese aesthetics, is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent throughout all forms of Japanese art. is a composite of two interrelated aesthetic concepts, and . According to the Stanford Encyclopedia of Philosophy, may be translated as "subdued, austere beauty," while means "rustic patina." is derived from the Buddhist teaching of the , specifically , and , however, originally the concepts were seen as two distinct concepts. Characteristics of aesthetics and principles include asymmetry, roughness, simplicity Simplicity is the state or quality of being simple. Something easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we ..., economy, austerity ...
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Sculpture Of A Retired Townsman As A Lay Buddhist, 17th-18th Century
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Rakugo
is a form of ''yose'', which is itself a form of Japanese verbal entertainment. The lone sits on a raised platform, a . Using only a and a as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical (or sometimes sentimental) story. The story always involves the dialogue of two or more characters. The difference between the characters is depicted only through change in pitch, tone, and a slight turn of the head. Lexical background Rakugo was originally known as . The oldest appearance of the kanji which refers specifically to this type of performance dates back to 1787, but at the time the characters themselves (落とし噺) were normally read as ''otoshibanashi'' (falling discourse). In the middle of the Meiji period (1868–1912) the expression ''rakugo'' first started being used, and it came into common usage only in the Shōwa period (1926–1989). Description The speaker is in the middle of the audience ...
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