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Chöre Für Doris
(Choruses for Doris), after poems by Paul Verlaine, is a three-movement a cappella choral composition by Karlheinz Stockhausen, written in 1950 and later given the number 1/11 in the composer's catalogue of works. The score is dedicated to the composer's first wife, Doris Stockhausen, née Andreae. History During his third year of music-education studies at the Musikhochschule Köln, free stylistic exercises in composition were part of the program of training. Along with fugues, chorale preludes, sonatas, and song arrangements in various traditional styles, and a scherzo in the style of Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne ..., Stockhausen wrote a number of choral pieces for the school choir in which he himself sang. Amongst them were these three ''Chöre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Music
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Couraud
Marcel Just Théodore Marie Couraud (20 October 1912 in Limoges – 14 September 1986 in Loches) was a French orchestral and choral conductor and organist. Biography Couraud studied organ with André Marchal in Paris where he attended the Ecole Normale de Musique. He also took courses in composition with Nadia Boulanger and conducting with Charles Munch (conductor), Charles Munch. In 1944 he founded the ''Ensemble Vocal Marcel-Couraud'', with whom he performed chansons and madrigals of the Renaissance period (including Orlando di Lasso and Claudio Monteverdi) as well as works by contemporary composers such as ''Trois Petites Liturgies de la présence divine'' by Olivier Messiaen. He led the ensemble and also served as the choral director of the Maîtrise de Radio France until 1954 and then conducted the Bach Choir and Bach Orchestra Stuttgart. He also commissioned ''Epithalame'' in 1953, a vocal chamber piece by André Jolivet. From 1967, he was director of the choir of the broad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NDR Symphony Orchestra
The NDR Elbphilharmonie Orchestra (german: NDR Elbphilharmonie Orchester) is a German radio orchestra. Affiliated with the ''Norddeutscher Rundfunk'' (NDR; North German Broadcasting), the orchestra is based at the Elbphilharmonie in Hamburg, Germany. Earlier the ensemble was called the NDR Symphony Orchestra (), and was also known in English as the North German Radio Symphony Orchestra. British occupation authorities founded the orchestra after World War II as part of Radio Hamburg (NWDR), which was the only radio station in what would become West Germany not destroyed during the war. The first musicians came mostly from the ranks of the old Nazi-controlled ''Großes Rundfunkorchester des Reichssenders Hamburg''. Hans Schmidt-Isserstedt, who was living near Hamburg, was given the task of assembling the members, something he accomplished over a period of six months. Schmidt-Isserstedt conducted the orchestra's first concert in November 1945, with Yehudi Menuhin as soloist. Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NDR Chor
The NDR Chor (North German Radio Choir) is the choir of the German broadcaster Norddeutscher Rundfunk (NDR), based in Hamburg. It was founded in 1946, with Max Thurn as the first director of then 55 singers. The group has participated in premieres of contemporary music, such as the posthumous concert premiere of Schoenberg's opera ''Moses und Aron''. It is also known for a capella music, introduced by Helmut Franz such as a recording of all such works by Johannes Brahms. The current artistic director is Philipp Ahmann, who has held the position from 2008. NDR Chor, now a group of 28 singers, is one of the leading professional chamber choirs in Germany. History The NDR Chor was founded in Hamburg on 1 May 1946, then as choir of the Nordwestdeutscher Rundfunk (NWDR) and took its present name in 1956 when the broadcaster was split in NDR and WDR. Its first director was Max Thurn who accepted 55 singers from more than 2,000 applications by professional singers. During the first years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punkte
''Punkte'' (Points) is an orchestral composition by Karlheinz Stockhausen, given the work number ½ in his catalogue of works. History ''Punkte'' originated as a punctual orchestral work which was begun in September in Hamburg and had reached a first-draft stage by 30 September. The final draft was completed on 24 October 1952, but the work remained unperformed and unpublished . The work did not receive the title by which it is known today until much later, however. In a letter dated 4 November 1952 to (the editor from Universal Edition in Vienna who, at the premiere of Stockhausen's ''Spiel'' at the Donaueschingen Festival in October, had offered to publish his works), Stockhausen initially called his new score ''Zweites Orchesterspiel / Kontrapunkte / für Saiten- und Blasinstrumente'', and in a letter to his friend Karel Goeyvaerts dated 14 January 1953, he calls the orchestral work ''Nr. 4 Kontrapunkte'', adding, "It will be very difficult to perform this work". At this point ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atmen Gibt Das Leben
''Atmen gibt das Leben'' (''Breathing Gives Life''), is a choral opera with orchestra by Karlheinz Stockhausen, written in 1974 and expanded in 1976–77. It is Number 39 in the catalogue of the composer's works, and lasts about 50 minutes in performance. History The first part of ''Atmen gibt das Leben'' was composed for a cappella choir during a composition seminar on 1 February 1974. This was in response to a request from the German Choral Association for a piece that could be sung by amateur choirs, and Stockhausen's original idea was that his students should each write a simple choral piece using a text from ''The Bowl of Saki'', by Inayat Khan, and then all the pieces would be published together in a single volume. Not all of his students reacted favourably, and so the piece he composed himself for the project became the first part of Stockhausen's choral opera. This part was premiered by the NDR Chor, the choir of the Norddeutscher Rundfunk, in a public concert in Hamburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consi ..., section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dona Nobis Pacem
Dona nobis pacem (Latin for "Grant us peace") is a phrase in the Agnus Dei section of the mass (liturgy), mass. The phrase, in isolation, has been appropriated for a number of musical works, which include: Classical music * "Dona nobis pacem (round), Dona nobis pacem", a traditional round * ''Dona nobis pacem'', fugue by Ludwig van Beethoven (now thought genuine), Hess Anh. 57 (1795) * ''Dona nobis pacem (Vaughan Williams), Dona nobis pacem'', cantata by Ralph Vaughan Williams (1936) * Title of the third movement of ''Symphonie Liturgique'' by Arthur Honegger (1945) * Title of a choral work by Ann Loomis Silsbee (1981) * ''Dona nobis pacem'' for choir and orchestra by the Latvian composer, Pēteris Vasks (1996) * Title of section of ''Adiemus V: Vocalise'' by Karl Jenkins (2003) Literature * "Dona Nobis Pacem" is repeatedly quoted in Graham Greene's 1938 novel ''Brighton Rock (novel), Brighton Rock'' by its antihero Pinkie Brown. * "Dona Nobis Pacem" is used in Graham Greene's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamb Of God
Lamb of God ( el, Ἀμνὸς τοῦ Θεοῦ, Amnòs toû Theoû; la, Agnus Dei, ) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36. Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary as a sign of his full obedience to the will of his divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings; 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings. In Genesis 22, the bindi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
