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Château Grimaldi (Cagnes)
''See also Château Grimaldi (other) for other Châteaux of the same name'' The Château Grimaldi at Cagnes-sur-Mer in the Departments of France, département of Alpes-Maritimes, in France, is built on the site of an earlier Fortification, fortress occupied by the Greeks and then the Ancient Rome, Romans. The present castle was built in 1309 by Rainier I of Monaco, Lord of Cagnes, Rainier Grimaldi (Lord of Cagnes and an admiral of France) - a distant ancestor of the present ruling House of Grimaldi, house of Monaco. Later it became the residence of the Governors of the province. Following the French Revolution, it was used as barracks and later as a hospital. Now owned by the city of Cagnes, it is known as ''le Château Musée Grimaldi'' (the Grimaldi Castle and Museum). Built upon a hilltop, the castle towers over the town. Constructed in the local stone, it retains many of its original medieval features and Motif (art), motifs, it is Machicolation, machicolated with Batt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machicolation
A machicolation (french: mâchicoulis) is a floor opening between the supporting corbels of a battlement, through which stones or other material, such as boiling water, hot sand, quicklime or boiling cooking oil, could be dropped on attackers at the base of a defensive wall. A smaller version found on smaller structures is called a box-machicolation. Terminology The structures are thought to have originated as Crusader imitations of mashrabiya. The word derives from the Old French word ''machecol'', mentioned in Medieval Latin as ''machecollum'', probably from Old French ''machier'' 'crush', 'wound' and ''col'' 'neck'. ''Machicolate'' is only recorded in the 18th century in English, but a verb ''machicollāre'' is attested in Anglo-Latin. Both the Spanish and Portuguese words denoting this structure (''matacán'' and ''mata-cães'', respectively), are similarly composed from "matar canes" meaning roughly "killing dogs", the latter word being a slur referring to infidels.V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or " -ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms '' modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising that lifetimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapel
A chapel is a Christian place of prayer and worship that is usually relatively small. The term has several meanings. Firstly, smaller spaces inside a church that have their own altar are often called chapels; the Lady chapel is a common type of these. Secondly, a chapel is a place of worship, sometimes non-denominational, that is part of a building or complex with some other main purpose, such as a school, college, hospital, palace or large aristocratic house, castle, barracks, prison, funeral home, cemetery, airport, or a military or commercial ship. Thirdly, chapels are small places of worship, built as satellite sites by a church or monastery, for example in remote areas; these are often called a chapel of ease. A feature of all these types is that often no clergy were permanently resident or specifically attached to the chapel. Finally, for historical reasons, ''chapel'' is also often the term used by independent or nonconformist denominations for their places of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Carlone
Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa. Biography Carlone was born and died in Genoa. He came from a family of artists: his father Taddeo, uncle, and cousins were sculptors, and his older brother Giovanni Bernardo Carlone was a painter, trained in Rome and married to the daughter of Bernardo Castello. Giovanni Bernardo, however, died at age 40. Giovanni Battista may have had some training under Domenico Passignano.see Farquhar He was remarkably prolific both in terms of offspring (24 children) by a single matron (Nicoletta Scorza), and paintings and frescoes; and likely these two facts were not independent, since the sheer output strongly suggests the hands of many in his paintings. His paintings throng local churches; for example, the Basilica della Santissima Annunziata del Vastato alone contains nearly 20 canvases and frescoes. However his artistic profligacy also diluted the force of individuality in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Benso
Giulio Benso (30 October 1592 – 1668) was a Genovese painter of the early Baroque. He is known as one of the followers of the style of Luca Cambiasi. Benso was born in Pieve di Teco. Initially under the patronage of Giovanni Carl Doria, he met Giulio Cesare Procaccini and was encouraged to study in the Genovese ''Accademia del Nudo''. Afterwards, he was apprenticed to Giovanni Battista Paggi. Apart from his work in Liguria, he decorated the Palazzo Grimaldi in Cagnes-sur-Mer with the ''Fall of Phaeton'' and sent works to the Abbey of Weingarten in Germany. In the 1640s, he completed his masterpiece, a fresco in the presbytery and apse of the church of the Basilica della Santissima Annunziata del Vastato. There are also paintings of his in his hometown of Pieve di Teco as well as in the parish church of Sant'Ambrogio in Alassio. Sources * Venancio Belloni, ''Pittura genovese del Seicento. Dal Manierismo al Barocco'', EMMEBI, Genoa, 1969. * Ezia Gavazza, ''La grande dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaethon
Phaethon (; grc, Φαέθων, Phaéthōn, ), also spelled Phaëthon, was the son of the Oceanid Clymene and the sun-god Helios in Greek mythology. According to most authors, Phaethon is the son of Helios, and out of desire to have his parentage confirmed, travels to the sun-god's palace in the east. There he is recognised by his father, and asks him for the privilege to drive his chariot for a single day. Despite Helios' fervent warnings and attempts to talk him out of it, counting the numerous dangers he would face in his celestial journey and reminding Phaethon that only he can control the horses, the boy is not dissuaded and does not change his mind. He is then allowed to take the chariot's reins; his ride is disastrous, as he cannot keep a firm grip on the horses. As a result, he drives the chariot too close to the earth, burning it, and too far from it, freezing it. In the end, after many complaints, from the stars in the sky to the earth itself, Zeus strikes Phaethon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Hall
A great hall is the main room of a royal palace, castle or a large manor house or hall house in the Middle Ages, and continued to be built in the country houses of the 16th and early 17th centuries, although by then the family used the great chamber for eating and relaxing. At that time the word "great" simply meant big and had not acquired its modern connotations of excellence. In the medieval period, the room would simply have been referred to as the "hall" unless the building also had a secondary hall, but the term "great hall" has been predominant for surviving rooms of this type for several centuries, to distinguish them from the different type of hall found in post-medieval houses. Great halls were found especially in France, England and Scotland, but similar rooms were also found in some other European countries. A typical great hall was a rectangular room between one and a half and three times as long as it was wide, and also higher than it was wide. It was ente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XIII
Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court. Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. The King and the Cardinal are remembered for establishing the '' Académie française'', and ending the revolt o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtyard
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words ''court'' and ''yard'' derive from the same root, meaning an enclosed space. See yard and garden for the relation of this set of words. In universities courtyards are often known as quadrangles. Historic use Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as people have lived in constructed dwellings. The courtyard house makes its first appearance ca. 6400–6000 BC (calibrated), in the Neolithic Yarmukian site at Sha'ar HaGolan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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