Church Of The Blessed Sacrament At Rua Do Passo
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Church Of The Blessed Sacrament At Rua Do Passo
The Church of the Blessed Sacrament at Rua do Passo ( pt, Igreja do Santíssimo Sacramento da Rua do Passo, also ''Igreja do Santíssimo Sacramento do Passo'') is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. It is dedicated to the Blessed Sacrament ( pt, santíssimo sacramento). The Church of the Blessed Sacrament at Rua do Passo was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1938 and is part of the Historic Center of Salvador UNESCO World Heritage Site. History The Parish of the Blessed Sacrament at Rua do Passo (''Freguesia do Santíssimo Sacramento da Rua do Passo'') was established 1718 by the fifth archbishop of Salvador, Sebastião Monteiro da Vide (1643-1722). A royal warrant was issued by Portugal in 1736 to fund the construction of the main chapel, and work began on a new chancel in the following year. Its name is a reference to one of the Stations of the Cross. The annual procession commemorat ...
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Catholic
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ...
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Sobrado (architecture)
A sobrado is a type of house style building from the Portuguese colonial era, typical in Brazil and other former Portuguese colonies. It is a form equivalent to the Anglo-American townhouse, particularly the creole townhouse in Louisiana. Featuring typically two floors with a balcony, the sobrados were the residences of the urban notable people, notably in the former capital of Brazil, Salvador. They are also found in Cape Verde, particularly in São Filipe on the Fogo island, and in Angola, in Luanda. A sobrado typically consists of two or more floors and a relatively large built area. During the colonial period in Brazil these houses served as residences for slave owners in cities, marking a sluggish beginning for urbanization in Brazil. In the previous period, an antagonism existed between the casa-grandes and the slave quarters, where the houseowners were contrasted with the housekeepers who belonged to the poorer strata of society. The expression arose naturally from the ...
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Azulejo
''Azulejo'' (, ; from the Arabic ''al- zillīj'', ) is a form of Spanish and Portuguese painted tin-glazed ceramic tilework. ''Azulejos'' are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, restaurants, bars and even railways or subway stations. They are an ornamental art form, but also had a specific functional capacity like temperature control in homes. There is also a tradition of their production in former Spanish and Portuguese colonies in North America, South America, the Philippines, Goa (India), Lusophone Africa, East Timor, and Macau (China). ''Azulejos'' constitute a major aspect of Spanish architecture and Portuguese architecture to this day and are fixtures of buildings across Spain and Portugal and its former territories. Many azulejos chronicle major historical and cultural aspects of Spanish and Portuguese history. History 13th to 15th century The word ''azulejo'' (as well as the Ligurian ''laggion'') is derived ...
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Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a ' reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable."''Art & Architecture Thesaurus Online''
'Retable' This distinction is not always upheld in common use, an ...
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António Pinto (painter)
Antonio Pinto may refer to: * António Pinto (runner) (born 1966), Portuguese long-distance runner * Antônio Pinto (composer) (born 1967), Brazilian composer of film music * António Costa Pinto (born 1953), Portuguese professor of politics and history * Antonio Augusto Ferreira Pinto Júnior (born 1986), Brazilian defensive midfielder * António Marinho e Pinto (born 1950), Portuguese lawyer and former journalist See also *Antonio Vico y Pintos (1840–1940), Spanish stage actor *Pinto Pinto is a Portuguese language, Portuguese, Spanish language, Spanish, Sephardi Jews, Jewish (Sephardic), and Italian language, Italian surname. It is a high-frequency surname in all List of countries and territories where Portuguese is an officia ..., a list of people whose given name or surname is ''Pinto'' * Pinto (other) {{hndis, Pinto, Antonio ...
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António Dias
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Façade
A façade () (also written facade) is generally the front part or exterior of a building. It is a Loanword, loan word from the French language, French (), which means 'frontage' or 'face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on Efficient energy use, energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian language, Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the ''Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian architecture, Georgian period for existing houses in English towns to be give ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Tribune (architecture)
Tribune is an ambiguous – and often misused – architectural term, which can have several meanings. Today, it most often refers to a dais or stage-like platform or, in a vaguer sense, any place from which a speech can be prominently made. Etymology The English term ''tribune'' ("raised platform") was derived as early as 1762 from French (''tribune'') and Italian (''tribuna'') words. These in turn stemmed from Medieval Latin ''tribuna'' and from Classical Latin ''tribunal'', the elevated placing of a tribune's (or other Roman magistrate's) seat for official functions in the manner of a throne. Meanings * In ancient Rome, the term was used of a semicircular apse in a Roman basilica, with a raised platform, where a presiding magistrate (a tribune, or others) sat in an official chair. Subsequently, it applied generally to any raised structure from which speeches were delivered, including makeshift wooden structures in the Roman Forum and even the private box of the emperor at ...
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Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ...
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