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Church Of Our Lady, Assens
The Church of Our Lady in Assens is located on (Fyn). It is a Church of Denmark parish church. History The main chapel on the north side of the church and the lower, square part of the tower are remains of a Romanesque church. In 1488 the church stood in its present form. The Catholic past of the building is heralded in a monstrance, now located to the right of the altar, and a stoup in what was then the porch. After the Reformation, it came into use as a protestant church. It underwent rough-handed restoration work in 1842-56 and 1881-84. Architecture The church is a three-nave church built in large, red brick of the type in Denmark known as monk stone (''munkesten''). Typically of Gothic churches, the roofs of the aisles are lower than that of the central nave, allowing light to enter through clerestory windows. The tower stands at 48 metres. Its octagonal upper part is unusual in Danish church architecture, the only similar design is that of the five towers of Church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Denmark
The Evangelical-Lutheran Church in Denmark or National Church, sometimes called the Church of Denmark ( da, Folkekirken, literally: "The People's Church" or unofficially da, Den danske folkekirke, literally: "The Danish People's Church"; kl, Ilagiit, literally: "The Congregation"), is the established, state-supported church in Denmark. The supreme secular authority of the church is composed of the reigning monarch and Denmark's Parliament, the Folketing. , 73.2% of the population of Denmark are members,Church membership 1990-2021 Kirkeministeriet though membership is voluntary.Freedom of reli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assens Church Interior Panorama
Assens may refer to: * Assens, Denmark ** Assens Municipality * Assens, Switzerland * Rafael Cansinos-Asséns (1882–1964), a Spanish poet, essayist, literary critic See also * Asse (other) * Assen (other) Assen is a municipality and a city in the Netherlands. It can also refer to: Surname * Jan van Assen (1635–1695), Dutch Golden Age painter * Miguel van Assen (born 1997), Surinamese athlete Given name * Assen Blatechki (born 1971), Bulgarian a ... {{disambiguation, geo sv:Assens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assens Church Interior Panorama 2
Assens may refer to: * Assens, Denmark ** Assens Municipality * Assens, Switzerland * Rafael Cansinos-Asséns (1882–1964), a Spanish poet, essayist, literary critic See also * Asse (other) * Assen (other) Assen is a municipality and a city in the Netherlands. It can also refer to: Surname * Jan van Assen (1635–1695), Dutch Golden Age painter * Miguel van Assen (born 1997), Surinamese athlete Given name * Assen Blatechki (born 1971), Bulgarian a ... {{disambiguation, geo sv:Assens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian IV Of Denmark
Christian IV (12 April 1577 – 28 February 1648) was King of Denmark and Norway and Duke of Holstein and Schleswig from 1588 until his death in 1648. His reign of 59 years, 330 days is the longest of Danish monarchs and Scandinavian monarchies. A member of the House of Oldenburg, Christian began his personal rule of Denmark in 1596 at the age of 19. He is remembered as one of the most popular, ambitious, and proactive Danish kings, having initiated many reforms and projects. Christian IV obtained for his kingdom a level of stability and wealth that was virtually unmatched elsewhere in Europe. He engaged Denmark in numerous wars, most notably the Thirty Years' War (1618–1648), which devastated much of Germany, undermined the Danish economy, and cost Denmark some of its conquered territories. He rebuilt and renamed the Norwegian capital Oslo as ''Christiania'' after himself, a name used until 1925. Early years Birth and family Christian was born at Frederiksborg Cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar Rail
The altar rail (also known as a communion rail or chancel rail) is a low barrier, sometimes ornate and usually made of stone, wood or metal in some combination, delimiting the chancel or the sanctuary and altar in a church, from the nave and other parts that contain the congregation. Often a gate, or just a gap, at the centre divides the line into two parts. Rails are a very common, but not inevitable, feature of Roman Catholic, Anglican, Lutheran, and Methodist churches. They are usually about two feet 6 inches high, with a padded step at the bottom, and designed so that the wider top of the rail can support the forearms or elbows of a kneeling person. The altar rail is a modest substitute for earlier barriers demarcating the chancel, the area containing the altar, which was reserved (with greatly varying degrees of strictness) for officiating clergy (including boys as choristers and altar servers). Although it only emerged after the Protestant Reformation, it has been found con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hour Glass
An hourglass (or sandglass, sand timer, sand clock or egg timer) is a device used to measure the passage of time. It comprises two glass bulbs connected vertically by a narrow neck that allows a regulated flow of a substance (historically sand) from the upper bulb to the lower one. Typically, the upper and lower bulbs are symmetric so that the hourglass will measure the same duration regardless of orientation. The specific duration of time a given hourglass measures is determined by factors including the quantity and coarseness of the particulate matter, the bulb size, and the neck width. Depictions of an hourglass as a symbol of the passage of time are found in art, especially on tombstones or other monuments, from antiquity to the present day. The form of a winged hourglass has been used as a literal depiction of the well-known idiom "time flies". History Antiquity The origin of the hourglass is unclear. Its predecessor the clepsydra, or water clock, is known to have exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion (Christianity)
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jens Adolf Jerichau
Emil Jens Baumann Adolf Jerichau (17 April 1816 – 25 July 1883) was a Danish sculptor. He belonged to the generation immediately after Bertel Thorvaldsen, for whom he worked briefly in Rome, but gradually moved away from the static Neoclassicism he inherited from him and towards a more dynamic and realistic style. He was a professor at the Royal Danish Academy of Fine Arts and its director from 1857 to 1863. Early life and career Jens Adolf Jerichau was born in Assens on the Danish island of Funen to grocer and lieutenant Carl Christian Jerichau and his wife Karen Birch. He worked in a painter's apprenticeship for one and a half years before traveling to Copenhagen where he was admitted to the Royal Academy of Fine Arts in 1831. He was accepted into the model school in 1833 and continued to the painting school, at the same time studying privately with painter Christoffer Wilhelm Eckersberg after winning both silver medals. Then in 1836 he started sculpting with German-born s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dankvart Dreyer
Dankvart Dreyer (13 June 1816 – 4 November 1852) was a Danish landscape painter of the Copenhagen School of painters who was educated under the guidance of Christoffer Wilhelm Eckersberg. Around 1840, he was part of the emerging National Romantic landscape painting scene in Denmark but as a result of his over-dramatic and excessively natural style, he did not fit the aesthetics and the ideology of the period. After being widely criticized, he turned his back on the artistic establishment and passed into near oblivion. In 1852, when only 36 years old, he died from typhus. Posthumously, half a century after his death, his reputation was restored, prompted by the art historian Karl Madsen, and today he is considered to be one of the leading Danish landscape painters of his day, the peer of his more famous contemporaries P. C. Skovgaard and Johan Lundbye. Early life and education As the youngest of 15 children, Dankvart Dreyer was born on 13 June 1816 in Assens on the Danish islan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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