|
Chuck Rainey
Charles Walter Rainey III (born June 17, 1940) is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones. Rainey is credited for playing bass on more than 1,000 albums, and is one of the most recorded bass players in the history of recorded music. Early life Rainey was born in Cleveland, Ohio on June 17, 1940, and grew up in Youngstown. His parents were both amateur pianists. He learned piano, violin, and trumpet as a child and majored in brass instruments in college. He attended Lane College in Jackson, Tennessee. Rainey began playing bass guitar in the military. Career After leaving the military, Rainey joined a local band. His first big professional gig was playing with Big Jay McNeely. He then joined up with Sil Austin to tour Canada and New York. In 1962, Rainey joined King Curtis and his All-Star band; in 1965, they opened for The Beatles' 1965 US tour. He joined Quincy Jones's big ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Wooten
Victor Lemonte Wooten (born September 11, 1964) is an American bassist, songwriter, and record producer. He has been the bassist for Béla Fleck and the Flecktones since the group's formation in 1988 and a member of the band SMV with two other bassists, Stanley Clarke and Marcus Miller. From 2017 to 2019 he recorded as the bassist for the metal band Nitro. He owns Vix Records, which releases his albums. He wrote the novel ''The Music Lesson: A Spiritual Search for Growth Through Music''. He later released the book's sequel, ''The Spirit of Music: The Lesson Continues,'' on February 2nd, 2021. Wooten is the recipient of five Grammy Awards. He won the Bass Player of the Year award from ''Bass Player'' magazine three times and is the first person to win the award more than once. In 2011, he was ranked No. 10 in the Top 10 Bassists of All Time by ''Rolling Stone'' magazine. In 2018-2019 Wooten was diagnosed with a rare neurological condition called focal dystonia in his hands and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Vinson
Eddie "Cleanhead" Vinson (born Edward L. Vinson Jr.; December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and rhythm and blues, R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson "one of the cleanest—and nastiest—blues voices you'll ever hear." Biography Vinson was born in Houston, Houston, Texas. He was a member of the horn section in Milton Larkin's orchestra, which he joined in the late 1930s. At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin's employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. He then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, Ammon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gato Barbieri
Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat". Biography Born to a family of musicians, Barbieri began playing music after hearing Charlie Parker's "Now's the Time". He played the clarinet and later the alto saxophone while performing with Argentine pianist Lalo Schifrin in the late 1950s. By the early 1960s, while playing in Rome, he also worked with the trumpeter Don Cherry. By now influenced by John Coltrane's late recordings, as well as those from other free jazz saxophonists such as Albert Ayler and Pharoah Sanders, he began to develop the warm and gritty tone with which he is associated. In the late 1960s, he was fusing music from South America into his playing and contributed to multi-artist projects like Charlie Haden's ''Liberation Music Orchestra'' and Carl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated '' Schoolhouse Rock!'' series. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s. During the 1970s he was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Richardson
Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band. Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79. Discography As leader * '' Midnight Oil'' (New Jazz, 1959) * '' Roamin' with Richardson'' (New Jazz, 1959) * ''Going to the Movies'' (United Artists, 1962) * '' Groove Merchant'' (Verve, 1967) * ''Jazz Station Runaway'' (TCB, 1997) As sideman * 1955: Oscar Pettiford: '' Another One'' (Bethlehem) * 1955: Kenny Clarke: ''Bohemia After Dark'' (Savoy) * 1955: Ernie Wilkins: '' Flutes & Reeds'' (Savoy) with Frank Wess * 1955: Nat Adderley: '' That's Nat'' (Savoy) * 1955: Sarah Vaughan: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles' 1965 US Tour
The Beatles staged their second concert tour of the United States (with one date in Canada) in the late summer of 1965. At the peak of American Beatlemania, they played a mixture of outdoor stadiums and indoor arenas, with historic concerts at Shea Stadium in New York and the Hollywood Bowl. Typically of the era, the tour was a "package" presentation, with several artists on the bill. The Beatles played for just 30 minutes at each show, following sets by support acts such as Brenda Holloway and the King Curtis Band, Cannibal & the Headhunters, and Sounds Incorporated. After the tour's conclusion, the Beatles took a six-week break before reconvening in mid-October to record the album ''Rubber Soul''. Background Brian Epstein, the Beatles' manager, scheduled the band's second full concert tour of America after a series of early-summer concerts in Europe. The group began rehearsing for the tour in London on 25 July, four days before attending the royal premiere of their second fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Curtis
Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as " Respect" by Aretha Franklin (1965), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sil Austin
Sylvester Austin (September 17, 1929 – September 1, 2001) was an American jazz saxophonist. He had his biggest success in an overtly commercial rather than jazz vein, but he regarded Coleman Hawkins, Lester Young and Sonny Stitt as his major influences. Music career Austin was born in Dunnellon, Florida, United States, and taught himself to play as a 12-year-old. He won the Ted Mack Amateur Hour in St. Petersburg, Florida in 1945, playing "Danny Boy". His performance brought him a recording contract with Mercury Records, and he moved to New York, where he studied for a time at the Juilliard School of Music. Austin played with Roy Eldridge briefly in 1949, and with Cootie Williams in 1951-52 and Tiny Bradshaw in 1952-54, before setting up his own successful touring group. He recorded over 30 albums for Mercury, and had a number of Top 40 hits with pop tunes like "Danny Boy" (his signature tune), "Slow Walk" and "My Mother's Eyes". "Slow Walk" peaked the highest at Number 17. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Jay McNeely
Cecil James "Big Jay" McNeely (April 29, 1927 – September 16, 2018) was an American rhythm and blues saxophonist. Biography Inspired by Illinois Jacquet and Lester Young, McNeely teamed with his older brother Robert McNeely, who played baritone saxophone, and made his first recordings with drummer Johnny Otis, who ran the Barrelhouse Club that stood only a few blocks from McNeely's home. Shortly after he performed on Otis's "Barrel House Stomp." Ralph Bass, A&R man for Savoy Records, promptly signed him to a recording contract. Bass's boss, Herman Lubinsky, suggested the stage name Big Jay McNeely because Cecil McNeely did not sound commercial. McNeely's first hit was "The Deacon's Hop," an instrumental which topped the ''Billboard'' R&B chart in early 1949. Big Jay McNeely performed for the famed fifth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles produced by Leon Hefflin, Sr. on July 10, 1949. It was at this concert that McNeely and Lionel Hampton got in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Victor Wooten")
