Chronicle, Vol. 2
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Chronicle, Vol. 2
''Chronicle: Volume Two'', also known by the title including its subtitle as ''Chronicle: Volume Two - Twenty Great CCR Classics'', is a compilation album by Creedence Clearwater Revival, released by Fantasy Records in November 1986. The collection follows '' Chronicle: The 20 Greatest Hits'' (1976), which includes all of the CCR's charted hits and remains the band's best-selling album. The LP version of ''Chronicle: Volume Two'' contains an edited version of "Molina", removing the final saxophone solo. Track listing Personnel ''Per liner notes *John Fogerty – lead guitar, vocals, producer, arranger * Tom Fogerty – guitar, except on tracks 19 and 20 * Stu Cook – bass *Doug Clifford – drums *Gary Hobish – digital mastering *Phil Carroll – art direction Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art direc ...
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Creedence Clearwater Revival
Creedence Clearwater Revival, also referred to as Creedence and CCR, was an American rock band formed in El Cerrito, California. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. CCR's musical style encompassed roots rock, swamp rock, blues rock, Southern rock, and country rock, among others. Belying their origins in the East Bay subregion of the San Francisco Bay Area, the band often played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River and other elements of Southern United States iconography. The band's songs rarely dealt with romantic love, concentrating instead on political and socially conscious lyrics about topics such as the Vietnam War. The ...
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John Marascalco
John S. Marascalco (March 27, 1931 – July 5, 2020) was an American songwriter most noted for the songs he wrote for Little Richard. He was born in Grenada, Mississippi and died in Los Angeles, California. Career Marascalco co-wrote several of the most seminal songs in 1950s rock and roll. Together with Robert Blackwell, he wrote the songs "Good Golly Miss Molly", "Ready Teddy", and " Rip It Up" made famous by Little Richard. Also for Little Richard, Marascalco co-wrote "Heeby Jeebies", "She's Got It", and "Groovy Little Suzy". He co-wrote the song " Goodnight My Love" with George Motola made famous by Jesse Belvin and Paul Anka. Marascalco also collaborated with Harry Nilsson and co-wrote " Be My Guest" with Tommy Boyce. Marascalco co-wrote "Send Me Some Lovin'" with Leo Price, which was recorded by Little Richard. The Crickets for their 1957 debut album ''The "Chirping" Crickets'', Sam Cooke, and John Lennon. He also penned "Wouldn't You Know", which was recorded by Billy Lee ...
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Cosmo's Factory
''Cosmo's Factory'' is the fifth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records in July 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the ''Billboard'' Hot 100. The album spent nine consecutive weeks in the number one position on the ''Billboard'' 200 chart and was certified 4x platinum by the RIAA in 1990. Background With the release of ''Cosmo's Factory'' in July 1970, Creedence Clearwater Revival hit their commercial zenith. It was their fifth album in two years and became an international smash, topping the album charts in six countries. The band also toured Europe in 1970, playing the Royal Albert Hall to enthusiastic audiences, and had emerged as the most popular band in America by largely ignoring the trippy acid rock indulgences that were typical of the era. However, despite the band's infectious blend of rockabilly, folk, and R&B, some peers and rock critics ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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Before You Accuse Me
"Before You Accuse Me" (also known as "Before You Accuse Me (Take a Look at Yourself)") is a song written and recorded by American musician Bo Diddley in 1957. The song was originally released as the B-side to Diddley's "Say Bossman" and included on his self-titled debut album in 1958. Backing Diddley on vocal and guitar on the original recording were Jody Williams on guitar, Willie Dixon on bass, and Frank Kirkland on drums. The song has also been recorded by several other artists, such as Creedence Clearwater Revival and Eric Clapton. Renditions Creedence Clearwater Revival Creedence Clearwater Revival recorded "Before You Accuse Me" for their fifth studio album, ''Cosmo's Factory'' (1970). Lead singer John Fogerty contributed both guitar and piano parts for the song. Biographer Thomas M. Kitts commented on the song's lyrics: Eric Clapton Eric Clapton recorded "Before You Accuse Me" several times during his career. An electric version is included on his 1989 album ''Journ ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ...
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Midnight Special (song)
"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train ''Midnight Special'' and its "ever-loving light" (sometimes "ever-living light"). The song is historically performed in the country-blues style from the viewpoint of the prisoner and has been performed by many artists. History Lyrics appearing in the song were first recorded in print by Howard Odum in 1905: However, these lyrics are known to be floater lines, appearing in various African-American songs of that period, notably in the "Grade-Songs", which are about prison captains and have nothing to do with a train or a light. The first printed reference to the song itself was in a 1923 issue of ''Adventure'' magazine, a three-times-a-month pulp magazine published by the Ridgway Company. In 1927 Carl Sandburg published two different versions of "Midnight Special" in his ''The American Songbag'', the first published versions ...
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Don't Look Now (It Ain't You Or Me)
"Don't Look Now (It Ain't You or Me)" is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album ''Willy and the Poor Boys''. It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album ''Double Nickels on the Dime''. Lyrics and music "Don't Look Now (It Ain't You or Me)" follows "Fortunate Son" on ''Willy and the Poor Boys'' and it follows up the latter's political theme of class disparities. "Don't Look Now (It Ain't You or Me)" supports common laborers at the expense of rock stars and hippies. It critiques the fact that hippies get to enjoy their idealism and their music, but while they are having fun and ignoring responsibilities the less fortunate have to do the hard work such as farming, mining and making clothing. It is structured as a series of questions, such as "Who will work the field with his hands?" "Who takes the coal from the mines?" "Who takes the s ...
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It Came Out Of The Sky
"It Came Out of the Sky" is a song written by John Fogerty that was included on Creedence Clearwater Revival's 1969 album ''Willy and the Poor Boys''. It was also released as a single in some countries and has appeared on several of the group's compilation albums. It was included occasionally in the group's live set even after John Fogerty left the group and the remaining members reformed as Creedence Clearwater Revisited. Lyrics and music "It Came Out of the Sky" is a satirical song and one of Creedence Clearwater Revival's first forays into political themes. The lyrics describe what happens when an object, presumably a meteorite or flying saucer, falls on the property of a farmer named Jody in Moline, Illinois. Various politicians and other figures attempt to use the incident for their own purposes. Then United States Vice President Spiro Agnew wants to use the incident to impose a tax on Mars. Then Governor of California Ronald Reagan, called "Ronnie the Populist" in the s ...
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Willy And The Poor Boys
''Willy and the Poor Boys'' is the fourth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records in November 1969. It was the last of three studio albums the band released that year, arriving just three months after ''Green River''. Overview The album features the songs "Down on the Corner", from which the album got its name, and "Fortunate Son", which is a well-known protest song. Creedence also released its own version of "Cotton Fields" on this album, which reached the #1 position in Mexico. The album was planned to be formed around a concept introduced in "Down on the Corner", with Creedence taking on the identity of an old-time jug band called "Willy and The Poor Boys". However, this was dropped rather quickly, except for the cover, where the band remains in character. Background By the fall of 1969, Creedence Clearwater Revival was one of the hottest rock bands in the world, having scored three consecutive #2 singles and the #1 ...
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Lead Belly
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk music, folk and blues singer notable for his strong vocals, Virtuoso, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", "Midnight Special (song), Midnight Special", "Cotton Fields", and "Boll Weevil (song), Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and diatonic accordion, windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitl ...
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