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Christopher Simpson
Christopher Simpson (1602/1606–1669) was an English musician and composer, particularly associated with music for the viola da gamba. Life Simpson was born between 1602 and 1606, probably at Egton, North Yorkshire. He was the eldest son of Christopher Sympson, a Yorkshireman, who is usually described as a cordwainer but who was also the manager of a theatre company patronised by wealthy Yorkshire Catholics. It is thought that Sympson senior may have preferred to portray himself at times as a simple craftsman, rather than a high-profile Catholic sympathiser, at a time when Catholics were harshly persecuted in England. There is a theory (put forward by Urquhart) that Christopher Simpson (junior), the musician, could have been the same Simpson (or Sampson) who was educated as a Jesuit in continental Europe and was ordained as a Catholic priest in 1629. However, Simpson's death in 1669 is at odds with the evidence that the Jesuit Simpson lived until 1674. Simpson fought in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Simpson In Oil
Christopher is the English version of a Europe-wide name derived from the Greek name Χριστόφορος (''Christophoros'' or '' Christoforos''). The constituent parts are Χριστός (''Christós''), "Christ" or "Anointed", and φέρειν (''phérein''), "to bear"; hence the "Christ-bearer". As a given name, 'Christopher' has been in use since the 10th century. In English, Christopher may be abbreviated as "Chris", "Topher", and sometimes " Kit". It was frequently the most popular male first name in the United Kingdom, having been in the top twenty in England and Wales from the 1940s until 1995, although it has since dropped out of the top 100. The name is most common in England and not so common in Wales, Scotland, or Ireland. People with the given name Antiquity and Middle Ages * Saint Christopher (died 251), saint venerated by Catholics and Orthodox Christians * Christopher (Domestic of the Schools) (fl. 870s), Byzantine general * Christopher Lekapenos (died 931 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Division Viol
The division viol is an English type of bass viol, which was originally popular in the mid-17th century, but is currently experiencing a renaissance of its own due to the movement for historically informed performance. John Playford mentions the division viol in his ''A Brief Introduction'' of 1667, describing it as smaller than a consort bass viol, but larger than a lyra viol."Division viol" As suggested by its name, ( divisions were a type of variations), the division viol is intended for highly ornamented music, and for improvisations. The division viol also had a very large range with the tuning D–G–c–e–a–d', resulting in the ability of skilled players to play divisions on any part in a polyphonic vocal piece. The division viol may be historically connected with the viola bastarda, and came into being in the mid-17th century in England. Music for the division viol was mainly linear, although there were occasionally lyra-like passages, and music for it was writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Oxford Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biographical collections published elsewhere in Europe, such as the ''Allgemeine Deutsche Biographie'' (1875), in 1882 the publisher George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the name of an earlier eighteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Harrison (historian)
Sir Brian Howard Harrison (born 9 July 1937) is a British historian and academic. From 1996 to 2004, he was Professor of Modern History at the University of Oxford. From 2000 to 2004, he was also the Editor of the ''Oxford Dictionary of National Biography''. Academic career Harrison was Professor of Modern History at the University of Oxford from 1996 to 2004. He was additionally the editor of ''Oxford Dictionary of National Biography'' from January 2000 to September 2004 (succeeded by Lawrence Goldman). Since 2004, he has been an emeritus fellow of Corpus Christi College, Oxford. Harrison has published extensively on British social and political history from the 1790s to the present. His first book was ''Drink and the Victorians. The Temperance Question England 1815–1872'' (1971, 2nd. ed. 1994), based on his doctoral thesis entitled The temperance question in England, 1829–1869'' His most recent publications are two volumes in the ''New Oxford History of England'' serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Scholes
Percy Alfred Scholes PhD OBE (24 July 1877 – 31 July 1958) (pronounced ''skolz'') was an English musician, journalist and prolific writer, whose best-known achievement was his compilation of the first edition of ''The Oxford Companion to Music''. His 1948 biography ''The Great Dr Burney'' was awarded the James Tait Black Memorial Prize. Career He was born in Headingly, Leeds in 1877, the third of six children of Thomas Scholes, a commercial agent and Katharine Elizabeth Pugh. He was educated privately, owing to his poor health as a child. He became an organist, schoolteacher, music journalist, lecturer, an Inspector of Music in Schools to London University and the Organist and Music Master of Kent College, Canterbury (1900), All Saints, Vevey, Switzerland (1902) as well as Kingswood College, Grahamstown, South Africa (1904). He was Registrar at the City of Leeds (Municipal) School of Music (1908–1912).John Owen Ward. 'Scholes, Percy A(lfred)' in ''Grove Music Online'' (2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hille Perl
Hille Perl (born ''Hildegard Perl'' on 9 March 1965, in Bremen) is a German virtuoso performer of the viola da gamba and lirone. She is considered to be one of the world's finest viola da gamba players, specializing in solo and ensemble music of the 17th and 18th centuries. She has a particular interest in French Baroque repertoire for seven-string bass viola da gamba. She also performs Spanish, Italian, German, and modern repertoire for the instrument and has released many CDs. Her long-time performing partner is Lee Santana, who plays the lute, theorbo, chitarrone, and baroque guitar. In addition to an original 18th-century gamba made by Matthais Alban in Tyrol, 1687, she plays a seven-string Tielke replica made by Ingo Muthesius and a six-string Italian gamba made by Claus Derenbach. Her main instrument, the Alban gamba, was discovered in 1952 in an Austrian convent, and was restored by Ingo Muthesius. Muthesius replaced the neck, while retaining the original lion's head s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihuela' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Authentic Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well as add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
