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Christophe Coin
Christophe Coin (; born 26 January 1958) is a French cellist, viola da gamba player and conductor active in the field of historically informed performance. He is the cellist of the Quatuor Mosaïques and is the director of the Ensemble Baroque de Limoges. Career Born in Caen, Coin studied with Jacques Ripoche. At the Conservatoire de Paris, he studied cello with André Navarra and graduated in 1974. From 1976, he studied on a scholarship in Vienna. He was influenced by Nikolaus Harnoncourt, among others. From 1978, he studied viola da gamba with Jordi Savall at the Schola Cantorum Basiliensis. He worked first mainly as a soloist. In 1984, he founded the ''Mosaïques Ensemble'' and in 1987 the string quartet ''Quatuor Mosaïques'' with Erich Höbarth, Andrea Bischof and Anita Mitterer, all players members of the Concentus Musicus Wien. The quartet has performed mostly works of the classical period on period instruments, with a focus on less known works. After a 2012 concert in Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Violons Du Roy
Les Violons du Roy is a French-Canadian chamber orchestra based in Quebec City, Quebec. The orchestra's principal venue is the Palais Montcalm in Québec City. The orchestra also performs concerts in Montréal at the Place des Arts, the Montreal Museum of Fine Arts and St. James United Church. In 1984, Bernard Labadie founded the ensemble, following productions at the Université Laval of the Baroque operas ''Dido and Aeneas'' and ''L'incoronazione di Poppea'', using the orchestra for these productions as the new ensemble's core. The ensemble's name is an adaptation of the 17th century French royal court orchestra Les Vingt-quatre Violons du Roi. Numbering 15 musicians, the orchestra performs on modern instruments, but incorporates period performance practice into its performances of music from the 17th and 18th centuries, including using duplicates of period bows for string instruments, and sparing use of ''vibrato''. Labadie founded an affiliate chorus for ''Les Violons d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using period instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Year's Day
New Year's Day is a festival observed in most of the world on 1 January, the first day of the year in the modern Gregorian calendar. 1 January is also New Year's Day on the Julian calendar, but this is not the same day as the Gregorian one. Whilst most solar calendars (like the Gregorian and Julian) begin the year regularly at or near the northern winter solstice, cultures that observe a lunisolar or lunar calendar celebrate their New Year (such as the Chinese New Year and the Islamic New Year) at less fixed points relative to the solar year. In pre-Christian Rome under the Julian calendar, the day was dedicated to Janus, god of gateways and beginnings, for whom January is also named. From Roman times until the middle of the 18th century, the new year was celebrated at various stages and in various parts of Christian Europe on 25 December, on 1 March, on 25 March and on the movable feast of Easter. In the present day, with most countries now using the Gregorian calendar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Nun Sei Gepreiset, BWV 41
(Jesus, now be praised), , is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for New Year's Day and first performed it on 1 January 1725 as part of his second cantata cycle. It is based on the hymn by Johannes Hermann (1591). History and words Bach wrote the cantata in 1724, his second year as ''Thomaskantor'' in Leipzig, for New Year's Day. The feast also celebrated the naming and circumcision of Jesus. The prescribed readings for the feast day were from the Epistle to the Galatians, by faith we inherit (), and from the Gospel of Luke, the Circumcision and naming of Jesus (). That year, Bach composed a cycle of chorale cantatas, begun on the first Sunday after Trinity of 1724. The cantata is based on the hymn for New Year's Day in three stanzas by Johannes Hermann (1591) who was also a Thomaskantor. Its melody is by Melchior Vulpius, who first published it in his , printed in Jena (1609). The hymn calls Jesus by name first, fitting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotthold Schwarz
Gotthold Schwarz (born 2 May 1952 in Zwickau) is a German Bass-baritone and conductor. Based in Leipzig, he started as a member of the Thomanerchor and has conducted the Gewandhausorchester. Between 2016 and 2021, he was the 17th Thomaskantor after Johann Sebastian Bach. Biography Schwarz was the son of the cantor of St. Paul Church in Zwickau, which gave him an early contact with music. He began his musical career in 1964 as a member of the Thomanerchor, the boys' choir in Leipzig founded in 1212 and directed by Johann Sebastian Bach, among others, as the Thomaskantor. Schwarz has collaborated with the choir since in several functions. After completion of a church music education at the College of Church Music in Dresden, he studied at the Hochschule für Musik "Felix Mendelssohn Bartholdy" in Leipzig, voice with Gerda Schriever, organ with and Hannes Kästner, and conducting with Max Pommer and Hans-Joachim Rotzsch. Later he studied privately with Peter Schreier, Hermann Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Prégardien
Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's ''St John Passion'' and ''St Matthew Passion''. Born in Limburg an der Lahn, he began his musical education as a choirboy at the cathedral's boys' choir, the Limburger Domsingknaben. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt at the Hochschule für Musik, with Carla Castellani in Milan, with Alois Treml in Stuttgart, and attended Hartmut Höll's lieder-class. His orchestral and oratorio repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th-century works by Britten, Killmayer, Rihm, and Stravinsky. Also recognized as an eminent recitalist, he regularly performs at the major recital venues in Paris, London, Bru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Scholl
Andreas Scholl (born 10 November 1967) is a German countertenor, a male classical singer in the alto vocal range, specialising in Baroque music. Born into a family of singers, Scholl was enrolled at the age of seven into the Kiedricher Chorbuben boys choir. Aged 13, he was chosen from 20,000 choristers gathered in Rome from around the world to sing solo at a Mass held on 4 January 1981. Just four years later, Scholl was offered a place at the Schola Cantorum Basiliensis, an institution that normally accepts only post-graduate students, based on the strength and quality of his voice. He became an instructor at the Schola Cantorum Basiliensis in Switzerland, succeeding his own teacher, Richard Levitt. Since October 2019, he has been a professor at the Universität Mozarteum in Salzburg, Austria. This is his only position as a teacher now. Scholl's early operatic roles include his standing in for René Jacobs in 1993 at the Théâtre Grévin in Paris, where he caused a sensation. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Schlick
Barbara Schlick (born 21 July 1943, Würzburg) is a German soprano who is particularly admired for interpretations of the concert literature of the baroque era. Career Schlick studied singing under at the Hochschule für Musik Würzburg and in Essen under Hilde Wesselmann. She later pursued further studies with Rudolf Piernay and Gisela Rohmert. Starting in 1966, Schlick began to appear throughout Europe as a soloist with Adolf Scherbaum's Baroque ensemble. She appeared for the first time in North America in a tour with Paul Kuentz and his chamber orchestra. She has since appeared at major concert halls, performance venues, and music festivals throughout Europe, Israel, Japan, Canada, the United States and Russia, singing under the batons of people like Frans Brüggen, William Christie, Michel Corboz, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Sigiswald Kuijken, and Karl-Friedrich Beringer. She took part in the project of Ton Koopman and the Amsterdam Baroque Orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Silbermann
Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is known about Silbermann's youth. He was born in Kleinbobritzsch (now a part of Frauenstein, Saxony) as the youngest son of the carpenter Michael Silbermann. They moved to the nearby town of Frauenstein in 1685, and it is possible that Gottfried also learnt carpentry there. He moved to Straßburg in 1702, where he learnt organ construction from his brother and came in touch with the French-Alsatian school of organ construction. He returned to Saxony as a master craftsman in 1710, and opened his own organ workshop in Freiberg one year later. His second project in Germany was the "Grand Organ" in the Freiberg Cathedral of St. Mary, finished in 1714. In 1723 he was bestowed the title ''Königlich Polnischen und Churfürstlich Sächsischen Hof- und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ponitz
Ponitz is a municipality in the district Altenburger Land, in Thuringia, Germany. It is particularly famous for its Baroque organ by Gottfried Silbermann Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is know ... and for its spectacularly-eccentric Renaissance manor house. Districts of Ponitz are Zschöpel, Merlach, Guteborn and Grünberg. References Further readingHome page of the Silbermann organ *''Silbermann: Geschichte und legende einer Orgelbauerfamilie'' (Ostfildern: Jan Thorbeck Verlag, 2006) Ponitz Renaissances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violoncello Piccolo
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
