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Christis Kirk On The Green
"Christis Kirk on the Green" is an anonymous Middle Scots poem in 22 stanzas, now believed to have been written around the year 1500, giving a comic account of a brawl at a country fair. It was for many years mistakenly attributed either to James I of Scotland or to James V of Scotland. It gave rise to a whole tradition of humorous poems on similar subjects by Scottish poets down the centuries, including Allan Ramsay and Robert Burns, and is still one of the most frequently published works in Middle Scots. "Christis Kirk on the Green" has been called one of the finest performances in 15th-century British poetry. Synopsis The scene opens at Christ's Kirk where a dance is in full swing on the village green. While Tom Lutar plays the music and sings, the young women flirt with their suitors. Two of the men, Jock and Robin Ray, neither of whom has been having much luck with the girls, start to quarrel over one of them, and blows are struck. The fight begins to spread, and thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ's Kirk On The Green
"Christis Kirk on the Green" is an anonymous Middle Scots poem in 22 stanzas, now believed to have been written around the year 1500, giving a comic account of a brawl at a country fair. It was for many years mistakenly attributed either to James I of Scotland or to James V of Scotland. It gave rise to a whole tradition of humorous poems on similar subjects by Scottish poets down the centuries, including Allan Ramsay and Robert Burns, and is still one of the most frequently published works in Middle Scots. "Christis Kirk on the Green" has been called one of the finest performances in 15th-century British poetry. Synopsis The scene opens at Christ's Kirk where a dance is in full swing on the village green. While Tom Lutar plays the music and sings, the young women flirt with their suitors. Two of the men, Jock and Robin Ray, neither of whom has been having much luck with the girls, start to quarrel over one of them, and blows are struck. The fight begins to spread, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insch
Insch ( gd, An Innis or Innis Mo Bheathain) is a village in the Garioch, Aberdeenshire, Scotland. It is located approximately from the city of Aberdeen. Etymology The name of the village may have come from the Scottish Gaelic ''innis'', meaning an island, or, as in this context, a piece of ''terra firma'' in a marsh.Watson, W.J., ''Celtic Placenames of Scotland'', (Edinburgh, 1926) Alternatively, ''inch'' or ''innis'' can refer to a meadow or low-lying pasture which more closely corresponds with the site of the village.Smith, Alexander (Ed.). ''A New History of Aberdeenshire in Two Parts: Part II'', Lewis Smith, Aberdeen, 1875. ''Innis'' also indicates the presence of water - a river, loch or estuary, perhaps - often seen as ''Inch'' in place names, as in Perth's famous North and South Inches on the west bank of the River Tay.Watson, W.J. ''Place-Names of Ross and Cromarty'', 1904, reprinted in paperback 1996 by Highland Heritage Books). Inchnadamph at the eastern end of Loc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canto
The canto () is a principal form of division in medieval and modern long poetry. Etymology and equivalent terms The word ''canto'' is derived from the Italian word for "song" or "singing", which comes from the Latin ''cantus'', "song", from the infinitive verb ''canere'', "to sing"."Canto" ''The Merriam-Webster Dictionary''. Retrieved 27 September 2015. In , , and poetry, the term '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tale Of Ralph The Collier
''The Tale of Ralph the Collier'', also known as ''The Tale of Ralph Collier'' and ''The Taill of Rauf Coilyear'', is a Scottish dialect Middle English poem composed in the late fifteenth century. It constituted a revival of Middle English alliterative verse, wherein the first and middle parts of each verse begin with the same sound. Synopsis The story concerns King Charlemagne, who has gotten lost and detached from his retinue in a storm. He is forced to take refuge in the home of a collier named "Rauf." While Rauf is more or less hospitable, he does not realize his guest is the king, and so treats him somewhat roughly. Upon departing the next day, Charlemagne tells Rauf to come to the court in Paris so he can sell his goods at a very lucrative price. When he gets home, the king orders his best knight, Sir Roland, to scan the countryside and tell anyone on the road to come straight to Charlemagne. An encounter between Roland and Rauf ensues, in which Roland to no avail demand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dunbar
William Dunbar (born 1459 or 1460 – died by 1530) was a Scottish makar, or court poet, active in the late fifteenth and early sixteenth centuries. He was closely associated with the court of King James IV and produced a large body of work in Scots distinguished by its great variation in themes and literary styles. He was probably a native of East Lothian, as assumed from a satirical reference in ''The Flyting of Dumbar and Kennedie''. W. Mackay Mackenzie, ''The Poems of William Dunbar'', The Mercat Press, Edinburgh,1990. His surname is also spelt ''Dumbar''. Biography Dunbar first appears in the historical record in 1474 as a new student or ''determinant'' of the Faculty of Arts at the University of St Andrews.J.M. Anderson, ''Early records of the University of St Andrews: the graduation roll 1413–1579 and the matriculation roll 1473–1579'', Scottish History Society, Edinburgh, 1926A.I. Dunlop, Acta facultatis artium Universitatis Sanctandree, 1413–1588, Oliver and Boy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makar
A makar () is a term from Scottish literature for a poet or bard, often thought of as a royal court poet. Since the 19th century, the term ''The Makars'' has been specifically used to refer to a number of poets of fifteenth and sixteenth century Scotland, in particular Robert Henryson, William Dunbar and Gavin Douglas, who wrote a diverse genre of works in Middle Scots in the period of the Northern Renaissance. The Makars have often been referred to by literary critics as ''Scots Chaucerians''. In modern usage, poets of the Scots revival in the 18th century, such as Allan Ramsay and Robert Fergusson are also makars. Since 2002, the term "makar" has been revived as the name for a publicly funded poet, first in Edinburgh, followed by the cities of Glasgow, Stirling and Dundee. In 2004 the position of Makar or National Poet for Scotland, was authorized by the Scottish Parliament. Etymology Middle Scots (plural ) is the equivalent of Middle English '' maker''. The word functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Chaucerians
A makar () is a term from Scottish literature for a poet or bard, often thought of as a royal court poet. Since the 19th century, the term ''The Makars'' has been specifically used to refer to a number of poets of fifteenth and sixteenth century Scotland, in particular Robert Henryson, William Dunbar and Gavin Douglas, who wrote a diverse genre of works in Middle Scots in the period of the Northern Renaissance. The Makars have often been referred to by literary critics as ''Scots Chaucerians''. In modern usage, poets of the Scots revival in the 18th century, such as Allan Ramsay and Robert Fergusson are also makars. Since 2002, the term "makar" has been revived as the name for a publicly funded poet, first in Edinburgh, followed by the cities of Glasgow, Stirling and Dundee. In 2004 the position of Makar or National Poet for Scotland, was authorized by the Scottish Parliament. Etymology Middle Scots (plural ) is the equivalent of Middle English '' maker''. The wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aureation
Aureation ("to make golden", from la, aureus) is a device in arts of rhetoric that involves the "gilding" (or supposed heightening) of diction in one language by the introduction of terms from another, typically a classical language considered to be more prestigious. Aureation commonly involves other mannered rhetorical features in diction; for example circumlocution, which bears a relation to more native literary devices such as the kenning. It can be seen as analogous to Gothic schools of ornamentation in carving, painting, or ceremonial armoury. In terms of prosody it stands in direct contrast to plain language and its use is sometimes regarded, by current standards of literary taste, as overblown and exaggerated. But aureated expression does not necessarily mean loss of precision or authenticity in poetry when handled by good practitioners. Loanwords and neologisms In the context of language development, aureation can be seen as an extension of processes in which historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gregory Smith
Prof George Gregory Smith (20 June 1865 – 3 March 1932) was a Scottish literary critic. He corresponded with Mark Twain, and also lived in Florence for a while. He died in London but is buried with his wife Mary east of the western path in Dean Cemetery in Edinburgh Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian on the southern shore of t .... Family He was married to Mary Cadell (1866-1909) daughter of Col Robert Cadell. Selected works *'' The Days of James IV'' (1890) *The Transition Period' (1900) *Specimens of Middle Scots' (1902) * ''Elizabethan Critical Essays,'vol. Ivol. II(1904, editor) * Scottish Literature: Character & Influence' (1919). References * Author and Bookinfo.com External links * Scottish literary critics 1865 births 1932 deaths {{Scotland-academic-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Golden Age Painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Salvator's College, St Andrews
St Salvator's College was a college of the University of St Andrews in St Andrews, Scotland. Founded in 1450, it is the oldest of the university's colleges. In 1747 it merged with St Leonard's College, St Andrews, St Leonard's College to form United College, St Andrews, United College. History St Salvator's College was founded in 1450 by James Kennedy (bishop), James Kennedy, Bishop of St Andrews. King James II of Scotland had provided an endowment at the college's foundation and this allowed the training of ten students. Several of the original medieval buildings survive, including the college chapel, tower, tenement building (adjoining to the west of tower, actually older than the adjoining tower, but much restored) and the Hebdomadar's building. The dramatic west tower was built in the 1460s with the upper part of the spire being remodelled in 1851 by the Edinburgh architect Robert Matheson (architect), Robert Matheson.Buildings of Scotland: Fife by John Gifford In 15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Callander
John Callander (1722–1789) of Craigforth in Stirlingshire was a Scottish antiquary and plagiarist. Life He was the son of James Callander, and Katherine Mackenzie, daughter of Sir Kenneth Mackenzie of Cromarty. He passed advocate at the Scottish bar, but never obtained a practice. The preface by James Maidment to ''Letters from Thomas Percy, D.D., afterwards Bishop of Dromore, John Callander of Craigforth, Esq., and others, to George Paton'', which appeared at Edinburgh in 1830, indicates that in his latter years Callendar was reclusive, and a religious melancholic. He died, at an old age, at Craigforth on 14 September 1789. Works Callander presented five volumes of manuscripts, ''Spicilegia Antiquitatis Græcæ, sive ex veteribus Poetis deperdita Fragmenta'', to the Society of Scottish Antiquaries in 1781, shortly after he was elected a fellow. He also presented at the same time nine volumes of manuscript annotations on John Milton's '' Paradise Lost'', of which he had publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
