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Christ In The Desert
''Christ in the Desert'' or ''Christ in the Wilderness'' ( rus, Христос в пустыне, r=Khristos v pustyne) is an 1872 painting by Russian artist Ivan Kramskoi, reflecting the temptation of Christ. Kramskoi was offered a professorship for the painting by the Russian Academy of Arts Council, but having learned that in the beginning of 1873, rejected it (he had been expelled from the Academy earlier, and chose to keep his "youthful commitment to independence from the Academy"). Subsequently, it became one of the favourite paintings of Pavel Tretyakov, who bought it for his gallery in the year the painting was finished. History The theme of Christ's temptation had attracted Kramskoi already in the early 1860s. In that period he made the first sketch of the composition. The first version of ''Christ in the Desert'' is dated to 1867, but turned out to be unsuccessful. Kramskoi realized that the choice of vertical format was inappropriate. He opted for the horizontal forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Kramskoi
Ivan Nikolaevich Kramskoi (russian: Ива́н Никола́евич Крамско́й; June 8 (O.S. May 27), 1837, Ostrogozhsk – April 6 (O.S. March 24), 1887, Saint Petersburg) was a Russian painter and art critic. He was an intellectual leader of the art movement known as the Wanderers between 1860–1880. Life Kramskoi came from an impoverished petit-bourgeois family. From 1857 to 1863 he studied at the St. Petersburg Academy of Arts; he reacted against academic art and was an initiator of the "Revolt of the Fourteen" which ended with the expulsion from the Academy of a group of its graduates, who organized the ''Artel of Artists'' (""). Influenced by the ideas of the Russian revolutionary democrats, Kramskoi asserted the high public duty of the artist, principles of realism, and the moral substance and nationality of art. He became one of the main founders and ideologists of the Company of Itinerant Art Exhibitions (or Peredvizhniki). In 1863–1868 he taught at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Humanism
Christian humanism regards humanist principles like universal human dignity, individualism, individual freedom, and the importance of happiness as essential and principal or even exclusive components of the teachings of Jesus. Proponents of the term trace the concept to the Renaissance or patristic period, linking their beliefs to the Renaissance humanism, scholarly movement also called 'humanism'. Theologians such as Jens Zimmermann (philosopher), Jens Zimmerman make a case for the concept of Christian humanism as a cogent force in the history of Christianity. In Zimmerman's account, Christian humanism as a tradition emerges from the Christian doctrine that God in Christianity, God, in the person of Jesus, became human in order to redeem humanity, and the further injunction for the participating human collective (the church) to act out the life of Christ. The term has been critcised, with some noting that it is used to argue for the "exceptionalism" of Christianity, or other und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Jesus
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1872 Paintings
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 ''Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Goncharov
Ivan Alexandrovich Goncharov (, also ; rus, Ива́н Алекса́ндрович Гончаро́в, r=Iván Aleksándrovich Goncharóv, p=ɪˈvan ɐlʲɪkˈsandrəvʲɪdʑ ɡənʲtɕɪˈrof; – ) was a Russian novelist best known for his novels ''The Same Old Story'' (1847), ''Oblomov'' (1859), and '' The Precipice'' (1869, also translated as ''Malinovka Heights''). He also served in many official capacities, including the position of censor. Goncharov was born in Simbirsk into the family of a wealthy merchant; as a reward for his grandfather's military service, they were elevated to gentry status. He was educated at a boarding school, then the Moscow College of Commerce, and finally at Moscow State University. After graduating, he served for a short time in the office of the Governor of Simbirsk, before moving to Saint Petersburg where he worked as government translator and private tutor, while publishing poetry and fiction in private almanacs. Goncharov's first novel, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Stasov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peredvizhniks
Peredvizhniki ( rus, Передви́жники, , pʲɪrʲɪˈdvʲiʐnʲɪkʲɪ), often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who formed an artists' cooperative in protest of academic restrictions; it evolved into the ''Society for Travelling Art Exhibitions'' in 1870. History In 1863 a group of fourteen students decided to leave the Imperial Academy of Arts in Saint Petersburg. The students found the rules of the Academy constraining; the teachers were conservative and there was a strict separation between high and low art. In an effort to bring art to the people, the students formed an independent artistic society; The Petersburg Cooperative of Artists (Artel). In 1870, this organization was largely succeeded by the Association of Travelling Art Exhibits (Peredvizhniki) to give people from the provinces a chance to follow the achievements of Russian Art, and to teach people to appreciate art. The society maintained ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Ruble
''hum''; cv, тенкĕ ''tenke''; kv, шайт ''shayt''; Lak: къуруш ''k'urush''; Mari: теҥге ''tenge''; os, сом ''som''; tt-Cyrl, сум ''sum''; udm, манет ''manet''; sah, солкуобай ''solkuobay'' , name_abbr = руб, Rbl , image_1 = Banknote_5000_rubles_2010_front.jpg , image_title_1 = banknote of the current series , image_2 = Rouble coins.png , image_title_2 = Coins , iso_code = RUB , date_of_introduction = 14 July 1992:RUR (1 SUR = 1 RUR)1 January 1998:RUB (1,000 RUR = 1 RUB) , replaced_currency = Soviet ruble (SUR) , using_countries = , unofficial_users = , inflation_rate = 12.0% (November 2022) , inflation_source_date Bank of Russia, inflation_method = CPI , unit = ruble , subunit_ratio_1 = , subunit_name_1 = kopeyka (копейка) ''tiyen''; ba, тин ''tin''; cv, пус ''pus''; os, капекк ''kapekk''; udm, коны ''kony''; Mari: ыр ''yr''; sah, харчы ''harchy'' , symbo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypostatic Union
''Hypostatic union'' (from the Greek: ''hypóstasis'', "sediment, foundation, substance, subsistence") is a technical term in Christian theology employed in mainstream Christology to describe the union of Christ's humanity and divinity in one hypostasis, or individual existence. The most basic explanation for the hypostatic union is Jesus Christ being both fully God and fully man. He is both perfectly divine and perfectly human, having two complete and distinct natures at once. The Athanasian Creed recognized this doctrine and affirmed its importance, stating that "He is God from the essence of the Father, begotten before time; and he is human from the essence of his mother, born in time; completely God, completely human, with a rational soul and human flesh; equal to the Father as regards divinity, less than the Father as regards humanity. Although he is God and human, yet Christ is not two, but one. He is one, however, not by his divinity being turned into flesh, but by God' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tunic
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin ''tunica'', the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists. Ancient era Indian tunic Indus valley civilization figurines depict both women and men wearing a tunic-like garment. A terracotta model called Lady of the spiked throne depicts two standing turban-wearing men wearing what appears to be a conical gown marked by a dense series of thin vertical incisions that might suggest stiffened cloth. A similar gold disc in the al-Sabah Collection from the Kuwait National Museum appears to be from the Indus Valley civilization depicts similar conical tunic-wearing men holding two bulls by their tails under a pipal tree shown in an Indus-like mirror symmetry. A mother goddess figurine from the National Museum new Delhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Theory
In the visual arts, color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination. Color terminology based on the color wheel and its geometry separates colors into primary color, secondary color, and tertiary color. The understanding of color theory dates to antiquity. Aristotle (d. 322 BCE) and Claudius Ptolemy (d. 168 CE) already discussed which and how colors can be produced by mixing other colors. The influence of light on color was investigated and revealed further by al-Kindi (d. 873) and Ibn al-Haytham (d.1039). Ibn Sina (d. 1037), Nasir al-Din al-Tusi (d. 1274), and Robert Grosseteste (d. 1253) discovered that contrary to the teachings of Aristotle, there are multiple color paths to get from black to white. More modern approaches to color theory principles can be found in the writings of Leone Battista Alberti (c. 1435) and the notebooks of Leonardo da Vinci (c. 1490). A formalization of "color theory" began in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
