Christ At The Column (Caravaggio)
   HOME
*





Christ At The Column (Caravaggio)
''Christ at the Column'' (also known as ''The Flagellation of Christ''; c. 1606/1607), is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France. This is one of two versions of the Flagellation of Christ by Caravaggio painted late in 1606 or early in 1607, soon after his arrival in Naples. The painting shows the flagellation of Christ following his arrest and trial and before his crucifixion. The scene was traditionally depicted in front of a column, possibly alluding to the judgement hall of Pilate. The snub-nosed torturer on the far right is recognisably the same figure who modelled as one of the torturers in '' The Flagellation of Christ'', and as the executioner in '' Salome with the Head of John the Baptist''. The most famous treatment of the theme at the time was Sebastiano del Piombo's High Renaissance ''Flagellation of Christ'' in the church of San Pietro in Montorio in Rome. Piombo's ''Flagellation'', much imitated ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Musée Des Beaux-Arts De Rouen
The Musée des Beaux-Arts de Rouen is an art museum in Rouen, in Normandy in north-western France. It was established by Napoléon Bonaparte in 1801, and is housed in a building designed by and built between 1877 and 1888. Its collections include paintings, sculptures, drawings and objets d'art. History The museum was established by Napoléon Bonaparte in 1801. The museum building was built between 1877 and 1888 to designs by . The collections include paintings, sculptures, drawings and objets d'art from the Renaissance to the present day, including a collection of Russian icons dating from the fifteenth to the early nineteenth century, and some 8000 drawings. The Depeaux collection of Impressionist works was donated to the museum in 1909. Paintings The museum holds paintings of several European schools from the sixteenth century to the present day. Among them is work by: * sixteenth century: Jacopo Bassano, Annibale Carracci, François Clouet, Gerard David, Perugino and V ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of Middle Ages, medieval Europe, the population of the metropolitan area (french: functional area (France), aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Flagellation Of Christ
The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the '' Life of Christ''. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary.''Old Master Paintings and Drawings'' by Roy Bolton 2009 page 70 The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–60), whose precise meaning has eluded generations of art historians. At the same time ''Christ at the Column'' or ''Christ at ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Flagellation Of Christ (Caravaggio)
''The Flagellation of Christ'' is a painting by the Italy, Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. It is dated to 1607, and may have been reworked by the artist in 1610. It is not to be confused with ''Christ at the Column (Caravaggio), Christ at the Column'', another ''Flagellation'' by Caravaggio of the same period. Description According to art biographer Gian Pietro Bellori (1672), this work was commissioned by the di Franco (or de Franchis) family for a chapel in the church of San Domenico Maggiore in Naples. The family were connected with the Confraternity of the Pio Monte della Misericordia, for whose church Caravaggio had already painted ''The Seven Works of Mercy (Caravaggio), The Seven Works of Mercy''. It was moved to the museum at Capodimonte in 1972. The Flagellation of Christ had long been a popular subject in religious art—and in contemporary religious practice, where the church encouraged self-flagellation as a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Salome With The Head Of John The Baptist (Caravaggio)
''Salome with the Head of John the Baptist (London)'', c. 1607/1610, is a painting by the Italian master Caravaggio now in the collection of the National Gallery in London. History The painting was discovered in a private collection in 1959. The early Caravaggio biographer Giovanni Bellori, writing in 1673, mentions a ''Salome with the Head of John the Baptist'' sent by the artist to the Grand Master of the Knights of Malta in the hope of regaining favour after having been expelled from the Order in 1608. It seems likely, however, that Bellori was referring to a different painting by Caravaggio of the same subject (see '' Salome with the Head of John the Baptist'' at the Royal Palace of Madrid). The handling and the raking light link this painting to works done in Naples during the artist's brief stay in the city during 1606–1607, an impression confirmed by the balances between Salome and the Virgin in the '' Madonna of the Rosary'', and between the executioner holding the he ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

San Pietro In Montorio
San Pietro in Montorio (Saint Peter on the Golden Mountain) is a church in Rome, Italy, which includes in its courtyard the ''Tempietto'', a small commemorative '' martyrium'' (tomb) built by Donato Bramante. History The Church of San Pietro in Montorio was built on the site of an earlier 9th-century church dedicated to Saint Peter on Rome's Janiculum hill. It serves as a shrine, marking the supposed site of St. Peter's crucifixion. In the 15th century, the ruins were given to the Amadist friars, a reform branch of the Franciscans, founded by the Blessed Amadeus of Portugal, who served as confessor to Pope Sixtus IV from 1472. Commissioned by Ferdinand and Isabella of Spain. It is a titular church, whose current title holder, since 1 March 2008, is Cardinal James Francis Stafford. Interior The church is decorated with artworks by prominent 16th- and 17th-century masters. The first chapel on the right contains Sebastiano del Piombo's ''Flagellation'' and ''Transfiguration'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

List Of Paintings By Caravaggio
The following is a list of paintings by the Italian artist Caravaggio, listed chronologically.Spike, John T. ''Caravaggio''. New York : Abbeville Press, 2001: p. 253–54 List of paintings Footnotes Further reading

* * * * * * * * * * * {{Lists of paintings Caravaggio, List Lists of paintings, Caravaggio ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




M (Peter Robb Book)
''M'' is a book by Australian author Peter Robb about the Italian painter Michelangelo Merisi da Caravaggio. First published in 1998 in Australia by Duffy & Snellgrove Duffy & Snellgrove is a small, independent publishing house founded in Australia in 1996 by journalist Michael Duffy and his wife Alex Snellgrove. Since November 2005, the company has stopped publishing new works, although they continue to publ ..., the book provoked controversy when it was published in Britain in 2000. It was published in the United States as ''M: The Man Who Became Caravaggio'' (New York: Henry Holt, 2000). ''M'' won the (Australian) National Biography Award and the Victorian Premier's Award. References External links
* {{cite book, first=Peter, last=Robb, authorlink=Peter Robb (author), title=M, year=1998, isbn=0-312- ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


1600s Paintings
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16 AD 16 ( XVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. In the Roman Empire, it was known as the Year of the Consulship of Taurus and Libo (or, less frequently, year 769 ''Ab urbe condita ..., 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * Sixteen (1943 film), ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * Sixteen (2013 Indian film), ''Sixteen'' (2013 Indian film), a 2013 Hindi film * Sixteen (2013 British film), ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums *16 (Robin album), ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse *Sixteen (album), ''Sixteen'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]