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Christ And The Virgin Diptych
The ''Christ and the Virgin Diptych'' consisted of two small oil on oak panel paintings by the Early Netherlandish painter Dirk Bouts (also called Dieric Bouts) completed c. 1470-1475. Originally they formed the wings of a hinged devotional diptych. The original autograph diptych is lost, although numerous versions of generally rather poor quality survive including a near identical diptych in the Louvre and a similar diptych in Toronto. Other versions of each panel survive. The best versions of the ''Mater Dolorosa'' are in the Art Institute of Chicago and in the Weissberger collection at Madrid. The Chicago version was probably painted by Bout's son Dieric Bouts the Younger, about whom nothing is known. A good version of the ''Christ'' is in the collection of the Duchess of Osuna at Seville. At least ten other versions are known, including one from the workshop of Dirk Bouts in the National Gallery, London. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Art Institute Of Chicago
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Dieric Bouts
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1470s Paintings
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE In the military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorne Campbell (art Historian)
Ian Lorne Campbell (born 1946) is a Scottish art historian and curator. Campbell was Beaumont Senior Research Curator at the National Gallery, London from 1996 to 2012, and from 1974 to 1996 lectured on the Northern Renaissance at the Courtauld Institute of Art, University of London. He has curated major exhibitions at the National Gallery and other museums, including ones on Rogier van der Weyden at Leuven in 2009 and the Prado in 2015. Biography Campbell was born in Stirling in 1946. He received his undergraduate degree from the University of Edinburgh and Ph.D from University of London in 1973. Between 1970 and 1971 he taught at the University of Manchester and later at the University of Cambridge. In 2016, KU Leuven awarded him an honorary doctorate of the Faculty of Arts. He is the author of a number of books on fourteenth, fifteenth and sixteenth-century art, and a leading expert on Early Netherlandish painting, and his contributions to research and knowledge on the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utrecht
Utrecht ( , , ) is the List of cities in the Netherlands by province, fourth-largest city and a List of municipalities of the Netherlands, municipality of the Netherlands, capital and most populous city of the Provinces of the Netherlands, province of Utrecht (province), Utrecht. It is located in the eastern corner of the Randstad conurbation, in the very centre of mainland Netherlands, about 35 km south east of the capital Amsterdam and 45 km north east of Rotterdam. It has a population of 361,966 as of 1 December 2021. Utrecht's ancient city centre features many buildings and structures, several dating as far back as the High Middle Ages. It has been the religious centre of the Netherlands since the 8th century. It was the most important city in the Netherlands until the Dutch Golden Age, when it was surpassed by Amsterdam as the country's cultural centre and most populous city. Utrecht is home to Utrecht University, the largest university in the Netherlands, as well as seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Catharijneconvent
The Museum Catharijneconvent (St. Catherine's Convent Museum) is a museum of religious art in Utrecht, Netherlands. It is located in the former St. Catharine convent, having been sited there since 1979. Its collections include many artifacts from the museum of religious art of the Catholic Archbishopric of Utrecht, located in the convent until 1979. In 2006 the convent closed for restoration. It is part of the Utrecht Museum Night. Collection The museum has an extensive collection of historical and art-historical objects from the early Middle Ages to the present. The vast collection presents a picture of Protestant and Catholic art and cultural history of the Netherlands, and its impact on Dutch society. The collection includes richly illustrated manuscripts, book-bindings decorated with precious stones, richly-worked images, paintings, altarpieces, pieces of clothing and ecclesiastical objects in gold and silver. Among the highlights in the collection are the 9th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or grc, ἀκάνθινος στέφανος, akanthinos stephanos, label=none) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter. Since at least around the year 400 AD, a relic believed by many to be the crown of thorns has been venerated. In 1238, the Latin Emperor Baldwin II of Constantinople yielded the relic to French King Louis IX. It was kept in the Notre-Dame Cathedral in Paris until 15 April 2019, when it was rescued from a fire and moved to the Louvre Museum. As a relic Jerusalem T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Of Sorrows (Geertgen Tot Sint Jans)
''Man of Sorrows'' is a small Early Netherlandish oil on wood panel painting completed c. 1485–1495. It is attributed to Geertgen tot Sint Jans and in the tradition of the devotional images of the "Man of Sorrows", which typically show Christ before his crucifixion, naked above the waist, bearing the wounds of his Passion. The panel has an unusually complex and suffocating spatial design, and depicts the mocking of Jesus, and his grieving mother. The panel is steeped in both complex iconography and deep pathos. Christ is in obvious pain and holds his wounds up for the viewer. He looks out while white robed weeping angels bear the Arma Christi -objects associated with his crucifixion and death- float around him. The attending saints include Mary and the Magdalene. ''Man of Sorrows'' has been described as "one of the most moving... in Early Netherlandish art", and is usually considered a highly emotive and sorrowful work, especially in its description of Christ's pitiful, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geertgen Tot Sint Jans
Geertgen tot Sint Jans (c. 1465 – c. 1495), also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low Countries in the Holy Roman Empire. No contemporary documentation of his life has been traced, and the earliest published account of his life and work is from 1604, in Karel van Mander's ''Schilder-boeck''. According to van Mander, Geertgen was probably a pupil of Albert van Ouwater, one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem, where Geertgen was attached to the house of the Knights of Saint John, perhaps as a lay brother, for whom he painted an altarpiece. In van Mander's book he states that Geertgen took the name of St. John without joining the order, thus his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John". Biography Though van Mande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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