Chris Connor (album)
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Chris Connor (album)
''Chris Connor'' is an album by jazz singer Chris Connor. Atlantic Records released the album, Connor's first for the label, in 1956. The recording was Atlantic's first jazz vocal LP record. Recording The tracks appearing on ''Chris Connor'' were recorded over the course of three sessions. The first of these occurred on January 19, 1956, with a small orchestra accompanying Connor, using arrangements by Ralph Burns. On January 23, Connor was accompanied by a quartet led by pianist John Lewis with Oscar Pettiford on bass. On February 8, Connor's accompanists included Nick Travis, Zoot Sims and Milt Hinton, with arrangements by Burns. The album comprises four tracks from each recording session. Critical reception ''The Penguin Guide to Jazz'' includes ''Chris Connor'' in its "Core Collection", and assigns it a four-star rating (of a possible four), noting that " 'Ev'ry Time', 'It's All Right With Me', 'I Wonder What Became Of Me', and several more are unlikely to be b ...
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Chris Connor
Mary Jean Loutsenhizer, known professionally as Chris Connor (November 8, 1927 – August 29, 2009) was an American jazz singer. Biography Chris Connor was born Mary Loutsenhizer in Kansas City, Missouri, to Clyde Loutsenhizer and Mabel Shirley. She became proficient on the clarinet, having studied for eight years during middle school and high school. She sang with the college band at the University of Missouri, playing at functions in Columbia, Missouri. In 1949 Connor recorded two songs with Claude Thornhill's band: "There's a Small Hotel" and "I Don't Know Why". With Jerry Wald's big band she recorded "You're the Cream in My Coffee", "Cherokee", " Pennies from Heaven", "Raisins and Almonds", and "Terremoto". Connor and Thornhill reunited in 1952 for a radio broadcast from the Statler Hotel in New York City for which she sang "Wish You Were Here", Come Rain or Come Shine", "Sorta Kinda", and "Who Are We to Say". She made her final recordings for HighNote: ''Haunted Heart'' ...
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Nick Travis
Nick Travis (b. Nov. 16, 1925, Philadelphia, Pennsylvania - d. Oct. 7, 1964, New York City) was an American jazz trumpeter. Travis started playing professionally at age 15, playing in the early 1940s with Johnny McGhee, Vido Musso (1942), Mitchell Ayres, and Woody Herman (1942–44). In 1944 he joined the military; after his service he played with Ray McKinley (1946–50, intermittent), Benny Goodman (1948–49), Gene Krupa, Ina Ray Hutton, Tommy Dorsey, Tex Beneke, Herman once more (1950–51), Jerry Gray, Bob Chester, Elliot Lawrence, and Jimmy Dorsey (1952–53). From 1953-56 he was a soloist in the Sauter-Finegan Orchestra. After this he became a session musician for NBC, but played with Gerry Mulligan (1960–62) and Thelonious Monk (1963, at Lincoln Center). Most of Travis's work was in big bands, but he also played in small ensembles with Al Cohn (1953) and Zoot Sims (1956). He led one session for Victor Records in 1954. In 1964, Travis died at age 38 as a result of co ...
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Harold Adamson
Harold Campbell Adamson (December 10, 1906 – August 17, 1980) was an American lyricist during the 1930s and 1940s. Early life Adamson, the son of building contractor Harold Adamson and Marion "Minnie" Campbell Adamson, was born and raised in Greenville, New Jersey, United States. Adamson suffered from polio as a child which limited the use of his right hand. Initially, Adamson was interested in acting, but he began writing songs and poetry as a teenager. He went on to studying acting at the University of Kansas and Harvard. Career Ultimately he entered into a songwriting contract with MGM in 1933. During his stint with MGM, he was nominated for five Academy Awards. Among his best-known compositions was the theme for the hit sitcom, ''I Love Lucy''. He retired from songwriting in the early 1960s, and was inducted into the Songwriters Hall of Fame in 1972. In 1941, he collaborated with Pierce Norman, and baseball's Joe DiMaggio to write "In the Beauty of Tahoe", published b ...
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Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ...
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Where Are You? (1937 Song)
"Where Are You?" is a popular song composed by Jimmy McHugh, with lyrics by Harold Adamson. The song was written for the 1937 film ''Top of the Town'' and was originally performed by Gertrude Niesen. Niesen also made a commercial recording of the song for Brunswick Records and this was popular. "Where Are You?" has been recorded by many performers. Notable versions * Mildred Bailey - very popular in 1937 – this version is a crucial piece of music in '' Love Streams'', a 1984 American film by John Cassavetes * Adelaide Hall's recording of the song reached #28 in the U.K. singles chart in December 1941. * Arthur Tracy Decca F. 6465 (1937). * Connee Boswell - recorded February 15, 1937 for Decca Records (catalog No. 1160). * The Hi-Lo's – ''Listen!'' (1954). * Chris Connor – ''Chris Connor'' (1956) * Vera Lynn - for her album ''If I Am Dreaming'' (1956). * Patti Page - ''Page 3 - A Collection of Her Most Famous Songs'' (1957). * Frank Sinatra – '' Where Are You?'' (1957) * ...
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Get Out Of Town
"Get Out of Town" is a 1938 popular song written by Cole Porter, for his musical ''Leave It to Me!'', where it was introduced by Tamara Drasin. Notable recordings *Ginny Simms - recorded December 7, 1938 for Vocalion Records (catalog No. 4549). *Frances Langford - recorded December 14, 1938 for Decca Records (catalog No. 2229A). *Eddy Duchin and His Orchestra (vocal by Stanley Worth) - a popular record in 1939. *Artie Shaw and His Orchestra (vocal by Mel Torme) - recorded on June 25, 1946, for Musicraft Records (catalog No. 389). *Maysa Matarazzo - recorded in 1959 for RGE - 45rpm (No. 90.000). *Steve Rochinski - ''A Bird In The Hand'' (1999) *Dena DeRose - ''Live at Jazz Standard, Volume 1'' (2007) *Melody Gardot Melody Gardot (; born February 2, 1985) is an American jazz singer. At the age of 19, Gardot was involved in a bicycle accident and sustained a head injury. Music played a critical role in her recovery. She became an advocate of music therapy, ... - Bye Bye Black ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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Something To Live For (song)
"Something to Live For" is a 1939 jazz composition by Billy Strayhorn. It was the first collaboration between Strayhorn and Duke Ellington and became the first of many Strayhorn compositions to be recorded by Ellington's orchestra. The song was based on a poem Strayhorn had written as a teenager. According to an all-day tribute to Strayhorn on KCSM radio on 29 November 2008—Strayhorn's birthday—Strayhorn began working on this tune in 1933 when he was 18. The song has been recorded many times, by Ellington, Lena Horne, Ella Fitzgerald, Nina Simone, Carmen McRae, Tony Bennett, Johnny Mathis, Mel Torme and many others. Fitzgerald has called it her favorite song. See also *List of 1930s jazz standards References External linksReview of ''Something to Live For: The Music of Billy Strayhorn''(Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing histo ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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I Get A Kick Out Of You
"I Get a Kick Out of You" is a song by Cole Porter, which was first sung in the 1934 Broadway musical ''Anything Goes'', and then in the 1936 film version. Originally sung by Ethel Merman, it has been covered by dozens of prominent performers, including Frank Sinatra, Dolly Parton, and Ella Fitzgerald. A cover by Mel Tormé won the 1996 Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s) for arranger Rob McConnell, while a duet version by Tony Bennett and Lady Gaga was nominated for three awards at the 2022 ceremony, including Record of the Year. Alterations to the song The lyrics were first altered shortly after being written. The last verse originally went as follows: After the 1932 Lindbergh kidnapping, Porter changed the second and third lines to: In the 1936 movie version, alternative lyrics in the second verse were provided to replace a reference to the drug cocaine, which was not allowed by Hollywood's Production Code of 1934. The original ver ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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