Chorale Preludes
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Chorale Preludes
In music, a chorale prelude or chorale setting is a short liturgical composition for pipe organ, organ using a chorale tune as its basis. It was a predominant style of the German Baroque music, Baroque era and reached its culmination in the works of Johann Sebastian Bach, J.S. Bach, who wrote 46 (with a 47th unfinished work, unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in List of organ compositions by Johann Sebastian Bach#Chorale Preludes, other collections. Function The precise liturgical function of a chorale Prelude (music), prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very lon ...
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Scheidt Tabulatura
Scheidt may refer to the following: People with the surname * Edward Scheidt (born 1939), American cryptographer and ex-Chairman of the CIA Cryptographic Center * Gottfried Scheidt (1593–1661), German Baroque composer and brother of Samuel Scheidt * Hans-Wilhelm Scheidt (1907-1981), German Nazi official * Mathias Scheidt, Archbishop of Vienna (1490–1493) * Mike Scheidt, American metal vocalist * Rafael Scheidt (born 1976), Brazilian footballer * Robert Scheidt (born 1973), Brazilian sailor * Samuel Scheidt (1587–1654), German Baroque composer and brother of Gottfried Scheidt * Lords von Scheidt genannt Weschpfennig, a German noble family Places * Scheidt (Saarbrücken) Scheidt is a borough (''Stadtteil'') of the city of Saarbrücken, in the southwest of Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe afte ..., a borough (''Stadtteil'') of the city of Saa ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Schübler Chorales
' ( 'six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the ''Schübler Chorales'' (german: Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach. Johann Georg Schübler, after whom the collection came to be named, published it in 1747 or before August 1748, in Zella St. Blasii. At least five preludes of the compilation are transcribed from movements in Bach's church cantatas, mostly chorale cantatas he had composed around two decades earlier. These six chorales provide an approachable version of the music of the cantatas through the more marketable medium of keyboard transcriptions. Virtually all Bach's cantatas were unpublished in his lifetime. Context and content The hymn tunes of the Lutheran hymns on which the chorale settings included in the ''Schübler Chorales'' are based can be identified by their Zahn number. The fourth chorale of the set is however ...
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Wachet Auf, Ruft Uns Die Stimme
"" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German language, German by Philipp Nicolai, first published in 1599 together with "". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858), "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a Chorale cantata (Bach), chorale cantata on the hymn, , one of its many musical settings. Nicolai Philipp Nicolai wrote the hymn in 1598, a time when the Plague (disease), plague had hit Unna where he lived for six months as a preacher after studies in theology at the University of Wittenberg. The text is based on the Parable of the Ten Virgins (). Nicolai refers to other biblical ideas, such as from Book of Revelation, Revelations the mentioning of marriage () and the twelve gates, every one of pear ...
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Jesu Meine Freude From Orgelbuchlein
Jesu may refer to: *Jesus (c. 4 BC – c. AD 30/33), Jewish religious leader and central figure of Christianity ** Jesu (name), vocative and poetic form of Jesus' name Music *Jesu (band), a British experimental band formed by Justin Broadrick ** ''Jesu'' (album), a 2004 album by the band Jesu *"Jesu, Joy of Man's Desiring", final movement of Johann Sebastian Bach's ''Herz und Mund und Tat und Leben, BWV 147'' * ''Jesu, der du meine Seele'', BWV 78, cantata by Bach *"Jesu, meine Freude", hymn by Johann Franck * ''Jesu, nun sei gepreiset'', BWV 41, cantata by Bach * ''Jesu, meine Freude'', BWV 227, motet by Bach See also * *Jesus (other) Jesus ( AD 30 or 33) was a Jewish preacher and religious leader who most Christians believe to be the incarnation of God and Muslims believe was a prophet. Jesus may also refer to: People Religious figures * Elymas Bar-Jesus, a Jew in the ''Ac ...
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Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ...
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BWV 724
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition ...
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BWV 700
Johann Sebastian Bach composed the church cantata (Christ our Lord came to the Jordan), 7, in Leipzig for the Nativity of St John the Baptist, Feast of St. John the Baptist and led its first performance on 24 June 1724. It is the third cantata Bach composed for his chorale cantata cycle, the second cantata cycle he started after being appointed Thomaskantor in 1723. The cantata is based on the seven stanzas of List of hymns by Martin Luther, Martin Luther's hymn "", about baptism. The first and last stanza of the chorale were used for the outer movement (music), movements of the cantata, while an unknown Libretto, librettist paraphrased the inner stanzas of the hymn into the text for the five other movements. The first movement, a chorale fantasia, is followed by a succession of arias alternating with recitatives, leading to a four-part closing chorale. The cantata is scored for three vocal soloists (alto, tenor and Bass (voice type), bass), a SATB, four-part choir, two oboes d' ...
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Georg Böhm
Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach. Life Böhm was born in 1661 in Hohenkirchen. He received his first music lessons from his father, a schoolmaster and organist who died in 1675. He may also have received lessons from Johann Heinrich Hildebrand, Kantor at Ohrdruf, who was a pupil of Heinrich Bach and Johann Christian Bach. After his father's death, Böhm studied at the Lateinschule at Goldbach, and later at the Gymnasium at Gotha, graduating in 1684. Both cities had Kantors taught by the same members of the Bach family who may have influenced Böhm. On 28 August 1684 Böhm entered the University of Jena. Little is known about Böhm's university years or his life after graduation. He resurfaces again only in 1693, in Hamburg. We know nothing of how Böhm lived there, but presumably he was influenced by the musical life ...
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Sweelinck
Jan Pieterszoon Sweelinck ( ; April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. Life Sweelinck was born in Deventer, Netherlands, in April or May 1562. He was the eldest son of organist Peter (or Pieter) Swybbertszoon and Elske Jansdochter Sweeling, daughter of a surgeon. Soon after Sweelinck's birth, the family moved to Amsterdam, where from about 1564, Pieter Swybbertszoon served as organist of the Oude Kerk (Sweelinck's paternal grandfather and uncle also were organists).Sadie, Stanley. 1980.Sweelinck [Swelinck, Zwelinck, Sweeling, Sweelingh, Sweling, Swelingh], Jan Pieterszoon ''The New Grove Dictionary of Music and Musicians''. Vol.8. Macmillan Publishers Limited, London. Pg. 406–407 Jan Pieterszoon must ha ...
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