Chloë And The Next 20th Century
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Chloë And The Next 20th Century
''Chloë and the Next 20th Century'' is the fifth studio album by American musician Josh Tillman under the stage name Father John Misty, released through Sub Pop and Bella Union on April 8, 2022. Background and recording ''Chloë and the Next 20th Century'' is Father John Misty's fifth studio album and his first full-length project since the release of ''God's Favorite Customer'' in 2018. He began writing the album in spring 2020. It was recorded between August and December 2020. He entered the studio in August having written "Kiss Me (I Loved You)", "We Could Be Strangers", "Buddy's Rendezvous" and "The Next 20th Century". Following that session, Tillman mostly conceived what the album would be and wrote the rest of the songs before recording resumed in October 2020. It was co-produced by Tillman and longtime collaborator Jonathan Wilson. This was the first record Tillman had recorded at Wilson's new Fivestar Studios located in the hills of Topanga, California above LA. Th ...
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Father John Misty
Joshua Michael Tillman (born May 3, 1981), better known by his stage name Father John Misty, is an American musician, singer, songwriter, and record producer. He has also performed and released studio albums under the name J. Tillman. Maintaining a steady output of solo recordings since 2004, Tillman has been either a permanent or touring member of Demon Hunter, Saxon Shore, Fleet Foxes, Jeffertitti's Nile, Pearly Gate Music, Siberian, Har Mar Superstar, Poor Moon, Low Hums, and Jonathan Wilson, and has toured extensively with Damien Jurado, Jesse Sykes, and David Bazan. He has also made contributions to albums by more mainstream artists such as Beyoncé, Lady Gaga, Kid Cudi, and Post Malone. Early life Joshua Michael Tillman was born in Rockville, Maryland, on May 3, 1981, the son of evangelical Christian parents Barbara and Irvin C. Tillman, an engineer at Hewlett-Packard, who met at a Christian youth group. His mother was raised in Ethiopia, where her parents were missionarie ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Pure Comedy
''Pure Comedy'' is the third studio album by American folk musician Josh Tillman under his pseudonym Father John Misty. Its release was announced on January 23, 2017. It was released on April 7, 2017 on Bella Union in the UK and Europe and on Sub Pop in the rest of the world. This is Tillman's third studio album since his departure from Fleet Foxes. It was produced by Josh Tillman in collaboration with Jonathan Wilson, sound engineer Trevor Spencer and composer/double-bassist Gavin Bryars. Production Songwriting Most of ''Pure Comedy'' was written in 2015. It touches on themes of progress, technology, fame, the environment, politics, aging, social media, human nature, human connection and his own role in it all. Tillman included an 1800-word-long essay about its symbolism and meaning in the release announcement email to his fan club. ''Pure Comedy'' is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredic ...
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Midnight Cowboy
''Midnight Cowboy'' is a 1969 American drama (film and television), drama film, based on the 1965 Midnight Cowboy (novel), novel of the same name by James Leo Herlihy. The film was written by Waldo Salt, directed by John Schlesinger, and stars Dustin Hoffman and Jon Voight, with notable smaller roles being filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt, and Barnard Hughes. Set in New York City, ''Midnight Cowboy'' depicts the unlikely friendship between two hustlers: naïve Male prostitution, sex worker Joe Buck (Voight), and ailing Confidence trickster, con man Enrico "Ratso" Rizzo (Hoffman). At the 42nd Academy Awards, the film won three awards: Academy Award for Best Picture, Best Picture, Academy Award for Best Director, Best Director and Academy Award for Best Adapted Screenplay, Best Adapted Screenplay. ''Midnight Cowboy'' is the only X rating, X-rated film ever to win Best Picture. It has since been placed 36th on the American Film Instit ...
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John Barry (composer)
John Barry Prendergast (3 November 1933 – 30 January 2011) was a British composer and conductor of film music. He composed the scores for eleven of the ''James Bond'' films between 1963 and 1987, as well as arranging and performing the "James Bond Theme" for the first film in the series, 1962's '' Dr. No''. He wrote the Grammy- and Academy Award-winning scores to the films ''Dances with Wolves'' and ''Out of Africa'', as well as the scores of ''The Scarlet Letter'', ''Chaplin'', '' The Cotton Club'', ''Game of Death'', ''The Tamarind Seed'', ''Mary, Queen of Scots'' and the theme for the television series ''The Persuaders!'', in a career spanning over 50 years. In 1999, he was appointed with an OBE for services to music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, ...
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Film Music
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles of ...
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Classical Hollywood Cinema
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between the 1910s (rapidly after World War I) and the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. For centuries, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise most film actors had roots in vaudeville (e.g. The Marx Brothers) or theatrical melodramas. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and mel ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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A Little Touch Of Schmilsson In The Night
''A Little Touch of Schmilsson in the Night'' is a 1973 album of classic 20th-century standards sung by American singer Harry Nilsson. The album was arranged by Frank Sinatra's arranger Gordon Jenkins, and produced by Derek Taylor. This album is notable in being a standards album produced a decade before such works started to become popular again. The title is an allusion to Shakespeare's ''Henry V'', Act 4, in which the Chorus refers to Henry's nocturnal visit to his troops as "a little touch of Harry in the night". The album's title refers to Nilsson's colloquial nickname from his previous two albums, "Nilsson Schmilsson" (1971) and "Son of Schmilsson" (1972). ''A Little Touch of Schmilsson in the Night'' was dedicated to Frank Willis, the security guard who discovered the Watergate break-in. On the cover photograph, shot by Tom Hanley (known for his black and white shots of The Beatles), Nilsson is wearing lapel buttons depicting Willis and the singer's son Zak. The back ...
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Harry Nilsson
Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), sometimes credited as Nilsson, was an American singer-songwriter who reached the peak of his commercial success in the early 1970s. His work is characterized by pioneering vocal overdub experiments, returns to the Great American Songbook The Great American Songbook is the loosely defined canon of significant early-20th-century American jazz standards, popular songs, and show tunes. Definition According to the Great American Songbook Foundation: The "Great American Songbook" i ..., and fusions of Caribbean music, Caribbean sounds. A tenor with a octave range, Nilsson was one of the few major pop-rock recording artists to achieve significant commercial success without ever performing major public concerts or undertaking regular tours. Born in Brooklyn, Nilsson moved to Los Angeles as a teenager to escape his family's poor financial situation. While working as a computer programmer at a bank, he grew interested ...
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