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Chlo-e (Song Of The Swamp)
"Chlo-e (Song of the Swamp)" (1927 in music, 1927) is a show tune with music by Charles N. Daniels (music), Charles N. Daniels, writing under the pseudonym of "Neil Morét," and lyrics by Gus Kahn. It is now regarded as a jazz standard. Origin The sheet music of ''Chlo-e (Song of the Swamp'') bears the front cover image of singer Ethel Waters and connects it to the show ''Africana''. This marked the Broadway debut of Waters, and began her rise to stardom. Produced by Earl Dancer and principally written by Donald Heywood, the show opened on July 11, 1927. "''Chloe''"—to which the title is frequently, and usefully, modified, and is used hereafter—may have been placed in this revue as a later addition to the production. Waters' never recorded ''Chloe'', and it is not listed among the known songs that she sang in ''Africana''. The sheet music was first published in 1927 by Charles N. Daniels' own Villa Morét imprint, based in San Francisco. In 1934, Heywood re-fashioned ''Africana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1927 In Music
This is a list of notable events in music that took place in the year 1927. Specific locations * 1927 in British music * 1927 in Norwegian music Specific genres * 1927 in country music * 1927 in jazz Events *January 8 – Alban Berg's '' Lyric Suite'' is premiered in Vienna. *April 21 – Electric re-recording of George Gershwin's ''Rhapsody in Blue'' by Paul Whiteman's Orchestra directed by Nathaniel Shilkret with Gershwin at the piano. *May – American all-girl harmony singing trio The Hamilton Sisters and Fordyce set out by air from New York with the American portion of New York's Savoy Orpheans band for a tour of English variety theatres. In June they record "My Heart Stood Still" (Rodgers and Hart) and "The Birth of the Blues" and with Bert Ambrose and others in London. On December 10 they take ship for France to visit Paris before returning to the United States. *July 1 – Béla Bartók's Piano Concerto No. 1 is premiered in Frankfurt with the composer at the piano a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Lanin
Samuel Charles Lanin (September 4, 1891 – May 5, 1977) was an American jazz bandleader. Lanin's brothers, Howard and Lester, were also bandleaders, and all of them had sustained careers in music. Lanin was one of ten children born to Benjamin and Mary Lanin, Russian Jews who had emigrated to Philadelphia, Pennsylvania, United States. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert's orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Recordings Sam recorded with a plethora of ensemble arrangements, under names such as Lanin's Jazz Band, Lanin's Arcadians, Lanin's Famous Players, Lanin's Southern Serenaders, Lanin's Red Heads, Sam Lanin's Dance Ensemble, and Lanin's Arkansaw Travelers. He did not always give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington At Fargo, 1940 Live
''Duke Ellington at Fargo, 1940 Live'' is a live album by the Duke Ellington Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 1980. The album was recorded at a dance in Fargo, North Dakota. Background In 1939, two cooperative extension service workers and former South Dakota State College students, Jack Towers and Richard Burris, sought permission from the William Morris Agency representing Duke Ellington to record an upcoming concert in Fargo, North Dakota.Martin FredricksThe Duke was Here". ''NDSU Magazine''. Fall 2001. Retrieved 1 January 2011. Permission was granted to the two Ellington fans provided they receive permission from Ellington and the venue's manager before the show. The show was held on 7 November 1940 at the Crystal Ballroom on the second floor of the Fargo City Auditorium at the corner of First Avenue South and Broadway. (The building was demolished in 1962). The concert was a dance, a normal venue for jazz bands at that time but an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blanton-Webster Band
''The Blanton–Webster Band'' is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements (by Ellington and Billy Strayhorn) were frequently inventive and innovative. It was voted number 283 in the third edition of Colin Larkin's ''All Time Top 1000 Albums'' (2000). The collection does not include alternate takes or the duets Ellington performed with Jimmy Blanton, available elsewhere. With 66 tracks, the selection includes many of Ellington's hits and classic songs. ''Rolling Stone'' praises the collection as "a masterwork of composition and leadership" and "a series of individual triumphs from the greatest team of jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Webster
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Career Early life and career A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. He played with Lester Young in the Young Family Band. He recorded with Blanche Calloway and became a member of the Bennie Moten Orchestra with Count Basie, Hot Lips Page, and Walter Page. For the rest of the 1930s, he played in bands led by Willie Bryant, Benny Carter, Cab Calloway, Fletcher Henderson, Andy Kirk (musician), Andy Kirk, and Teddy Wilson. With Ellington Webster was a soloist with the Duke Ellington Orchestra from 1940, appearing on "Cotton Tail". He considered Johnny Hodges, an alto saxophonist in the Ellington orchestra, a major influence on his playing. Gunther Schuller wrote in 1989 that Hodges influence pushed him away from his original inspiration, Coleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Blanton
James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed "Jimmie," Blanton's nickname is usually misspelled as "Jimmy," including by Duke Ellington. Early life Blanton was born in Chattanooga, Tennessee. He originally learned to play the violin, but took up the bass while at Tennessee State University, performing with the Tennessee State Collegians from 1936 to 1937, and during the vacations with Fate Marable.Celenza, Anna Harwell "The 1940s: the Blanton-Webster band, Carnegie Hall, and the challenge of the postwar era". In: Green, Edward (ed.) (2014) ''The Cambridge Companion to Duke Ellington''. Cambridge University Press. Later life and career Blanton left university in 1938 to play full-time in St Louis with the Jeter-Pillars Orchestra. Blanton joined Duke Ellington's band in 1939. On November 22 of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricky Sam Nanton
Joe "Tricky Sam" Nanton (February 1, 1904 – July 20, 1946) was an American trombonist with the Duke Ellington Orchestra. Early life Joe Nanton was born Joseph Irish Nanton in New York City, United States. His parents were John Barzly Nanton and Emily Irish, both immigrants from the British West Indies. Nanton began playing professionally in Washington, D.C., with bands led by Cliff Jackson and banjoist Elmer Snowden. From 1923 to 1924, Nanton worked with Frazier's Harmony Five. A year later, he performed with Snowden. At the age of 22, Nanton found his niche in Duke Ellington's Orchestra, when he reluctantly took the place of his friend Charlie Irvis in 1926, and remained with Ellington until his early death in 1946. Nanton, along with Lawrence Brown, anchored the trombone section. The wah-wah Nanton was one of the great pioneers of the plunger mute. In 1921, he heard Johnny Dunn playing the trumpet with a plunger, which Nanton realized could be used to similar effect on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diseuse
A monologist (), or interchangeably monologuist (), is a solo artist who recites or gives dramatic readings from a monologue, soliloquy, poetry, or work of literature, for the entertainment of an audience. The term can also refer to a person who monopolizes a conversation; and, in an obsolete sense, could describe a bird with an unchanging, repetitive song. Dramatic monologist A dramatic monologist is a term sometimes applied to an actor performing in a monodrama often with accompaniment of music. In a monodrama the lone player relays a story through the eyes of a central character, though at times may take on additional roles. In the modern era the more successful practitioners of this art have been actresses frequently referred to by the French term “diseuse”.Pittsburgh Post-Gazette - the December 21, 1935 p. 11 Diseuse Diseuse (, ) French for "teller", also called talkers, storytellers, dramatic-singers or dramatic-talkers is a term, at least as used on the English-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
