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Chinese Musicology
Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age. The concept of music, called 乐 (yuè), stands among the oldest categories of Chinese thought; however, in the known sources it does not receive a fairly clear definition until the writing of the ''Classic of Music'' (lost during the Han dynasty). Music scales The first musical scales were derived from the harmonic series. On the Guqin (a traditional instrument) all of the dotted positions are equal string length divisions related to the open string like 1/2, 1/3, 2/3, 1/4, 3/4, etc. and are quite easy to recognize on this instrument. The Guqin has a scale of 13 positions all representing a natural harmonic position related to the open string. The ancient Chinese defined, by mathematical means, a gamut or series of 十二律 (Shí-èr-lǜ), meaning twelve lǜ, from which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Music
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese The Han Chinese () or Han people (), are an East Asian ethnic group native to China. They constitute the world's largest ethnic group, making up about 18% of the global population and consisting of various subgroups speaking distinctive va ... in the course of History of China, Chinese history as well as Ethnic groups in China, ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early History of China, Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equal Tempered
An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, which gives an equal perceived step size as pitch is perceived roughly as the logarithm of frequency. In classical music and Western music in general, the most common tuning system since the 18th century has been twelve-tone equal temperament (also known as 12 equal temperament, 12-TET or 12-ET; informally abbreviated to twelve equal), which divides the octave into 12 parts, all of which are equal on a logarithmic scale, with a ratio equal to the 12th root of 2 ( ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. In Western countries the term ''equal temperament'', without qualification, generally means 12-TET. In modern times, 12-TET is usually tuned relative to a standard pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophy Of Music
Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it".Andrew Kania,The Philosophy of Music, ''The Stanford Encyclopedia of Philosophy'', Spring 2014 edition, edited by Edward N. Zalta. The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.Daniel Martín Sáez,The Expression »Philosophy of Music«. A Brief History and Some Philosophical Considerations, ''International Review of the Aesthetics and Sociology of Music'', vol. 52, nº 2 (December 2021), pp. 203-220. Some basic questions in the philosophy of music are: * What is the definition of music? (what are the necessary and sufficient conditions for classifying something as music?) * What is the relationship between music and mind? * What is the relationship between music and language? * What does mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Music Gamut & Scales
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythagoras
Pythagoras of Samos ( grc, Πυθαγόρας ὁ Σάμιος, Pythagóras ho Sámios, Pythagoras the Samos, Samian, or simply ; in Ionian Greek; ) was an ancient Ionians, Ionian Ancient Greek philosophy, Greek philosopher and the eponymous founder of Pythagoreanism. His political and religious teachings were well known in Magna Graecia and influenced the philosophies of Plato, Aristotle, and, through them, the Western philosophy, West in general. Knowledge of his life is clouded by legend, but he appears to have been the son of Mnesarchus, a gem-engraver on the island of Samos. Modern scholars disagree regarding Pythagoras's education and influences, but they do agree that, around 530 BC, he travelled to Crotone, Croton in southern Italy, where he founded a school in which initiates were sworn to secrecy and lived a communal, asceticism, ascetic lifestyle. This lifestyle entailed a number of dietary prohibitions, traditionally said to have included vegetarianism, although m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Key
In Western music, the adjectives major and minor may describe a chord, scale, or key. As such, composition, movement, section, or phrase may be referred to by its key, including whether that key is major or minor. Intervals Some intervals may be referred to as ''major'' and ''minor''. A major interval is one semitone larger than a minor interval. The words ''perfect'', ''diminished'', and ''augmented'' are also used to describe the quality of an interval. Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented). Unisons, fourths, fifths, and octaves and their compound interval must be perfect (or, rarely, diminished or augmented). In Western music, a minor chord "sounds darker than a major chord". Kamien, Roger (2008). ''Music: An Appreciation'', 6th Brief Edition, p. 46. . Scales and chords The other uses of ''major'' and ''minor'' generally refer to scales and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Key
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolf Interval
In music theory, the wolf fifth (sometimes also called Procrustean fifth, or imperfect fifth) Paul, Oscar (1885). A manual of harmony for use in music-schools and seminaries and for self-instruction', p.165. Theodore Baker, trans. G. Schirmer. is a particularly dissonant musical interval spanning seven semitones. Strictly, the term refers to an interval produced by a specific tuning system, widely used in the sixteenth and seventeenth centuries: the quarter-comma meantone temperament. More broadly, it is also used to refer to similar intervals (of close, but variable magnitudes) produced by other tuning systems, including Pythagorean and most meantone temperaments. When the twelve notes within the octave of a chromatic scale are tuned using the quarter-comma mean-tone systems of temperament, one of the twelve intervals spanning seven semitones (classified as a diminished sixth) turns out to be much wider than the others (classified as perfect fifths). In mean-tone systems, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Music
The ''Classic of Music'' () was a Confucian classic text lost by the time of the Han dynasty. It is sometimes referred to as the "Sixth Classic" (for example, by Sima Qian) and is thought to have been important in the traditional interpretations of the '' Book of Songs''. Qing dynasty scholar Shao Yichen ( 邵懿辰, 18101861) proposed that the book never existed, but more usually it is thought that all copies were destroyed during the burning of books and burying of scholars. A few traces remain in other surviving works, including the '' Zuo Zhuan'', the '' Rites of Zhou'', and the extremely redacted, poor-quality Record of Music contained in the ''Classic of Rites''. As accounted in the ''Book of Han'', Dou Gong 竇公 (5-4 cc. BC), a musician of the state of Wei possessed a copy of the ''Classic of Music'' which was presented to the Emperor Han Wen-di. However, the text is associated with the ''Da siyue'' (大宗伯) section of the ''Rites of Zhou''. Leading to the belief tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests. The types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method. The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
