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Chinese Lacquerware Table
This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period. It is one of the few surviving examples in the world of a major piece of furniture produced in the 'Orchard Workshop', the Imperial lacquer workshop set up in the early Ming period and situated to the north-west of the 'Forbidden City' compound in Peking (now Beijing). By at least the Ming dynasty carved lacquer was being used all over the visible surfaces of pieces of furniture, a dauntingly expensive proposition. One of the best known pieces is this table, with three drawers, whose top has a typical imperial Ming design with a central dragon and phoenix, symbolizing the emperor and empress respectively; the pair also appear on the drawer-fronts. The table-top measures 119.5 cm by 84.5 cm and the table is 79.2 cm high. It was produced between 1425–1436 in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Lacquerware Table
This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period. It is one of the few surviving examples in the world of a major piece of furniture produced in the 'Orchard Workshop', the Imperial lacquer workshop set up in the early Ming period and situated to the north-west of the 'Forbidden City' compound in Peking (now Beijing). By at least the Ming dynasty carved lacquer was being used all over the visible surfaces of pieces of furniture, a dauntingly expensive proposition. One of the best known pieces is this table, with three drawers, whose top has a typical imperial Ming design with a central dragon and phoenix, symbolizing the emperor and empress respectively; the pair also appear on the drawer-fronts. The table-top measures 119.5 cm by 84.5 cm and the table is 79.2 cm high. It was produced between 1425–1436 in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Individual Pieces Of Furniture
An individual is that which exists as a distinct entity. Individuality (or self-hood) is the state or quality of being an individual; particularly (in the case of humans) of being a person unique from other people and possessing one's own needs or goals, rights and responsibilities. The concept of an individual features in diverse fields, including biology, law, and philosophy. Etymology From the 15th century and earlier (and also today within the fields of statistics and metaphysics) ''individual'' meant " indivisible", typically describing any numerically singular thing, but sometimes meaning "a person". From the 17th century on, ''individual'' has indicated separateness, as in individualism. Law Although individuality and individualism are commonly considered to mature with age/time and experience/wealth, a sane adult human being is usually considered by the state as an "individual person" in law, even if the person denies individual culpability ("I followed instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Lacquerware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is derived from the dried sap of ''Toxicodendron vernicifluum''. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japannin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Furniture
The forms of Chinese furniture evolved along three distinct lineages which dates back to 1000 BC, based on ''frame and panel'', ''yoke and rack'' (based on post and rail seen in architecture) and ''bamboo'' construction techniques. Chinese home furniture evolved independently of Western furniture into many similar forms including chairs, tables, stools, cupboards, cabinets, beds and sofas. Until about the 10th century CE the Chinese sat on mats or low platforms using low tables, in typical Asian style, but then gradually moved to using high tables with chairs.Grove Chinese furniture is mostly in plain polished wood, but from at least the Song dynasty the most luxurious pieces often used lacquer to cover the whole or parts of the visible areas. All the various sub-techniques of Chinese lacquerware can be found on furniture, and become increasingly affordable down the social scale, and so widely used, from about the Ming dynasty onwards. Carved lacquer furniture was at first o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian Objects In The Victoria And Albert Museum
Asian may refer to: * Items from or related to the continent of Asia: ** Asian people, people in or descending from Asia ** Asian culture, the culture of the people from Asia ** Asian cuisine, food based on the style of food of the people from Asia ** Asian (cat), a cat breed similar to the Burmese but in a range of different coat colors and patterns * Asii (also Asiani), a historic Central Asian ethnic group mentioned in Roman-era writings * Asian option, a type of option contract in finance * Asyan, a village in Iran See also * * * East Asia * South Asia * Southeast Asia Southeast Asia, also spelled South East Asia and South-East Asia, and also known as Southeastern Asia, South-eastern Asia or SEA, is the geographical south-eastern region of Asia, consisting of the regions that are situated south of mainlan ... * Asiatic (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Clunas
Alistair Craig Clunas (born 1 December 1954 in Aberdeen, Scotland) is Professor Emeritus of History of Art at the University of Oxford. As a historian of the art and history of China, Clunas has focused particularly on the Ming Dynasty (1368–1644). Life Clunas attended Aberdeen Grammar School from 1959 to 1972, which was followed by a Diploma with Distinction in spoken and written modern Chinese from the Peking Languages Institute in Beijing. He next majored in Chinese Studies at the University of Cambridge as an undergraduate, graduating with a BA (First Class Honours) in 1977 and afterwards went to the School of Oriental and African Studies (SOAS) at the University of London where he wrote his PhD dissertation on ''Injanasi's "Nigen Dabqur Asar": a Sino-Mongolian novel of the 19th century'' (completed 1983) under the supervision of Charles Bawden. Clunas began his scholarly career at the Victoria and Albert Museum, where for 15 years he was on the curatorial staff and was re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carved Lacquerware
Carved lacquer or Qidiao () is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE. It is extremely time-consuming to produce, and has always been a luxury product, essentially restricted to China, though imitated in Japanese lacquer in somewhat different styles. The producing process is called Diaoqi (, carving lacquer). Though most surviving examples are from the Ming and Qing dynasties, the main types of subject matter for the carvings were all begun under the Song dynasty, and the development of both these and the technique of carving were essentially over by the early Ming. These types were the abstract ''guri'' or Sword-Pommel pattern, figures in a landscape, and birds and plants. To these some designs with religious symbols, animals, auspicious characters ''(right)'' and imperial dragons can be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xuande Emperor
The Xuande Emperor (16 March 1399 31 January 1435), personal name Zhu Zhanji (朱瞻基), was the fifth Emperor of the Ming dynasty, reigned from 1425 to 1435. His era name "Xuande" means "proclamation of virtue". Ruling over a relatively peaceful period within Ming history, he was also personally fond of painting and literature. The Emperor ordered tax reductions on burdened farmers and attempted to purge corruption from the revenue collectors. His attempts to reform meritocracy within the military was unsuccessful, and he was forced to declare independence to Vietnam when his invasion failed. Biography Zhu Zhanji was the eldest son of the Hongxi Emperor and Empress Chengxiaozhao. He was described as a crown prince who was endowed with the quality of an excellent monarch in a section of his biography surrounded by superstition. His grandfather, the Yongle Emperor, had high hopes that he might play an important part to assist his father. He was fond of poetry and literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flowers Of The Four Seasons
The Flowers of the Four Seasons ( zh, 四季名花, ''Sìjì Mínghuā''; vi, Tứ quý danh hoa) are a group of flowers found in Chinese and other East Asian (such as Vietnamese) art and culture which represent the four seasons, consisting of: * (春兰) Chūnlán - Spring Orchid, * (夏荷) Xiahé - Summer Lotus, * (秋菊) Qiūjú - Autumn Chrysanthemum, * and (冬梅) Dōngméi - Winter plum blossom. They contain three of the elements of the Four Gentlemen. Gallery File:Ciruelo en flor.jpg, Plum blossoms (contemporary) File:Orchid - Hu Zhengyan.PNG, Orchid - Hu Zhengyan (1633) File:Xian'e Changchun Album 08.jpg, '' Chrysanthemums'' from the Xian'e Changchun Album by Giuseppe Castiglione (1688-1766) File:Elegance of Lotus Looking from Heaven.jpg, "Elegance of Lotus Looking from Heaven" (contemporary) See also * Flower emblems in China * Flower emblems in Vietnam *Three Friends of Winter *List of Chinese symbols, designs, and art motifs A list of Chinese symbols, de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_with_Dragon_amid_Clouds_LACMA_M.83.148.1.jpg "Click for more on -> Chinese Lacquerware")
