Chinatown, My Chinatown
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Chinatown, My Chinatown
"Chinatown, My Chinatown" is a popular song written by William Jerome (words) and Jean Schwartz (music) in 1906 and later interpolated into the musical ''Up and Down Broadway'' (1910).Ruhlmann, ''Breaking Records''p. 31 The song has been recorded by numerous artists and is considered an early jazz standard. Composition Tin Pan Alley songwriters Jean Schwartz and William Jerome began their partnership in 1901, and collaborated successfully for more than a decade. They composed many popular songs together, including million-sellers "Mister Dooley" and "Bedelia". "Chinatown, My Chinatown" is considered their biggest hit, but it did not catch on when they wrote it in 1906, and the musical revue it was added to in 1910, ''Up and Down Broadway'', was not especially successful. By the time "Chinatown, My Chinatown" became a national hit in 1915, the two were no longer collaborating. The melody of the song uses pentatonicism, while the harmonies employ many parallel fourths and fifth ...
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Jean Schwartz
Jean Schwartz (November 4, 1878 – November 30, 1956) was a Hungarian-born American songwriter. Schwartz was born in Budapest, Hungary. His family moved to New York City when he was 13 years old. He took various music-related jobs including demonstrating and selling sheet music in department stores before being hired as a staff pianist and song-plugger by the Shapiro-Bernstein Publishing House of Tin Pan Alley. He published his first composition, a cakewalk, in 1899. He became known as an accomplished lyricist, although he also continued to write music. In 1901, he began a successful collaboration with William Jerome. They co-wrote many songs which were used in Broadway shows, including "Mr. Dooley," which was sung by the title character in '' The Wizard of Oz'', as well as the Ziegfeld Follies. They worked with Eddie Morton for the song "I'm a Member of the Midnight Crew" in 1909. Their biggest hit together was the 1910 song "Chinatown, My Chinatown", still popular with Dixie ...
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Little Wonder Records
Little Wonder Records was a United States budget record label from 1914 through 1923. The label was known for producing one-sided records with abbreviated versions of songs at a very low price. History Little Wonders were manufactured by the Columbia Phonograph Company, and were distributed exclusively by music publisher Henry Waterson (the business partner of Irving Berlin) in their early years (1914–1916) – an arrangement that has only recently been discovered as the original contract stipulated that both parties were to keep this relationship a secret. Artists are generally uncredited on Little Wonder labels, which simply give recordings general attributions such as "band", "tenor", "quartette", or "accordion solo". Little Wonders were lateral-cut single sided inch gramophone records. The records contained only about to 2 minutes of music. The small size of the discs (together with the cherubic face on later versions of the label) has led some record collectors to incorre ...
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Songs With Lyrics By William Jerome
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compos ...
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1910s Jazz Standards
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 '' Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the H ...
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1932 Singles
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ...
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1910 Songs
Year 191 (Roman numerals, CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V of Parthia, Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a Campaign against Dong Zhuo, punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian of Han, Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyan ...
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Stuart Nicholson (jazz Historian)
Stuart Nicholson (born 8 January 1948) is a British jazz historian, biographer, music critic, journalist, and academic. A recognized expert on the history of jazz, he has penned several books on jazz history and several biographies on jazz luminaries, including Ella Fitzgerald, Billie Holiday, and Duke Ellington. The author of numerous articles on jazz in newspapers, magazines and academic publications, he has taught as a visiting professor on the faculty of the Leeds College of Music and as a guest lecturer at multiple institutions internationally. Career Born in Cardiff, Wales, Stuart Nicholson earned degrees in music theory and clarinet performance from the Welsh College of Music and Drama where he studied from 1967-1971. He has written biographies on Ella Fitzgerald, Billie Holiday, and Duke Ellington, and has published articles on jazz related topics in multiple journals and newspapers; including ''The Observer'', '' The Western Mail'', '' Gramophone'', ''Jazzwise'', ''Jazz ...
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Richard Crawford (music Historian)
Richard Crawford is an American music historian, formerly a professor of music at the University of Michigan. His ''American Musical Landscape'' is one of the seminal works of American music history, published in 2001. He has published a number of other books, and edited a series of books on American music. He is an honorary member and past president of the American Musicological Society, one of the founding members of the Society for American Music The Society for American Music (SAM) was founded in 1975 and was first named the Sonneck Society in honor of Oscar George Theodore Sonneck, early Chief of the Music Division in the Library of Congress and pioneer scholar of American music. The S ..., and is the founder and former editor-in-chief of MUSA (Music of the United States of America). References External linksInterview with Crawfordin ''Humanities'', November/December 1997on the symposium honoring Crawford's retirement in ''Echo'', Spring 2003 in ''Echo'', Spring 2003 ...
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List Of Pre-1920 Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were instant hits and quickly became well-known standards, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. From its conception at the change of the twentieth century, jazz was music intended for dancing. This influenced the choice of material played by early jazz groups: King Oliver's Creole Jazz Band, New Orleans Rhythm Kings and others included many Tin Pan Alley popular songs in their repertoire, and record companies often used their power to dictate which songs were to be recorded by their artists. Certain songs were pushed by recording executives and therefore quickly achieved s ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ...
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Louis Prima
Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s. From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors ...
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