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China Boy
"China Boy" is a 1922 popular song written by Phil Boutelje and Dick Winfree. Background It was introduced in vaudeville by Henry E. Murtagh and popularized by Paul Whiteman's 1929 Columbia recording featuring Bix Beiderbecke. The song has become a jazz standard and has been recorded by, among others, Louis Armstrong, Mildred Bailey, Sidney Bechet, Gene Kardos, Benny Goodman, Lionel Hampton, Isham Jones, Red Nichols, Charlie Parker, Oscar Peterson, Django Reinhardt and Fats Waller.China Boy at ''jazzstandards.com'' - retrieved on 7 May 2009 Movie appearances The song has appeared in numerous films, both credited and uncredited, from 1929 to 1998, including '''' (19 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Boutelje
Phil Boutelje (August 6, 1895, in Philadelphia – July 29, 1979, in Woodland Hills, Los Angeles) was an American pianist, songwriter, composer, author and conductor. Biography Boutelje received specialized music training at the Philadelphia Music Academy. He was a military bandmaster during World War I. Returning to civilian life, he played piano for several jazz groups, including Nick Lucas in 1922 and Paul Whiteman. He later arranged music for the Whiteman orchestra. By the early 1930s he had been lured to Hollywood, becoming music director for Paramount Pictures and United Artists. Musical contributions Boutelje composed considerable music for film soundtracks, not always receiving credit for his contributions. However, during his career he received two Academy Award nominations for his film contributions (in 1939 for ''The Great Victor Herbert'', with Arthur Lange, and in 1943 for ''Hi Diddle Diddle'').IMDB.com Boutelje became a member of ASCAP in 1930. His chief music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Impostors
''The Impostors'' is a 1998 American farce film, motion picture directed, written and produced by Stanley Tucci, starring Oliver Platt, Tucci, Alfred Molina, Tony Shalhoub, Steve Buscemi, and Billy Connolly. The film, in which Oliver Platt and Stanley Tucci play a Laurel and Hardy-like odd couple of out-of work actors, is set in the Great Depression, depression-era 1930s; indeed, the retro style of the film is a re-creation of 1930s screwball comedy film, screwball comedy. The opening silent sequence harks back to the golden days of silent film. The film was screened in the Un Certain Regard section at the 1998 Cannes Film Festival. Plot In New York City in 1938 Arthur and Maurice scrape together a living on petty swindles, practicing their acting technique whenever they can. Following a drunken confrontation with pretentious and dreadful Shakespearean actor Sir Jeremy Burtom, they are forced to hide as stowaways on an ocean liner. Unfortunately for the duo, Burtom himself t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Emperor
''The Last Emperor'' ( it, L'ultimo imperatore) is a 1987 epic biographical drama film about the life of Puyi, the final Emperor of China. It is directed by Bernardo Bertolucci from a screenplay he co-wrote with Mark Peploe, which was adapted from Puyi's 1964 autobiography, and independently produced by Jeremy Thomas. The film depicts Puyi's life from his ascent to the throne as a small boy to his imprisonment and “political rehabilitation” by the Chinese Communist Party. It stars John Lone in the eponymous role, with Peter O'Toole, Joan Chen, Ruocheng Ying, Victor Wong, Dennis Dun, Vivian Wu, Lisa Lu, and Ryuichi Sakamoto; who also composed the film score with David Byrne and Cong Su. It was the first Western feature film authorized by the People's Republic of China to film in the Forbidden City in Beijing. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Benny Goodman Story
Dick Winslow ''The Benny Goodman Story'' is a biographical film starring Steve Allen and Donna Reed, directed by Valentine Davies, and released by Universal-International in 1956. The film was intended as a follow-up to Universal's 1954 hit ''The Glenn Miller Story'', dramatizing a popular bandleader's life. The film captures several major moments in Goodman's life but it has been described as less than accurate in details. Goodman's Jewish background is mentioned only implicitly, despite its playing a part in his artistic and personal endeavors for decades. In one scene, where his mother tries to talk him out of a romance with Alice Hammond (played by Donna Reed), whom Goodman eventually married, she says, "Bagels and caviar don't mix." Plot The young Benny Goodman is taught classical clarinet by a Chicago music professor. He is advised by bandleader Kid Ory to play whichever kind of music he likes best. Benny begins his professional career by joining the Ben Pollack traveling ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strike Up The Band (film)
''Strike Up the Band'' is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after ''Babes in Arms'', all directed by Berkeley. The story written for the 1927 stage musical '' Strike Up the Band'', and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song. Plot Jimmy Connors (Mickey Rooney), a student at Riverwood High School, plays the drums in the school band but dreams of playing in a dance band. He and his “gal” Mary Holden (Judy Garland) sell the school principal on the idea of forming a dance orchestra and putting on a dance to raise money. The principal is initially doubtful but then agrees to buy the first ticket. The event is a success, and the school's debt for the instruments is paid off. Famous band leader Paul Whiteman (played by himself) sponso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hold That Kiss
''Hold That Kiss'' (1938) is a romantic comedy film starring Maureen O'Sullivan and Dennis O'Keefe. Plot Travel agency clerk Tommy Bradford (Dennis O'Keefe) delivers tickets to wealthy J. Westley Piermont ( George Barbier) at the lavish wedding of his daughter. Piermont introduces him to model June Evans (Maureen O'Sullivan), but neglects to mention neither one is a guest. June is there to help the daughter with her wedding dress. Both pretend to be rich. Tommy gives June his telephone number, but neither expects anything to come of their momentary attraction to each other. That night, after she tells her family about her adventure, her obnoxious, younger, musician brother Chick (Mickey Rooney) phones Tommy, pretending to be June's servant, and forces his sister to continue the charade. Tommy is pressured to maintain the masquerade as well by his roommate Al (Edward Brophy), an insurance salesman who dreams of making contacts in New York high society. They begin seeing each othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Django Reinhardt
Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django ( or ), was a Romani-French jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents. With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a stroke in 1953 at the age of 43. Reinhardt's most popular compositions have become standards within gypsy jazz, including " Minor Swing", "Daphne", "Belleville", "Djangology", "Swing '42", and "Nuages". Jazz guitarist Frank Vignola says that nearly every major popular-music guitarist in the world has been influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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