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Childe Harold
''Childe Harold's Pilgrimage'' is a long narrative poem in four parts written by Lord Byron. The poem was published between 1812 and 1818. Dedicated to " Ianthe", it describes the travels and reflections of a world-weary young man, who is disillusioned with a life of pleasure and revelry and looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. The title comes from the term ''childe'', a medieval title for a young man who was a candidate for knighthood. The poem was widely imitated and contributed to the cult of the wandering Byronic hero who falls into melancholic reverie as he contemplates scenes of natural beauty. Its autobiographical subjectivity was widely influential, not only in literature but in the arts of music and painting as well, and was a powerful ingredient in European Romanticism. Origins The poem contains element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and Peerage of the United Kingdom, peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy Narrative poem, narratives ''Don Juan (poem), Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Charlotte Harley
Lady Charlotte Mary Bacon, née Harley (12 December 1801 – 9 May 1880), was the second daughter of Edward Harley, 5th Earl of Oxford and Earl Mortimer.Debrett, John; Collen, George William (1840). Debrett's Peerage of England, Scotland, and Ireland. revised, corrected and continued by G.W. Collen.' London: William Pickering Her beauty as a child prompted Lord Byron to dedicate the first two cantos of ''Childe Harold's Pilgrimage'' to her, under the name "Ianthe".Gunn, John Alexander Wilson; Wiebe, Melvin George. eds. (2008). ''Benjamin Disraeli letters, Volume 7.'' University of Toronto Press, Lord Byron had been one of the many lovers of her mother, Jane Elizabeth Scott. Lady Charlotte was also the subject of the painting ''Lady Charlotte Harley as Hebe'' by Richard Westall. Byron biographer Benita Eisler has claimed that Byron sexually molested Lady Charlotte when she was eleven years old, stating that "In the period leading up to his marriage to Annabella Milbanke, early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drachenfels (Siebengebirge)
The Drachenfels ("Dragon's Rock", ) is a hill () in the Siebengebirge uplands between Königswinter and Bad Honnef in Germany. The hill was formed by rising magma that could not break through to the surface, and then cooled and became solid underneath. It is the subject of much tourism and romanticism in the North Rhine-Westphalia area. History The ruined castle Burg Drachenfels, on the summit of the hill, was built between 1138 and 1167 by Archbishop Arnold I of Cologne and bears the same name. It was originally intended for the protection of the Cologne region from any assault from the south. Originally it consisted of a ''bergfried'' with court, chapel and living quarters for servants. The castle was slighted in 1634, during the Thirty Years' War, by the Protestant Swedes and never rebuilt. As a strategic asset it had outlived its usefulness. Erosion due to the continued quarrying undermined much of the remains and only a small part is left today. The rock, like the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Byron - Childe Harold's Pilgimage - Dugdale Edition
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation " lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in ''Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spenserian Stanza
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem ''The Faerie Queene'' (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC. Example stanza This example is the first stanza from Spenser's ''Faerie Queene''. The formatting, wherein all lines but the first and last are indented, is the same as in contemporary printed editions. Lo I the man, whose Muse whilome did maske, As time her taught, in lowly Shepheards weeds, Am now enforst a far unfitter taske, For trumpets sterne to chaunge mine Oaten reeds, And sing of Knights and Ladies gentle deeds; Whose prayses having slept in silence long, Me, all too meane, the sacred Muse areeds To blazon broad emongst her learned throng: Fierce warres and faithfull loues shall moralize my song. Possible influences Spenser's invention may have been influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canto
The canto () is a principal form of division in medieval and modern long poetry. Etymology and equivalent terms The word ''canto'' is derived from the Italian word for "song" or "singing", which comes from the Latin ''cantus'', "song", from the infinitive verb ''canere'', "to sing"."Canto" ''The Merriam-Webster Dictionary''. Retrieved 27 September 2015. In , , and poetry, the term '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Westall
Richard Westall (2 January 1765 – 4 December 1836) was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron. He was also Queen Victoria's drawing master. Biography Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich) who both became painters. His younger half-brother was William Westall (1781–1850), a much-travelled landscape painter. Born on 2 January 1765 in Reepham near Norwich (where he was baptised at All Saints on 13 January in the same year), Richard Westall moved to London after the death of his mother and the bankruptcy of his father in 1772. Westall was apprenticed to a heraldic silver engraver in 1779, where he was encouraged to become a painter by John Alefounder; he then began studying at the Royal Academy School of Arts from 10 December 1785. He exhibited at the Academy regularly between 1784 and 1836, became an Associate in November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Murray (publishing House)
John Murray is a British publisher, known for the authors it has published in its long history including, Jane Austen, Sir Arthur Conan Doyle, Lord Byron, Charles Lyell, Johann Wolfgang von Goethe, Herman Melville, Edward Whymper, Thomas Malthus, David Ricardo, and Charles Darwin. Since 2004, it has been owned by conglomerate Lagardère under the Hachette UK brand. Business publisher Nicholas Brealey became an imprint of John Murray in 2015. History The business was founded in London in 1768 by John Murray (1737–1793), an Edinburgh-born Royal Marines officer, who built up a list of authors including Isaac D'Israeli and published the ''English Review''. John Murray the elder was one of the founding sponsors of the London evening newspaper ''The Star'' in 1788. He was succeeded by his son John Murray II, who made the publishing house important and influential. He was a friend of many leading writers of the day and launched the ''Quarterly Review'' in 1809. He was the pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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