Chiesa Di San Giovanni Evangelista Organ Case
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Chiesa Di San Giovanni Evangelista Organ Case
''Chiesa di San Giovanni Evangelista Organ Case'' is a set of four tempera on canvas paintings produced by Moretto da Brescia, ''c.'' 1535. The inner sides show stories from the life of John the Baptist and scenes from the life of John the Evangelist. They now hang on the walls of the chancel of the church for which they were painted, San Giovanni Evangelista in Brescia. The only source for their original site is Bernardino Faino in 1630 who mentions the doors "of the outside and of the inside in the hand of Moretto" At the end of the 17th century, Francesco Paglia describes them as removed from the organ and hanging on the walls of the chancel, from which he hypothesizes that the two saints John were originally the covers for the high altar, also by Moretto. Francesco Paglia, Il Giardino della Pittura, Brescia 1660, p 186-187 References 1535 paintings Paintings in Brescia Paintings by Moretto da Brescia Paintings depicting John the Baptist Paintings depicting Jo ...
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Ante Dell'organo Della Chiesa Di San Giovanni (Brescia)1
Ante or Antes may refer to: * Ante (cards), an initial stake paid in a card game * Ante (poker), a forced bet in the game of poker * Ante (name), Croatian form of the given name Anthony * The Latin word ''ante'', meaning "before", which is used as a prefix in many List of Latin phrases (full), Latin phrases. e.g. ''antebellum'', meaning "before a war" * Sivry-Ante, a municipality in the Marne department of France with two villages: Ante and Sivry-Ante * Antes (people) See also

* Antes (other) *Anth (other) {{disambiguation ...
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Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ru ...
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John The Baptist
John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Baptista; cop, ⲓⲱⲁⲛⲛⲏⲥ ⲡⲓⲡⲣⲟⲇⲣⲟⲙⲟⲥ or ; ar, يوحنا المعمدان; myz, ࡉࡅࡄࡀࡍࡀ ࡌࡀࡑࡁࡀࡍࡀ, Iuhana Maṣbana. The name "John" is the Anglicized form, via French, Latin and then Greek, of the Hebrew, "Yochanan", which means "YHWH is gracious"., group="note" ( – ) was a mission preacher active in the area of Jordan River in the early 1st century AD. He is also known as John the Forerunner in Christianity, John the Immerser in some Baptist Christian traditions, and Prophet Yahya in Islam. He is sometimes alternatively referred to as John the Baptiser. John is mentioned by the Roman Jewish historian Josephus and he is revered as a major religious figure Funk, Robert W. & the Jes ...
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John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ...
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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Francesco Paglia
Francesco Paglia (1636 – c. 1714) was an Italian painter of the late-Baroque period, mainly active in Brescia. Biography He was a pupil of Guercino. He also wrote a description of paintings in Brescia, using both prose and poetry, titled ''il Giardino della Pittura'' (The Garden of Painting). A copy of the manuscript was in the hands of the Avogadro family, which was known for their local patronage. Paglia also painted a ''St. Onofrio in the desert'' for the church of San Barnaba. He had two sons, Antonio (1680- 9 February 1747) and Angelo (born 1681), both painters. Antonio moved to Venice after the death of his father to study with Sebastiano Ricci Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesqu .... Angelo also learned to sculpt in clay from the Brescian Santo Calegari. ...
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1535 Paintings
__NOTOC__ Year 1535 ( MDXXXV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. Events January–June * January 18 – Lima, Peru, is founded by Francisco Pizarro, as ''Ciudad de los Reyes''. * February 27 – George Joye publishes his ''Apologye'' in Antwerp, to clear his name from the accusations of William Tyndale. * March – English forces under William Skeffington storm Maynooth Castle in Ireland, the stronghold of Thomas FitzGerald, 10th Earl of Kildare. * March 10 – Fray Tomás de Berlanga discovers the Galápagos Islands, when blown off course ''en route'' to Peru. * May 4 – The first of the English Carthusian Martyrs is executed. * May 10 – Amsterdam: A small troop of Anabaptists, led by the minister Jacob van Geel, attacks the city hall, in an attempted coup to seize the city. In the counter-attack by the city's militia, the burgemeester, Pieter Colijns, is killed by the ...
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Paintings In Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings By Moretto Da Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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