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Chicuelo (guitarist)
Juan Ignacio Gómez Gorjón, better known as Juan Gómez "Chicuelo", (born 1968) is a Spanish flamenco guitarist from Barcelona, composer and director. Although he worked with a wide range of artists, Chicuelo is usually accompanied by the singer Miguel Poveda and singer Duquende, with whom he has toured extensively in Europe, Japan and the US and made many recordings with. He has also been musical director of Compagnie de Danse Japonaise Shohi Kojima ("Japanese Dance Company Shohi Kojima") since 1992, and musical director of the Somorrostro Dansa Flamenca with choreographer Javier Latorre since 2003. Early years Chicuelo was born in Cornellà de Llobregat near Barcelona, Spain. He grew up in a gypsy family, with brothers who sang and played guitar; his brother Manel (Manuel Gómez), is a percussionist. Chicuelo was a student of Manolo Sanlúcar, and his brother, Isidro. Career In his early career, he worked at the Tablao de Carmen with Mario Escudero, Angelita Vargas, Migue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornellà De Llobregat
Cornellà de Llobregat (; es, Cornellá de Llobregat) is a municipality in the ''comarca'' of the Baix Llobregat in Catalonia, Spain. It is situated on the left bank of the Llobregat River. It is in the south-western part of the Barcelona metropolitan area and is part of the wider urban area. It houses one of the three La Liga football clubs from Catalonia, RCD Espanyol. History The history of Cornellà de Llobregat is defined by three principal factors: its proximity to the city of Barcelona, its being an area of passage (as was the entire Comarca of Baix Llobregat) to and from the capital of Catalonia, and the presence of the ''Llobregat River''. Its name is of Roman origin (Cornelianus) and the city's architectural characteristics possess Visigoth traits. The first written reference to the city dates from 980 AD, at which time a church and a defense tower to ward off the Saracens already existed in the same place as the current castle (constructed in the fourteenth ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrián Galia
Adrian is a form of the Latin given name Adrianus or Hadrianus. Its ultimate origin is most likely via the former river Adria from the Venetic and Illyrian word ''adur'', meaning "sea" or "water". The Adria was until the 8th century BC the main channel of the Po River into the Adriatic Sea but ceased to exist before the 1st century BC. Hecataeus of Miletus (c.550 – c.476 BC) asserted that both the Etruscan harbor city of Adria and the Adriatic Sea had been named after it. Emperor Hadrian's family was named after the city or region of Adria/Hadria, now Atri, in Picenum, which most likely started as an Etruscan or Greek colony of the older harbor city of the same name. Several saints and six popes have borne this name, including the only English pope, Adrian IV, and the only Dutch pope, Adrian VI. As an English name, it has been in use since the Middle Ages, although it did not become common until modern times. Religion * Pope Adrian I (c. 700–795) * Pope Adrian II (792 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carles Benavent
Carles Benavent (born 1 March 1954) is a Spanish flamenco and jazz bass player. Biography Benavent was born in the Poble Sec neighborhood in Barcelona. He started playing the bass when he was thirteen years old, attracted by blues and rock, Jimi Hendrix in particular. A totally self-taught jazz bassist, he founded the group, "Música Urbana" with which he recorded two albums. He came to create a new form of playing the electric bass "Flamenco style", using the pick to create a special type of alzapúa (style of plucking the strings with the finger and pick). His preferred instrument is the fretless bass, which was pretty uncommon at the time, so he can be considered one of the fretless bass pioneers in Flamenco music. One of the hallmark pieces that first showcased his unique playing was his duet with Paco de Lucia on Paco's album ''Solo Quiero Caminar'', called "Monasterio De Sal" (Colombiana). On the same album, his use of harmonics and his groove playing on the track "Chanel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Domínguez
Chano Domínguez (born Sebastián Domínguez Lozano; 29 March 1960, Cádiz) is a Spanish Latin jazz, post bop and flamenco pianist. Dominguez has released over 20 albums as a bandleader, and collaborated extensively with other jazz artists including Paquito D’Rivera, Gonzalo Rubalcaba, Joe Lovano, Chucho Valdés, Martiro, and Wynton Marsalis and the Lincoln Center Jazz Orchestra, He performs his own original compositions, as well as the music of Harold Arlen, Thelonious Monk, Miles Davis, and the Spanish classical composer Joaquín Rodrigo. He was nominated for a Grammy Award in 2012 for his albuFlamenco Sketcheson the Blue Note label. Domínguez began his career in the progressive rock group CAI before moving on to jazz. They recorded three LPs from 1978 to 1980, ''Mas Alla de Nuestras Mentes Diminutas'', ''Noche Abierta'' and ''Cancion de Primavera'' for the Columbia label. After CAI broke up in the early 1980s, Dominguez joined the local, Cadiz-based jazz ensemble, Hixca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Potito (singer)
El Potito, (born Antonio Vargas Cortés in Seville in 1976) is a Spanish flamenco and new flamenco singer. He has been hailed as a "young singer tipped to be following in the footsteps of El Camaron." Bernard Leblon said he has a "prodigious voice capable of hitting incredibly high notes, ndwas an overnight sensation in the world of flamenco." From a child at the age of 10, he began acting, singing and flamenco dancing on the tourist boats on the Guadalquivir River. As a teenager, collaborated with acclaimed artists such as Paco de Lucía ("Zyryab"). By 1996 he had already released two albums with collaborations with Vicente Amigo and others. He has since performed in a large number of performances internationally, collaborating in performances of Joaquin Cortes and Sara Baras, and is a singer in the Tomatito group. Altogether he has released six albums, the last of which is ''Macandé''. Discography ;Contributing artist * '' The Rough Guide to Flamenco'' (1997, World Music Netwo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Linares
Carmen Pacheco Rodríguez (Born in 1951 in Linares, Jaén), better known by her stage name Carmen Linares, is one of the finest flamenco singers in Spain. She belongs to the best generation of flamenco artists with Paco de Lucía, Camarón, Enrique Morente, Jose Mercé, Manolo Sanlúcar and Tomatito and she is considered as flamenco legend. Carmen Linares has carved out a place for herself in contemporary Spanish musical culture. She was awarded Spain's Premio Nacional de Música for interpretation in 2001. In 2022 she received the Princess of Asturias Award in the category "Arts". Biography Born in Linares, in the heart of Andalusia. Carmen Linares is known as one of the finest flamenco singers in Spain. She moved to Madrid with her family in 1965. Her professional career began in the dance company of Carmen Mora, and she made her first recording in 1971. She is also recognized as flamenco lead vocal reference and maestra for young generation like Miguel Poveda, Es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayte Martín
Mayte Martín (born in Barcelona, Spain, April 19, 1965) is a Flamenco cantaora (singer), bolero singer, and composer. She is widely recognized as one of the most important flamenco voices of her generation. She has also devoted part of her career to other genres such as Spanish American music, especially bolero. Biography Martín started singing as a small child, and, at the age of 10, she won an amateur singing contest organized by a supermarket. After this, she started performing regularly as an amateur at the peñas flamencas in Barcelona and its outskirts, and became a professional at the age of 16. In the meantime, she acquired a solid knowledge of flamenco styles, mainly by listening intensively to recordings of flamenco cantaores like Juan Valderrama, Manolo Caracol, Camarón de la Isla, Lole Montoya and most of all, Pastora Pavón, also known as La Niña de los Peines. She also received some formal musical training, and practiced her skills as a "cantaora de atrás ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Mercé
José Mercé (born José Soto Soto in 1955 in Jerez de la Frontera) is a Spanish flamenco singer. As a 12-year-old he performed at flamenco festivals. Later he moved to Madrid where he recorded his first album in 1968. Family He is the great-grandson of nineteenth-century seguiriya maestro Francisco Valencia, whose nickname was Paco la Luz. He is also the nephew of Manuel Soto Sordera, the patriarch of Jerez flamenco. Mercé's nickname comes from his participation in the choir of the Basilica de la Merced when he was a boy.Sevilla, Diario de""Se puede innovar si no se desvirtúan los cantes"" ''diariodejerez.es''. Production The youthful Mercé became one of the most sought-after singers for accompanying dance, and he has worked with the Trío Madrid, formed by Mario Maya, El Güito and Carmen Mora. From 1973 to 1983 he joined the company of Antonio Gades, with which he travelled half-way around half the world and took part in the film ''Bodas de Sangre'', by Carlos Saur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Lobato
Chano Lobato (December 1927 in Cadiz – 5 April 2009 in Seville) was a Spanish flamenco singer. Born in the Santa María neighborhood of Cadiz, he began performing at nightclubs in his hometown and later moved to Madrid, where he joined Alejandro Vega's Flamenco dance group. He became well known for performing with Antonio El Bailarín in particular, but also Manuel Morao and El Serna and for various notable dancers, including Matilde Coral. In 1974 Lobato received the Enrique El Mellizo award at the national contest Concurso Nacional de Córdoba and in 1996 he received the Medalla de Andalucía (Medal of Andalusia). Chano Lobato made many recordings. Amongst the most recent are: 1996 La Nuez Mosca 1997 Aromas de Cadiz 1997 Con sabor a cuarto 1998 El Flamenco Vive 2CD 2000 Azucar Cande 2000 Que viente anos no es nada 2002 Romea 2003 Memorias de Cadiz According to writer and flamencologist Manuel Ríos Ruiz, "Chano Lobato is an artist who gets emotional when he si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rancapino
Rancapino (born Alonso Núñez Núñez, in 1945) is a Spanish Romani flamenco singer. Born in Chiclana de la Frontera in 1945, he was grandson of "La Obispa" and son of "Manuel Orillito". He is brother of another flamenco singer "Orillo del Puerto". His stage name "Rancapino" arose from his childhood. He was always running naked from side to side and his gipsy neighbour “El Mono” used to call him “Rancapino” because he looked like a burning pine. Rancapino began as a singer during his childhood, acting at family and neighborhood parties. Friend and mate of Camaron de la Isla from his childhood they sang together in taverns and tablaos of the Bay of Cadiz, as the "Venta de Vargas" in San Fernando. He won the Premio de Mairena del Alcor and the Concurso Nacional de Córdoba in 1977. He performed in Madrid and went on a tour of France and Japan and performed at numerous festivals. He is noted for his characteristic deep hoarse voice, which makes him one of the greatest expon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Morente
Enrique Morente Cotelo (25 December 1942 – 13 December 2010), known as Enrique Morente, was a flamenco singer (in Spanish, cantaor) and a celebrated figure within the world of contemporary flamenco. After his orthodox beginnings, he plunged into experimentalism, writing new melodies for ''cante'' (flamenco singing) and jamming with musicians of all styles, without renouncing his roots in traditional flamenco singing, which he kept on cultivating despite criticism. "It hasn't been easy. First came the accusations of corruption of the music, of treachery in his struggle to disfigure what was already perfectly coded. When some albums and some categorical evidence of his knowledge of the classical approach laid these malicious comments bare, then came the most twisted condemnations. That the pace of the compás waned (just get a metronome and see for yourself), that he didn't really make you feel (are there really many true aficionados whose hair doesn't stand on end listening to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
