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Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite songs on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammophone Records
A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison. Alexander Graham Bell's Volta Laboratory made seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropop
Electropop is a hybrid music genre combining elements of electronic and pop genres. Writer Hollin Jones has described it as a variant of synth-pop with heavy emphasis on its electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. History Early 1980s During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century Britney Spears' influential fifth studio album '' Blackout'' (2007) incorporated elements of the genre, catapulting electropop to mainstream significance. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Robie
John Robie is a musician, producer and songwriter who has produced and/or written for a wildly diverse array of artists such as Chaka Khan, New Order, UB40, Cabaret Voltaire, Soulsonic Force, Boy George, C Bank, Planet Patrol, Quadrant 6, Laura Branigan, and Freeez, among many others. Career Robie launched his career as the co-writer and synthesizer “wizard” on one of the most important and seminal records in Hip-Hop history, Planet Rock by Soulsonic Force. (“One of the most influential songs of everything, it changed the world”- Rick Rubin in Rolling Stone’s “Top 100 Hip Hop Records” issue.) Robie subsequently went on to produce other groundbreaking hits for Soulsonic Force; Looking For The Perfect Beat and Renegades Of Funk (later covered by Rage Against The Machine), and continued to pursue an audaciously experimental approach towards electronic music, which resulted in his pioneering a completely new musical genre, Electro''.'' “One More Shot” ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Baker (musician)
Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album '' Jill Jones'' (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, " In The Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed 'the Massive Jungle Mix' for Tina Turner's UK top 40 lead single from her 1996 album '' Wildest Dreams'' " Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). Arthur Baker's songs are represented by Downtown Music Publishing. Biography Early career Born in Boston, Massachusetts, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jellybean Benitez
John Benitez (born November 7, 1957), also known as Jellybean, is an American musician, songwriter, DJ, remixer, and music producer. He has produced and remixed artists such as Madonna, Whitney Houston, Michael Jackson, and the Pointer Sisters. He was later the executive producer of Studio 54 Radio. In December 2016, ''Billboard magazine'' ranked him as the 99th most successful dance artist of all-time. Life and career Early life Benitez was born in the South Bronx neighborhood of New York City, the son of Puerto Rican parents. After his parents divorced, Benitez and his younger sister Debbie were raised by their mother, who worked in the executive offices of Sloan's supermarkets. Benitez grew up enjoying music and would watch deejays at local clubs. Benitez borrowed his sister's record player and practiced on two turntables. His sister, nicknamed him Jellybean as his initials are J.B. and from the expression "Know what I mean, Jellybean?," he said. Benitez attended De Witt Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Parrish
Manuel "Man" Parrish (born May 6, 1958) is an American songwriter, vocalist and producer. He, along with artists such as Yellow Magic Orchestra, Kraftwerk, Art of Noise, Arthur Baker, Afrika Bambaataa, John Robie, Jellybean Benitez, Lotti Golden, Richard Scher and Aldo Marin, helped create and define electro in the early 1980s. Early life Parrish was born and raised in Brooklyn, New York. He left home at the age of 14 and became a member of the crowd that converged nightly at the Studio 54 nightclub in Manhattan. The nickname "Man" was given to Parrish by Andy Warhol, and first appeared in Warhol's ''Interview'' magazine. Career Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers. His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which has later been featured in the film ''Shaun of the Dead'', the video game '' Grand Theft Auto: Vice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a genre of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Knuckles
Francis Warren Nicholls, Jr. (January 18, 1955 – March 31, 2014), better known as Frankie Knuckles, was an American DJ, record producer and remixer. He played an important role in developing and popularizing house music in Chicago during the 1980s, when the genre was in its infancy. In 1997, Knuckles won the Grammy Award for Remixer of the Year, Non-Classical. Due to his importance in the development of the genre, Knuckles was often called "The Godfather of House Music". Musical career 1970s–1980s Born in The Bronx, Knuckles and his friend Larry Levan began frequenting discos as teenagers during the 1970s. While studying textile design at the FIT, Knuckles and Levan began working as DJs, playing soul, disco, and R&B at two of the most important early discos, The Continental Baths and The Gallery. In the late 1970s, Knuckles moved from New York City to Chicago, where his old friend, Robert Williams, was opening what became the nightclub called Warehouse. When the club open ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Hardy
Ron Hardy (May 8, 1958 – March 2, 1992) was an American, Chicago, Illinois-based DJ and record producer of early house music. He is well known for playing records at the Muzic Box, a Chicago house music club. Decades after his death, he is recognized for his innovative edits and mixes of disco, soul music, funk and early house music. Early career Hardy started his career in 1974 in Chicago's gay club Den One. Here, with a set-up of two turntables, a mixer and a reel-to-reel tape-deck, he played long nights of underground black dance music. Around 1977, he went to work in Los Angeles. At the end of 1982, when DJ Frankie Knuckles left the Warehouse to open the Power Plant, Ron Hardy DJed at the Warehouse's new location until Robert Williams renamed it "The Music Box." Producer Chip E. introduced Hardy to recording music in 1986 when the two mixed "Donnie" by The It (featuring Chip E., Larry Heard, Robert Owens, and Harri Dennis). From humble beginnings, Hardy's contributio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Mix 5
The Hot Mix 5 are an American DJ team originating from Chicago, Illinois, who were chosen by WBMX Program Director, Lee Michaels in 1981. The founding members were Farley "Funkin" Keith (later known as Farley "Jackmaster" Funk), Mickey "Mixin" Oliver, Ralphi Rosario, Kenny "Jammin" Jason, and Scott "Smokin" Silz. In 1984, Scott Silz was asked to leave the group and was replaced by Julian "Jumpin" Perez in 1985, as the winner of a HMF sponsored DJ Battle. Another DJ, Jeff Davis, was supposed to be a sixth member, but Silz mentioned in an interview that he never showed up, leaving just the five members. Julian's tenure as a member was about a year and then, Mario "Smokin" Diaz, became a member of the group and played with them throughout their radio time in Chicago. Background Created to act as the resident DJs on Chicago FM radio station (now defunct) WBMX's Saturday Night Live Ain't No Jive mix show hosted by Armando Rivera, the members quickly established themselves as a force t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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