Chi Soffre, Speri
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Chi Soffre, Speri
''Chi soffre, speri'' (''Let him who Suffers Hope'') or ''L'Egisto'' is an opera in a prologue and three acts by the Italian composer Virgilio Mazzocchi, performed with an intermedio titled ''La fiera di Farfa'' with music by Marco Marazzoli. It has been described as the "first comic opera". In fact the libretto, by Giulio Rospigliosi (the future Pope Clement IX), is based on Boccaccio and deals with a Christian-Neoplatonic allegory, regarding the relationships of ''Ozio'' (“Leisure”), ''Sentimento'' and ''Virtù'' (“Virtue”). During the intermezzi, which were composed by Marazzoli, ''commedia dell'arte'' characters (like "the Neapolitan Coviello, the Bergamasque Zanni, Moschino" etc.) are introduced into this 'serious' context.Wolfgang Witzenmann: Article “Mazzocchi, Virgilio.” In: ''Grove Music Online. Oxford Music Online.'' Oxford University Press, accessed July 6, 2016. The use of the term "comedia musicale" in the printed score might go back to Dante's ''Divine Com ...
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L'Egisto (opera)
''L'Egisto'' (''Aegisthus'') is a 1643 opera in a prologue and three acts by Francesco Cavalli. It was designated as a ''favola dramatica musicale''. The Italian libretto was by Giovanni Faustini, his second text for Cavalli. Performance history It was first performed in Venice at the Teatro San Cassiano in 1643. Highly successful in its day, it was subsequently performed throughout Italy. Rarely performed in modern times, the opera's US premiere was given by The Santa Fe Opera on 1 August 1972. Its UK premiere was given by Scottish Opera at the Theatre Royal, Glasgow on 13 January 1982. The production was toured in 1982 and 1984. Both of these productions used a modern edition by Raymond Leppard. A new edition prepared and directed by Marcio da Silva was performed by HGO at The Cockpit Theatre, London in June 2021. Roles Synopsis The Egisto of this opera is not the Aegisthus of the '' Odyssey''. This Egisto is a descendant of the sun-god Apollo, and for that re ...
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Palazzo Barberini
The Palazzo Barberini ( en, Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome. History The sloping site had formerly been occupied by a garden-vineyard of the Sforza family, in which a ''palazzetto'' had been built in 1549. The sloping site passed from one cardinal to another during the sixteenth century, with no project fully getting off the ground. When Cardinal Alessandro Sforza met financial hardships, the still semi-urban site was purchased in 1625 by Maffeo Barberini, of the Barberini family, who became Pope Urban VIII. Three great architects worked to create the Palazzo, each contributing his own style and character to the building. Carlo Maderno, then at work extending the nave of St Peter's, was commissioned to enclose the Villa Sforza within a vast Renaissance block along the lines of Palazzo Farnese; however, ...
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Operas By Marco Marazzoli
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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