Charulata
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Charulata
''Charulata'' (Spelt as ''Cārulatā''; ) is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel ''Nastanirh'' by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee. The film is considered one of the finest works of Ray. Both the first and the last scenes are critically acclaimed. The first scene, with almost no dialogues shows Charu's loneliness and how she looks at the outside world through the binoculars. In the last scene when Charu and her husband are about to come closer and hold their hands, the screen freezes. This has been described as a beautiful use of freeze frame in cinema. Plot Charulata is based on the story "Nastanirh (the Broken Nest)" by Rabindranath Tagore, set in Calcutta in 1879 (Ray sets the film in 1897). The Bengali Renaissance is at its peak, and India is under British rule. The film revolves around Charulata (Madhabi Mukherjee), the intelligent and beautiful wife of Bhupati (Saile ...
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Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and '' Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film '' Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, '' Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with '' Aparajito'' ...
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Madhabi Mukherjee
Madhabi Chakraborty (''née'' Mukherjee; born 10 February 1942) is an Indian actress. She won the National Film Award for Best Actress for her performance in the Bengali film ''Dibratrir Kabya''. She has acted in some of the most critically acclaimed films in Bengali cinema and is considered one of the great actresses of Bengali cinema. Early life Madhabi Mukherjee was born on 10 February 1942 and was raised with her sister Manjari by their mother in Kolkata, in what was then Bengal, India. As a young girl, she became involved in the theater. She worked on stage with doyens such as Sisir Bhaduri, Ahindra Choudhury, Nirmalendu Lahiri and Chhabi Biswas. Some of the plays she acted in included ''Naa'' and ''Kalarah''. She made her film debut as a child artist in Premendra Mitra's ''Dui beaee''. Films Mukherjee first made a major impact with Mrinal Sen's ''Baishey Shravan'' (''Wedding Day'') in 1960. The film is set in a Bengal village before and during the horrific famine of 1 ...
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Nastanirh
''Nastanirh'' (also ''Nashtanir''; Bengali: নষ্টনীড়, ''Nôshţoniŗh''; English: 'The Broken Nest') is a 1901 Bengali novella by Rabindranath Tagore. It is the basis for the noted 1964 film ''Charulata'', by Satyajit Ray. Background According to Mary Lago in the introduction to the English translation of ''Nashtanir'' (translated by Lago and Supriya Sen), the novella was released three times: in 1901 in serial format, in 1909 as part of a special short story collection, and in 1926 as part of Tagore's standard collection of fiction (p. 9). Scholarship indicates that this story might have been based upon the relationship between Tagore's elder brother Jyotirindranath; his brother's wife, Kadambari Devi (who committed suicide shortly after Tagore's marriage); and Tagore (who spent a great deal of time with Kadambari, reading and writing poetry).Ketaki Kushari Dyson, trans., Rabindranath Tagore, ''I Won't Let You Go: Selected Poems'' (London: Penguin, 2011), ...
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Bankim Ghosh
Bankim Ghosh (22 October 1922 — 3 June 1992) was a veteran actor of Bengali film and theatre personality. Early life Ghosh was born in 1922 in Kolkata, British India. He passed Matriculate examination from Oriental Seminary and B.Com. from City College in 1938. He was a good athlete in student life. Ghosh won the Bengal Boxing Championship for five years continuously. He joined and performed in various theatre groups like '' Gananatya'', ''Ananda Bharati'', ''Rupkar''. His father was dead against of his acting passion. Ghosh left home and worked several jobs in Jadavpur University, Indian Airlines and calcutta High Court etc. Career In 1948, Ghosh made his debut in the Bengali film with ''Bhuli Nai''. Director Hemen Gupta offered him a small role in this film. Almost a decade later he played an important role in Sushil Ghosh’s movie ''Dilli Theke Kolkata'' in 1961. In his long acting career, Ghosh worked with famous directors like Tapan Sinha, Bijoy Bose, Rituparno Gho ...
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2013 Cannes Film Festival
The 66th Cannes Film Festival took place in Cannes, France, from 15 to 26 May 2013. Steven Spielberg was the head of the jury for the main competition. New Zealand film director Jane Campion was the head of the jury for the Cinéfondation and Short Film sections. French actress Audrey Tautou hosted the opening and closing ceremonies. Actress Kim Novak was named guest of honour and introduced a new restored version of Alfred Hitchcock's ''Vertigo''. The festival opened with ''The Great Gatsby'', directed by Baz Luhrmann and closed with '' Zulu'', directed by Jérôme Salle. The film poster for the festival featured husband and wife actors Paul Newman and Joanne Woodward. ''The Bling Ring'', directed by Sofia Coppola, opened the Un Certain Regard section. The French film '' Blue Is the Warmest Colour'' won the Palme d'Or. In an unprecedented move, along with the director, the Jury decided to take "the exceptional step" of awarding the film's two main actresses, Adèle Exarc ...
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Bansi Chandragupta
Bansi Chandragupta (1924–1981) was an Indian art director and production designer, regarded among the greatest of art directors of Indian film industry. He won Filmfare Best Art Direction Award thrice, for ''Seema'' in 1972, for ''Do Jhoot'' in 1976 and for ''Chakra'' in 1982. He was awarded Evening Standard British Film Award posthumously for "best technical/artistic achievement" in 1983. He was born in 1924 in Sialkot, Punjab, British India and died on 27 June 1981 in Brookhaven, New York, United States. Chandragupta is most well known as art director/production designer of movies directed by Satyajit Ray. He also worked with renowned film directors like Jean Renoir, Mrinal Sen, Shyam Benegal, Basu Chatterjee, Ismail Merchant, James Ivory and Aparna Sen. Early life Bansi Chandragupta was born at Sialkot in Pakistan. Chandragupta's family moved from Pakistan to Kashmir when he was a young boy. Here he met painter Shubho Tagore, on whose advice Chandragupta moved to Ca ...
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Kadambari Devi
Kadambari Devi (5 July 1859 – 21 April 1884) was the wife of Jyotirindranath Tagore and daughter-in-law of Debendranath Tagore. She was ten years younger than her husband, whom she married on 5 July 1868 (২৫শে আষাঢ়, ১২৭৫ বঙ্গাব্দ), at the age of nine. Her husband arranged for her to be educated. She was nearly the same age as her brother-in-law Rabindranath Tagore being only two years older than him. She inspired young Rabindranath in composing many of his poems with her creative feedback and comments. She was also a good friend and playmate. She was one of the women who played a very important part in his life. Her relationship with Tagore was controversial and had elements of tragedy. For reasons that are not known, she committed suicide on 21 April 1884, four months after Rabindranath Tagore married. The Tagore family always remained silent about her suicide. Rumors of family problems having led to her suicide have circulated. Af ...
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Bengal Film Journalists' Association – Best Films
Here is a list of the Best Indian Films as voted by Bengal Film Journalists' Association as part of their annual awards. In most years the films are listed in order of merit as voted by the jury of the association. 1939Source
;Best Indian Film * '' Aadmi'' ;Best Bengali Film * '' Jiban Maran'' ;Best Hindi Film *'' Aadmi'' ;Best Foreign Film *''''


1940

;Best Indian Film *''
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Subrata Mitra
Subrata Mitra (12 October 1930 – 7 December 2001) was an Indian cinematographer. Acclaimed for his work in ''The Apu Trilogy'' (1955–1959), Mitra often is considered one of the greatest Indian cinematographers. Early life and education He was born in Calcutta, Bengal (now Kolkata, West Bengal) to Shanti and Sudhangshu Bhushan Mitra. He was a great-grandson, on his paternal grandmother's side, of the orientalist Brajendranath Dey. He was a younger cousin of the singer Uma Bose and a nephew, even though he was older than him, of the historian Barun Dey. He was educated at Ballygunge Government High School, Kolkata. Work At the age of 21, Mitra, who never had operated a motion picture camera, began his career as a cinematographer with Satyajit Ray, the legendary Indian film maker, for '' Pather Panchali'' (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting while filming ''The Apu Trilogy''. I ...
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Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-yea ...
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Soumitra Chatterjee
Soumitra Chatterjee (also spelt as Chattopadhyay; 16 June 193515 November 2020) was an Indian film actor, play-director, playwright, writer, thespian and poet. He is regarded as one of the greatest and most influential actors in the history of Indian Cinema. He is best known for his collaborations with director Satyajit Ray, with whom he worked in fourteen films. Starting with his debut film, ''Apur Sansar'' (The Family of Apu, 1959), the third part of ''The Apu Trilogy'', as adult Apu, he went on to work in several films with Ray, including '' Abhijan'' (The Expedition, 1962), '' Charulata'' (1964), ''Kapurush'' (1965), ''Aranyer Din Ratri'' (Days and Nights in the Forest, 1969), ''Ashani Sanket'' (Distant Thunder, 1973), '' Sonar Kella'' (The Fortress of Gold, 1974) and '' Joi Baba Felunath'' (The Elephant God, 1978) as Feluda, ''Hirak Rajar Deshe'' (1980), ''Ghare Baire'' (The Home and The World, 1984), Shakha Proshakha (1990) and ''Ganashatru'' (Enemy of the People, 1989). ...
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Bengali Renaissance
The Bengal Renaissance (Bengali: বাংলার নবজাগরণ — ''Banglar Navajagaran''), also known as the Bengali Renaissance, was a cultural, social, intellectual, and artistic movement that took place in the Bengal region of the British Raj, from the late 18th century to the early 20th century. Historians have traced the beginnings of the movement to the victory of the British East India Company at the 1757 Battle of Plassey, as well as the works of reformer Raja Rammohan Roy, considered the "Father of the Bengal Renaissance," born in 1772. Nitish Sengupta stated that the movement "can be said to have … ended with Rabindranath Tagore," Asia's first Nobel laureate. For almost two centuries, the Bengal renaissance saw the radical transformation of Indian society, and its ideas have been attributed to the rise of Indian anticolonialist and nationalist thought and activity during this period. The philosophical basis of the movement was its unique version of ...
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