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Charlie Parker Plays Cole Porter
''The Cole Porter Songbook'', also released as ''Charlie Parker Plays Cole Porter'', is the last recorded studio album by alto saxophonist Charlie Parker. Recorded in New York City in March and December 1954, all the tunes recorded for the sessions featured Parker's renditions of Cole Porter compositions. History In 1954, producer Norman Granz suggested to Parker that he record an album of Cole Porter compositions. The result was two studio sessions that year. Both sessions included Walter Bishop Jr. on piano and Teddy Kotick on bass. The first session included guitarist Jerome Darr and drummer Roy Haynes, while the second session included guitarist Billy Bauer and drummer Art Taylor. The second session is believed to be the last time Parker was recorded before his death in the spring of 1955. To extend the album to the length needed for an LP record, a compilation of earlier Parker recordings of Porter compositions was attached to the album, drawing from material Parker had pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Journal
''Jazz Journal'' is a British jazz magazine established in 1946 by Sinclair Traill (1904–1981). It was first published in London under the title ''Pick Up'', which Traill founded as a locus for serious jazz criticism in Britain.Roberta Freund Schwartz How Britain Got the Blues: The Transmission and Reception of American Blues', Ashgate Publishing, (1988), p.25, In May 1948, Traill, using his own money, relaunched it as ''Jazz Journal''. Traill, for the rest of his life, served as its editor-in-chief. ''Jazz Journal'' is Britain's longest published jazz magazine. Ownership overview In April 1977, Billboard Limited – then the publisher of ''Music Week'' and '' The Artist'' – acquired publishing rights to ''Jazz Journal'' (via lease agreement) from the magazine's owner, Novello & Company, Ltd. Cardfront Publishers Limited, a division of Billboard Limited, became the publisher; Mike Hennessey became director; Traill continued as editor-in-chief; and the publication w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker Albums
Charlie may refer to: Characters * "Charlie," the head of the Townsend Agency', from the ''Charlie's Angels'' franchise * Charlie, a character on signs for the CharlieCard, a smart card issued by the Massachusetts Bay Transportation Authority * Charlie, mascot of British restaurant Little Chef * Charlie Dompler, main character from animated series ''Smiling Friends'' Film and television * ''Charlie'' (2015 Malayalam film), a 2015 Indian Malayalam-language film * ''Charlie'' (2015 Kannada film), a 2015 Indian Kannada-language film * ''Charlie'' (TV series), a 2015 political drama series based on the life of Charles J. Haughey * "Charlie", a 2004 episode of the television series ''The Mighty Boosh'' * ''777 Charlie'', a 2022 Indian Kannada-language film Military * Charlie-class submarine, of the Soviet Navy * "Charlie", American military slang referring to the Viet Cong and North Vietnamese soldiers * "Charlie", the letter "C" in the NATO phonetic alphabet Music * Charlie (ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Still Of The Night (Cole Porter Song)
"In the Still of the Night" is a popular song written by Cole Porter for the MGM film '' Rosalie'' sung by Nelson Eddy and published in 1937. Two popular early recordings were by Tommy Dorsey (vocal by Jack Leonard) and by Leo Reisman Leo F. Reisman (October 11, 1897 – December 18, 1961) was an American violinist and bandleader in the 1920s and 1930s. Born and reared in Boston, Massachusetts, United States, he was of Jewish ancestry; from German immigrants who immigrated to th ... (vocal by Lee Sullivan). Dorsey's charted on October 16, 1937 and peaked at No. 3. Reisman's charted on December 25, 1937 and peaked at No. 9. The song has since become a standard and has been recorded by many artists. Notable recordings * Chanticleer - ''Lost in the Stars'' (1996) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. Beguine is a dance and music form, similar to a slow rumba. Music Musicologist and composer Alec Wilder described it in his book ''American Popular Song: The Great Innovators 1900–1950'' as "a maverick, an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish without the printed music ... about the sixtieth measure I find myself muttering another title, ''End the Beguine.''" Artie Shaw version At first, the song gained little popularity, perhaps because of its length and unconventional form. Josephine Baker danced to it in her return to America in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You'd Be So Easy To Love
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show ''Anything Goes''. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film ''Born to Dance'', where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of ''Anything Goes'' under the complete title "You’d Be So Easy to Love". Early hit versions were by Shep Fields, Frances Langford and Ray Noble. Other Notable recordings * Shep Fields - recorded with his Rippling Rhythm Orchestra (1936) *Billie Holiday - ''Quintessential Billie Holiday: Vol. II'' (1936) (recorded with Teddy Wilson and His Orchestra, October 21, 1936). *Josephine Baker - ''C'est si facile de vous aimer'' (1937) *Maxine Sullivan - recorded for Vocalion on October 22, 1937. *Lee Wiley - recorded April 15, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Love Paris
"I Love Paris" is a popular song written by Cole Porter and published in 1953. The song was introduced by Lilo in the musical '' Can-Can''. A line in the song's lyrics inspired the title of the 1964 movie ''Paris When It Sizzles''. Notable recordings *Les Baxter and His Orchestra had a number 13 hit in 1953. *Bing Crosby recorded this for Decca on December 31, 1953, and included it in his album ''Bing Sings the Hits'' (1954). He also sang it on his GE TV show on January 3, 1954. * Tony Martin released a version in 1953 as the A side of a RCA Victor 7" vinyl. The B side was Stranger in Paradise. *Michel Legrand released a version on his 1954 album, ''I Love Paris'', which included an orchestral arrangement of the song. * Caterina Valente released a German version of the song under the German title ''Ganz Paris träumt von der Liebe'', which sold more than 900,000 copies in 1954. *Ella Fitzgerald released a version on her 1956 album, ''Ella Fitzgerald Sings the Cole Porter Songb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to The Way You Look Tonight. Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle orchestral arrangement, accompanied by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Heart Belongs To Daddy
"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical ''Leave It to Me!'' which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher. In the original context, Dolly is stranded at a Siberian railway station, wearing only a fur coat, and performs a striptease while singing the song. Surrounded by eager Siberian men, she says that since she has met "daddy", she will flirt with other men, but won't "follow through". "Daddy" is her sugar daddy, a newspaper magnate introduced with the words, "I've come to care, for such a sweet millionaire". Later versions Martin sang it again in the 1940 movie '' Love Thy Neighbor''. Again she wears a fur coat, but the setting is a show within a show and the act is more conventional as she wears an evening gown beneath the fur. The words to the introduction are altered, the innuendoes being toned down. Her best-known m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just One Of Those Things (song)
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical ''Jubilee''. Porter had written the score for ''Jubilee'' while on an extended sea cruise in the early part of 1935: however, in September 1935 while he was visiting a friend's farm in Ohio with ''Jubilees librettist Moss Hart, the latter mentioned that the play's second act required an additional song, and Porter had "Just One of Those Things" completed by the following morning (he had previously used the title for a song intended for but not featured in the 1930 musical ''The New Yorkers''—apart from the title the two songs are distinct). Porter's original lyric lacked an adjective for the line "a trip to the moon on '' gossamer'' wings": "gossamer" would be suggested by his friend, Ed Tauch. A recording by Richard Himber reached the charts of the day in 1935 and Peggy Lee's stylized arrangement of the song was a No. 14 hit in the Billboard charts in 1952. Other recordings The song has beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
