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Charles Panzéra
Charles uguste LouisPanzéra (February 16, 1896 in Geneva – June 6, 1976 in Paris) was a Swiss operatic and concert baritone.''Piano ma non solo'', Jean-Pierre Thiollet, Anagramme Ed., 2012, Overview Panzéra's studies at the Paris Conservatory under the tuition of Amédée-Louis Hettich were interrupted by his volunteering into the French Army during World War I. Twice wounded, he was nevertheless able to complete the course and make his operatic début as Albert in Massenet's ''Werther'' at the Opéra-Comique in 1919. He remained there for three seasons, excelling in several rôles, notably Jahel in Lalo's ''Le roi d'Ys'', Lescaut in Massenet's '' Manon'' and, most permanently, Debussy's Pelléas. He was to sing this part numerous times in several countries through 1930. While still a student at the Conservatoire he had met both its then Director, Gabriel Fauré, who oriented him towards the interpretation of vocal chamber works, and a fellow student, pianist Magdel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneva
Geneva ( ; french: Genève ) frp, Genèva ; german: link=no, Genf ; it, Ginevra ; rm, Genevra is the List of cities in Switzerland, second-most populous city in Switzerland (after Zürich) and the most populous city of Romandy, the French-speaking part of Switzerland. Situated in the south west of the country, where the Rhône exits Lake Geneva, it is the capital of the Canton of Geneva, Republic and Canton of Geneva. The city of Geneva () had a population 201,818 in 2019 (Jan. estimate) within its small municipal territory of , but the Canton of Geneva (the city and its closest Swiss suburbs and exurbs) had a population of 499,480 (Jan. 2019 estimate) over , and together with the suburbs and exurbs located in the canton of Vaud and in the French Departments of France, departments of Ain and Haute-Savoie the cross-border Geneva metropolitan area as officially defined by Eurostat, which extends over ,As of 2020, the Eurostat-defined Functional Urban Area of Geneva was made up of 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accompanist
Accompaniment is the part (music), musical part which provides the rhythmic and/or harmony (music), harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophony, homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chord (music), chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Normale De Musique De Paris
The École Normale de Musique de Paris "Alfred Cortot" (ENMP) is a leading conservatoire located in Paris, Île-de-France, France. At the time of the school's foundation in 1919 by Auguste Mangeot, Alfred Cortot. The term ''école normale'' (English: normal school) meant a teacher training institution, and the school was intended to produce music teachers as well as concert performers. Located in the 17th arrondissement of Paris, it was founded by Auguste Mangeot and pianist Alfred Cortot. It is officially recognised by the Ministry of Culture and Communication and is under the patronage of the Ministry of Foreign Affairs. The school is not recognised by the Bologna Process. History The École was founded on 6 October 1919 as a private institution by French pianist Alfred Cortot and Auguste Mangeot, director of the magazine ''Le Monde musical''. In 1927, the school moved from a building in the rue Jouffroy-d'Abbans to 114 bis boulevard Malesherbes, a Belle Époque mansion g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatory
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably ''Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy ''Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Ropartz
Joseph Guy Marie Ropartz (; 15 June 1864 – 22 November 1955) was a French composer and conductor. His compositions included five symphony, symphonies, three violin sonatas, cello sonatas, six string quartets, a piano trio and string trio (both in A minor), stage works, a number of choir, choral works and other music, often alluding to his Brittany, Breton heritage. Ropartz also published poetry. Life Ropartz was born in Guingamp, Côtes-d'Armor, Brittany. He studied initially at Rennes. In 1885 he entered the Conservatoire de Paris, studying under Théodore Dubois, then Jules Massenet, where he became a close friend of the young Georges Enesco. He later studied the organ under César Franck. He was appointed director of the Nancy, France, Nancy Conservatory (at the time a branch of the Paris Conservatory) from 1894 to 1919, where he established classes in viola in 1894, trumpet in 1895, harp and organ in 1897, then trombone in 1900. He also founded the season of symphonic concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Roussel
Albert Charles Paul Marie Roussel (; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the impressionism of Debussy and Ravel, while he later turned toward neoclassicism. Biography Born in Tourcoing ( Nord), Roussel's earliest interest was not in music but mathematics. He spent time in the French Navy, and in 1889 and 1890, he served on the crew of the frigate ''Iphigénie'' and spent several years in southern Vietnam. These travels affected him artistically, as many of his musical works would reflect his interest in far-off, exotic places. After resigning from the Navy in 1894, he began to study harmony in Roubaix, first with Julien Koszul (grandfather of composer Henri Dutilleux), who encouraged him to pursue his formation in Paris with Eugène Gigout; Roussel then continued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer."Indy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German ''Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody". Nature The ''mélodie'' is often defined by comparison with the ''lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great frequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
