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Charles Murray (actor, 1754–1821)
Charles Murray (1754–1821) was a Scottish actor and dramatist. Life The son of Sir John Murray of Broughton, he was born at Cheshunt in Hertfordshire. He spent some time in France, studied pharmacy and surgery in London, and went surgeon's mate on some Mediterranean voyages. Stage career After playing as an amateur in Liverpool Murray went, with an introduction from Younger, the theatre manager there, to Tate Wilkinson of the York circuit. He made his first professional stage appearance at York, under the name of Raymur, and playing Carlos in '' Love Makes a Man'' ( Colley Cibber). A quarrel in a tavern in Wakefield in September 1776 lost him his position. After further time at sea Murray acted under his own name with Griffiths at Norwich. On 8 October 1785, as Sir Giles Overreach in ''A New Way to pay Old Debts'', he made his first appearance in Bath. Here he remained until 1796, playing a great variety of parts. His wife Mrs. Murray occasionally played with him, and on 1 J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Murray Chapman
Charles is a masculine given name predominantly found in English language, English and French language, French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic, Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was ''Churl, Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinisation of names, Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as ''Carolus (other), Carolus''. Some Germanic languages, for example Dutch language, Dutch and German language, German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beaux Stratagem
''The Beaux' Stratagem'' is a comedy by George Farquhar, first produced at the Theatre Royal, now the site of Her Majesty's Theatre, in the Haymarket, London, on March 8, 1707. In the play, Archer and Aimwell, two young gentlemen who have fallen on hard times, plan to travel through small towns, entrap young heiresses, steal their money and move on. In the first town, Lichfield, they set their sights on Dorinda. Aimwell falls truly in love, and comedy ensues. Foigard, a priest and chaplain to the French officer, is actually an Irish priest called MacShane (a sombre version of the stage-Irish stereotype). Characters *Archer, a beau, posing as servant to Aimwell *Aimwell, another beau *Count Bellair, a French count *Boniface, a Landlord of an inn *Cherry, his daughter *Lady Bountiful, country woman, specialises in herbal medicine *Dorinda, her daughter *A countrywoman *Squire Sullen, a country block-head, Lady Bountiful's son *Scrub, his servant *Mrs (Kate) Sullen, his unhappy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Provoked Husband
''The Provoked Husband'' is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title ''The Provok'd Husband: or, a Journey to London''. Vanbrugh had worked on a projected play ''A Journey to London'' for Cibber, a sharp comedy in the Restoration-style. Unfinished at his death in 1726, Vanbrugh left the manuscript to him. In need of a new play for the Drury Lane Theatre where he was a manager, Cibber finished it under a new title ''The Provoked Husband'' which echoed one of Vanbrugh's most popular works ''The Provoked Wife''. He reworked it substantially, softening the character of Lady Loverule who was renamed Lady Townly, and adding a more conventional happy ending than Vanbrugh had intended. The original cast included Robert Wilks as Lord Townly, Anne Oldfield as Lady Townly, Mary Porter as Lady Grace, John Mills as Manly, Colley Cibber as Sir Francis Wronghead, Sarah Thurm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cumberland (playwright)
Richard Cumberland (19 February 1731/2 – 7 May 1811) was an English dramatist and civil servant. In 1771 his hit play '' The West Indian'' was first staged. During the American War of Independence he acted as a secret negotiator with Spain in an effort to secure a peace agreement between the two nations. He also edited a short-lived critical journal called ''The London Review'' (1809). His plays are often remembered for their sympathetic depiction of characters generally considered to be on the margins of society. Early life and education Richard Cumberland was born in the master's lodge of Trinity College, Cambridge on 19 February 1731/2. His father was a clergyman, Doctor Denison Cumberland, who became successively Bishop of Clonfert and Bishop of Kilmore, and through him his great-grandfather was Richard Cumberland, the philosopher and bishop of Peterborough. His mother was Johanna Bentley, youngest daughter of Joanna Bernard and the classical scholar Richard Bentley, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Suspicious Husband
''The Suspicious Husband'' is a 1747 comedy play by the British writer Benjamin Hoadly.Nicoll p.207 It premiered at the Covent Garden Theatre in February 1747. The original cast included David Garrick as Ranger, Roger Bridgewater as Strictland, Lacy Ryan as Frankly, William Havard as Bellamy, Henry Woodward as Jack Meggot, Hannah Pritchard as Clarinda, Elizabeth Vincent Elizabeth Vincent (born c.1708) was a British stage actress of the eighteenth century. She was the wife of the instrumentalist and composer, Richard Vincent. Biography Born as Elizabeth Bincks she was likely the daughter of Mrs Bincks, later t ... as Jacintha and Jane Hippisley as Lucetta. References Bibliography * Nicoll, Allardyce. ''A History of Early Eighteenth Century Drama: 1700-1750''. CUP Archive, 1927. 1747 plays British plays Comedy plays West End plays {{1740s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Part Of King Henry IV
''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V), and his eventual return to court and favour. ''Henry IV, Part 1'' is the first of Shakespeare's two plays which deal with the reign of Henry IV (the other being '' Henry IV, Part 2''), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II, Henry IV, and Henry V. From its first performance on, it has been an extremely popular work both with the public and critics. Characters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Miller (playwright)
James Miller (1704–1744) was an English playwright, poet, librettist, and minister. Biography Miller was born in Bridport, Dorset on 11 August 1704, the son of a clergyman who possessed two considerable livings in the county. He studied at Wadham College, Oxford, and while there wrote part of his famous comedy, '' The Humours of Oxford'', which contained music by Richard Charke and was first performed on 9 January 1730, to great success. Miller's family was somewhat unsupportive of his theatrical endeavors. They had wanted him to pursue a career in business, but Miller showed a revulsion to such a path. He therefore was persuaded to follow in his father's profession as a minister, taking holy orders soon after he left Wadham. Miller became a lecturer at Trinity College, Conduit Street and a preacher at Roehampton Chapel. The livings for these positions however did not provide for the lifestyle that Miller was accustomed to, so he continued to write for the stage to supp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shield
William Shield (5 March 1748 – 25 January 1829) was an English composer, violinist and viola, violist. His music earned the respect of Haydn and Beethoven. Life and musical career Shield was born in Swalwell near Gateshead, County Durham, the son of William Shield and his wife, Mary, née Cash. He was first taught music by his father but, after both he and his mother died while Shield was still a child, he was apprenticed to a shipbuilder in South Shields, continuing however to study music with Charles Avison in Newcastle upon Tyne. He became a noted violinist in Newcastle's subscription concerts before moving to Scarborough, England, Scarborough to lead a theatre orchestra. In 1772, he was appointed by Felice Giardini to play violin in the opera at Covent Garden (now the Royal Opera House), and from 1773 he was principal viola, violist there. On 21 February 1776 he was in Durham, where he attended the meeting of the city's masonic lodge at the ''Marquis of Granby'' tavern. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John O'Keeffe (Irish Writer)
John O'Keeffe (24 June 1747 – 4 February 1833) was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are '' Tony Lumpkin in Town'' (1778), ''Love in a Camp'' (1786), and ''Omai'' (1785), an account of the voyages of the Tahitian explorer Omai, and '' Wild Oats'' (1791). Early life O'Keeffe was born in Abbey Street, Dublin in 1747 to Roman Catholic parents and was educated by the Jesuits. His father was from King's County and his mother (née O'Connor) from County Wexford. After showing a talent for drawing he studied art at an academy in Dublin, but grew increasingly more interested in the theatre. After a two-year period in London, where he became an admirer of David Garrick, he settled on a career as an actor and playwright. O'Keeffe wrote his first play ''The She Gallant'' when he was twenty, and it was performed in Dublin at the Smock Alley Theatre. In Cork, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Murray
Harriet Siddons (née Murray; 16 April 1783 2 November 1844), sometimes known as Mrs Henry Siddons, was a Scottish actress and theatre manager. Edinburgh referred to her as "Our" Mrs Siddons to distinguish her from her English mother-in-law, Sarah Siddons. Life She was born Harriet Murray, the daughter of actor Charles Murray and his second wife Ann Murray born at Norwich, Norfolk on 16April 1783. As a young child she appeared at Bath as Prince Arthur on 1July 1793. Her first London appearance was at Covent Garden Theatre as Perdita in ''The Winter's Tale'', 12 May 1798. It was at Covent Garden in 1801 that she and Henry Siddons first appeared on stage together. They married the following year. The two remained at the theatre until the summer of 1805, when they joined the Drury Lane Theatre Company together. She left it with him in 1809. At Covent Garden she played a range of parts, such as Rosalind, Viola, Lady Townly, Lucy Ashton, Desdemona, Beatrice, Portia, Lady Tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
