Charles Kynard
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Charles Kynard
Charles Kynard (20 February 1933 – 8 July 1979) was an American soul jazz/ acid jazz organist born in St. Louis, Missouri. Kynard first played piano then switched to organ and led a trio in Kansas City including Tex Johnson (flute, sax) and Leroy Anderson (drums). In 1963, he settled to Los Angeles and his band featured guitarists Cal Green and Ray Crawford, drummer Johnny Kirkwood. Discography As leader * ''Where It's At!'' (Pacific Jazz, 1963) * ''Warm Winds'' with Buddy Collette (World Pacific, 1964) * ''Professor Soul'' (Prestige, 1968) * ''The Soul Brotherhood'' (Prestige, 1969) * ''Reelin' with the Feelin''' (Prestige, 1969) * ''Afro-Disiac'' (Prestige, 1970) * ''Wa-Tu-Wa-Zui (Beautiful People)'' (Prestige, 1971) * ''Charles Kynard'' (Mainstream, 1971) * '' Woga'' (Mainstream, 1972) * ''Your Mama Don't Dance'' (Mainstream, 1973) As sideman * Johnny Almond, ''Hollywood Blues'' (Deram, 1969) * Paul Jeffrey, ''Paul Jeffrey'' (Mainstream, 1974) * Les McCann, '' The Gos ...
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Soul Jazz
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including tenor saxophone, guitar, and organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, and guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green. Musical style Soul jazz is often associated with hard bop. Mark C. Gridley, writing for the ''All Music Guide to Jazz'', explains that soul jazz more specifically refers to music with "an earthy, bluesy melodic concept" and "repetitive, dance-like rhythms.... Note that some listeners make no distinction between 'soul-jazz' and 'funky hard bop,' and ma ...
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Your Mama Don't Dance (album)
''Your Mama Don't Dance'' is an album by organist Charles Kynard which was recorded in 1973 and released on the Mainstream label.Charles Kynard discography
accessed April 23, 2014


Reception

awarded the album 4 stars.Allmusic listing
accessed April 23, 2014


Track listing

# " Superstition" ( Stevie Wonder ...
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American Jazz Organists
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * Ba ...
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Blue Valentine (album)
''Blue Valentine'' is the sixth studio album by singer and songwriter Tom Waits, released on September 5, 1978 on Asylum Records. It was recorded over the course of six sessions from July to August 1978 with producer Bones Howe. Rickie Lee Jones is pictured with Waits on the back cover. Production ''Blue Valentine'' was recorded in six sessions from July 24 to August 26, 1978 at Filmways/Heider Recording, Hollywood, California. Production was by Bones Howe, with second engineers Geoff Howe and Ralph Osborne. Disc mastering was by Terry Dunavan. All the songs were written by Tom Waits apart from the opening track, " Somewhere", from the Leonard Bernstein and Stephen Sondheim musical ''West Side Story''. Critical reception Don Shewey of ''Rolling Stone'' found that ''Blue Valentine'' "is as solid a record as Waits has made", and that its best songs "rank high among the sentimental sagas that contain Tom Waits' strongest writing." Reviewing in '' Christgau's Record Guide: Roc ...
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Tom Waits
Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres. Waits was born and raised in a middle-class family in California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a young man. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented '' Closing Time'' (1973) and ''The Heart of Saturday Night'' (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commerci ...
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My Mother's Eyes (Sonny Stitt Album)
''My Mother's Eyes'' is an album by saxophonist Sonny Stitt recorded in 1963 in Los Angeles and released on the Pacific Jazz label.Edwards, D., Eyries, P. and Callahan, MPacific Jazz/Pacifica Album Discographyaccessed January 10, 2013 Reception The Allmusic site awarded the album 3 stars stating "This obscure LP finds Sonny Stitt sticking to tenor and playing a typical set filled with blues, standards and riff-filled originals".Yanow, SAllmusic Reviewaccessed January 4, 2013 Track listing All compositions by Sonny Stitt except where noted. # "Summer Special" # "My Mother's Eyes" (Abel Baer, L. Wolfe Gilbert) # "Still in Time" # " Blue Skies" (Irving Berlin) # "S.O.P. Blues" # "Don't Go to Strangers" (Redd Evans, Arthur Kent, David Mann) # "Red Top" (Lionel Hampton) Personnel *Sonny Stitt – tenor saxophone *Charles Kynard – organ *Ray Crawford – guitar *Doug Sides – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums ...
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Sonny Stitt
Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a pian ...
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Clifford Scott (musician)
Clifford Donley Scott (June 21, 1928 – April 19, 1993), born and raised in San Antonio, Texas, was an American saxophonist and flautist who played in jazz, blues, and R&B idioms. Scott started as a drummer in a family band and also learned to play piano and violin before picking up clarinet as a teenager. He played in a house band led by James Hopkins at San Antonio's Avalon Grill in the late 1940s, then worked with Amos Milburn, Jay McShann, Lionel Hampton, Roy Brown, and Roy Milton. In 1955 he began working with Bill Doggett, and was a prominent soloist on many of Doggett's most famous recordings, including "Honky Tonk". He also recorded as a leader in the late 1950s and early 1960s and worked as a session musician for rock, pop, and R&B recordings. In the 1960s he worked with Sonny Thompson, Jimmy Witherspoon, Gerald Wilson, Onzy Matthews, and Frank Butler, and was a member of Ray Charles's ensemble from 1966 to 1968 and again in 1970. Late in his career he worked pr ...
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Howard Roberts
Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician. Early years Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 - a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “...has his own style of playing and there's nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in "The Independent Newsletter" by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player.Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall ...
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The Last Tango = Blues
''The Last Tango = Blues'' is an album by American trumpeter Blue Mitchell recorded in 1972 and released on the Mainstream label in 1973.Blue Mitchell discography
accessed June 17, 2010.


Reception

The review by Jason Ankeny awarded the album 4 stars, stating: "''The Last Tango = Blues'' translates the direct, soulful hard bop approach of Blue Mitchell's cult-classic sessions into the funk-inspired grammar of mid-Seventies mainstream jazz... the performances are strictly next-level, complete with some of Mitchell's ...
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Blue Mitchell
Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note. Early life Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname "Blue". Career After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing B ...
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The Gospel Truth
''The Gospel Truth'' is an album by pianist Les McCann recorded in 1963 and released on the Pacific Jazz label.Freed., RLes McCann Discographyaccessed January 12, 2016 Reception Allmusic gives the album 3 stars. Track listing ''All compositions by Les McCann except as indicated'' # "The Gospel Truth" - 1:55 # "Isn't It Wonderful" - 4:10 # "Oh the Joy" - 3:10 # " Let Us Break Bread Together" (Traditional) - 5:08 # "Didn't It Rain" (Traditional) - 4:05 # "Send It Down to Me" - 4:08 # "Get That Soul" - 2:34 # " The Preacher" (Horace Silver) - 4:30 # "Were You There" (Traditional) - 4:53 # "Bye and Bye" (Traditional) - 2:03 Personnel * Les McCann - piano *Charles Kynard - organ (tracks 1, 6 & 9) *Stanley Gilbert - bass *Paul Humphrey Paul Nelson Humphrey (October 12, 1935 – January 31, 2014) was an American jazz and R&B drummer. Biography Humphrey was born in Detroit and began playing drums at age 8, taking private lessons in Detroit. In high school he played barit ...
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