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Charles Demuth
Charles Henry Buckius Demuth (November 8, 1883 – October 23, 1935) was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism. "Search the history of American art," wrote Ken Johnson in ''The New York Times'', "and you will discover few watercolors more beautiful than those of Charles Demuth. Combining exacting botanical observation and loosely Cubist abstraction, his watercolors of flowers, fruit and vegetables have a magical liveliness and an almost shocking sensuousness." Demuth was a lifelong resident of Lancaster, Pennsylvania. The home he shared with his mother is now the Demuth Museum, which showcases his work. He graduated from Franklin & Marshall Academy before studying at Drexel University and at Philadelphia's Pennsylvania Academy of Fine Arts. While he was a student at PAFA, he participated in a show at the Academy, and also met William Carlos Williams at his boarding house. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Precisionism
Precisionism was a modernist art movement that emerged in the United States after World War I. Influenced by Cubism, Purism, and Futurism, Precisionist artists reduced subjects to their essential geometric shapes, eliminated detail, and often used planes of light to create a sense of crisp focus and suggest the sleekness and sheen of machine forms. At the height of its popularity during the 1920s and early 1930s, Precisionism celebrated the new American landscape of skyscrapers, bridges, and factories in a form that has also been called "Cubist-Realism." The term "Precisionism" was first coined in the mid-1920s, possibly by Museum of Modern Art director Alfred H. Barr although according to Amy Dempsey the term "Precisionism" was coined by Charles Sheeler. Painters working in this style were also known as the "Immaculates", which was the more commonly used term at the time. The stiffness of both art-historical labels suggests the difficulties contemporary critics had in attemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancaster, Pennsylvania
Lancaster, ( ; pdc, Lengeschder) is a city in and the county seat of Lancaster County, Pennsylvania. It is one of the oldest inland cities in the United States. With a population at the 2020 census of 58,039, it ranks 11th in population among Pennsylvania's municipalities. The Lancaster metropolitan area population is 507,766, making it the 104th-largest metropolitan area in the U.S. and second-largest in the South Central Pennsylvania area. The city's primary industries include healthcare, tourism, public administration, manufacturing, and both professional and semi-professional services. Lancaster is a hub of Pennsylvania's Dutch Country. Lancaster is located southwest of Allentown and west of Philadelphia. History Originally called Hickory Town, the city was renamed after the English city of Lancaster by native John Wright. Its symbol, the red rose, is from the House of Lancaster. Lancaster was part of the 1681 Penn's Woods Charter of William Penn, and was laid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Egypt
''My Egypt'' is a 1927 painting by the American artist Charles Demuth. It depicts a grain elevator from the artist's hometown of Lancaster, Pennsylvania, and is considered a "masterpiece" and "emblem" of the Precisionist art movement. Background The grain elevator featured in the painting belonged to John W. Eshelman and Sons, and was part of a feed mill located near the center of Lancaster. The concrete silos depicted were constructed in 1919, and are flanked by older brick and timber structures near the lower edge of the painting. The art historian Emily Farnham notes that Demuth's earlier paintings—especially his 1917 Bermuda landscapes—were characterized by pale colors, while also identifying ''My Egypt'' as part of a shift in which the painter's "color came back to life". Analysis The art historian Karal Ann Marling finds the Great Pyramid of Giza to be the "primary analogue" to the painting's monumental grain elevator, and interprets the pyramidal elevator to be "Demu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgia O'Keeffe
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist artist. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". In 1905, O'Keeffe began art training at the School of the Art Institute of Chicago and then the Art Students League of New York. In 1908, unable to fund further education, she worked for two years as a commercial illustrator and then taught in Virginia, Texas, and South Carolina between 1911 and 1918. She studied art in the summers between 1912 and 1914 and was introduced to the principles and philosophies of Arthur Wesley Dow, who created works of art based upon personal style, design, and interpretation of subjects, rather than trying to copy or represent them. This caused a major change in the way she felt about and approached art, as seen in the beginning stages of her watercolors from her studies at the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Smith
Roberta Smith (born 1948) is co-chief art critic of ''The New York Times'' and a lecturer on contemporary art. She is the first woman to hold that position. Early life Born in 1948 in New York City and raised in Lawrence, Kansas. Smith studied at Grinnell College in Iowa. Her career in the arts started in 1968, while an undergraduate summer intern at the Corcoran Gallery of Art in Washington D.C. Career In 1968-1969 she participated in the Art History/Museum Studies track of the Whitney Independent Study Program (ISP) where she met and developed an affinity for Donald Judd and became interested in minimal art. After graduation, she returned to New York City in 1971 to take a secretarial job at the Museum of Modern Art, followed by part-time assistant jobs to Judd in the early 1970s, and Paula Cooper for the first three years that she had her Paula Cooper Gallery, beginning in 1972. While at the Paula Cooper Gallery Smith wrote exhibition reviews for ''Artforum'', and subsequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Figure
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Saw The Figure 5 In Gold
''I Saw the Figure 5 in Gold,'' also known as ''The Figure 5 in Gold'', is a 1928 painting by American artist Charles Demuth. It has been described as influenced by Futurism and Cubism. Inspiration William Carlos Williams claims that the inspiration for the 32-word poem "The Great Figure" (1920) came from seeing a fire engine pass him by, sounding gong clangs and siren howls as it receded in the night. He said he was so struck by the sight that he took paper and pencil out of his pocket and wrote the poem, standing there on the sidewalk. Two lines: "I saw the figure 5/in gold" were taken by Demuth for his painting's title. The upper right corner has an arc, implying a fragment of a large number five, repeated three times in progressively smaller, complete number fives to create an impression of the fire engine moving away from the viewer. The fire engine itself is reduced to an abstracted form composed of red rectangles, but there is a hint of a ladder on the right side and an axle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Demuth, American - In Vaudeville (Dancer With Chorus) - Google Art Project
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Stieglitz
Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. Early life and education Stieglitz was born in Hoboken, New Jersey, the first son of German Jewish immigrants Edward Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922). His father was a lieutenant in the Union Army and worked as a wool merchant. He had five siblings, Flora (1865–1890), twins Julius (1867–1937) and Leopold (1867–1956), Agnes (1869–1952) and Selma (1871–1957). Alfred Stieglitz, seeing the close relationship of the twins, wished he had a soul mate of his own during his childhood. Stieglitz attended Charlier I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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