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Charles Amirkhanian
Charles Benjamin Amirkhanian (born January 19, 1945; Fresno, California) is an American composer. He is a percussionist, sound poet, and radio producer of Armenian origin. He is mostly known for his electroacoustic and text-sound music. Performance artist Laurie Anderson praises his work: "The art of audio collage has been reinvented here... A brilliant sense of imaginary space." Career Amirkhanian received his Master of Fine Arts from Mills College in 1980, where he studied electronic music and techniques of sound recording. He was music director of Pacifica Radio's KPFA-FM in Berkeley, California, from 1969 to 1992, and he was a lecturer in the Interdisciplinary Creative Arts Department at San Francisco State University from 1977 to 1980. He co-directed the Telluride Institute's Composer to Composer festival in Telluride, Colorado, between 1988 and 1991. Amirkhanian is the executive director and artistic director of the Other Minds Music Festival in San Francisco, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Other Minds (organization)
Other Minds is an American nonprofit organization based in San Francisco. It was founded In 1992 by Charles Amirkhanian and Jim Newman (Dilexi Gallery, Other Minds), Jim Newman. According to their mission statement, the organization is dedicated to the "encouragement and propagation of contemporary music." The name "Other Minds" has been attributed by Jim Newman to an anonymous obituary that ran in ''The New Yorker'' in 1992 which stated that John Cage "...composed music in other people's minds." Other Minds has achieved wide recognition and acclaim including the ASCAP award in 2009 for adventurous programming, the American Music Center's 2005 letter of distinction for service to American composers, and the American Composers Forum 2017 Champion of New Music award for Other Minds Executive and Artistic Director Charles Amirkhanian. Concerts Since 1993, Other Minds has presented an annual festival featuring a wide range of international composers. These concerts were previously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Foundation
Electronic Music Foundation (EMF) is a not-for-profit 501(c)(3) organization that produces events, publishes and disseminates media and information, and provides access to materials relevant to the history and creative potential of electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroa .... The organization was founded in 1994 by composer Joel Chadabe. In 2000, the EMF Institute website was created in order to provide public access to educational resources relating to electronic music. The project was done in collaboration with the UNESCO Digi-Arts portal. References < ...
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Centaur Records
Centaur Records is one of the oldest and largest independent classical labels in America. The company is located in Baton Rouge, Louisiana and was founded by Victor Sachse in 1976. Centaur's catalog includes classical, historical, pops, contemporary, crossover, electro-acoustic, and world music. Artists Centaur Record artists include composer Charles Roland Berry, pianists Sophia Agranovich, Antonio Pompa-Baldi and Beatrice Berrut, composer Jack Cooper, composers Wendy Mae Chambers and Marco Katz, oboist Alessandro Baccini, pianist and composer Richard Aaker Trythall, cellists Amit Peled, Simca Heled, and Antony Cooke, organist, composer, and conductor composer Haig Mardirosian, Jeffry Hamilton Steele, conductor and composer Yoav Talmi, vocalist Nanette McGuinness, santur player and composer Pouya Saraei and violinists Ragin Wenk-Wolff and Miranda Cuckson. Distribution Centaur has distributors in the U.S., Canada, Great Britain, Germany, France, Italy, Belgi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noah Creshevsky
Noah Creshevsky (January 31, 1945 – December 3, 2020) was a composer and electronic musician born in Rochester, New York. He used the term hyperrealism to describe his work. Biography Trained in composition by Nadia Boulanger in Paris and Luciano Berio at the Juilliard School, Creshevsky lived and worked in New York beginning in 1966. He taught at Brooklyn College of the City University of New York for thirty-one years, serving as Director of the Brooklyn College Center for Computer Music (BC-CCM) from 1994 to 1999. He also served on the faculties of Juilliard and Hunter College, and has been a visiting professor at Princeton University. Creshevsky began composing electronic music in 1971. His musical vocabulary used bits of words, songs, and instrumental sounds. By fusing opposites—such as music and noise, comprehensible and incomprehensible vocal sources–Creshevsky attempted to make music that sounded both Western and non-Western, ancient and modern, familiar and unfamili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Composers Forum
The American Composers Forum is an American organization that works for the promotion and assistance of American composers and contemporary classical music. It was founded in 1973 as the Minnesota Composers Forum and is based in Saint Paul, Minnesota. As of 2000 it was the largest composer-service organization in the country. The chief executive of the Forum is Vanessa Rose. History The Forum was founded as the Minnesota Composers Forum in 1973 by a group of University of Minnesota graduate students — including Libby Larsen and Stephen Paulus — with a $400 grant from the University’s Student Club Activities Fund. In 1996, the organization changed its name to the American Composers Forum, and established chapters in New York City, Boston, Massachusetts, Philadelphia, Washington, D.C., Atlanta, Chicago, San Francisco, and Los Angeles, California. The group currently acts as a national umbrella organization for locally funded chapters in Minnesota (based in Saint Paul), Phila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music America
Chamber Music America (CMA) is an American non-profit organization that provides small ensemble professionals with access to a variety of professional development, networking, and funding resources. CMA's regular initiatives include grants, awards, and commissioning programs for ensembles and presenters, a national conference held annually in New York City, and the publication of ''Chamber Music'' magazine. CMA-members organizations and individuals include ensembles, musicians, concert presenters, artist managers, composers, educators, and others involved in the performance of classical, jazz, contemporary, and world music. In May 2012, Chamber Music America introduced National Chamber Music Month, a month-long initiative to raise awareness of small ensemble performance in the United States. History Chamber Music America was founded in 1977 by 34 musicians with the principal aims of uniting, serving, and advocating for small ensemble music professionals. After first initiating a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foundation For Contemporary Arts
The Foundation for Contemporary Arts (FCA), is a nonprofit based foundation in New York City that offers financial support and recognition to contemporary performing and visual artists through awards for artistic innovation and potential. It was established in 1963 as the Foundation for Contemporary Performance Arts by artists Jasper Johns, John Cage, and others. FCA was founded on the principle of "Artists for Artists" support as visual artists united to sponsor performance artists through grants funded by the sale of donated artworks. The first benefit exhibition was at the Allan Stone Gallery in 1963. Among contributors to the Foundation's first benefit exhibition were Marcel Duchamp, Ellsworth Kelly, Willem de Kooning, Elaine de Kooning, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Claes Oldenburg, and Andy Warhol. Since its establishment, FCA has awarded more than 2,500 non-restrictive grants to individual artists and art organizations throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ASCAP
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Music Center
New Music USA is a new music organization formed by the merging of the American Music Center with Meet The Composer on November 8, 2011. The new organization retains the granting programs of the two former organizations as well as two media programs originally created at the American Music Center: NewMusicBox and Counterstream Radio. American Music Center The American Music Center (AMC) was a non-profit organization which aimed to promote the creating, performing, and enjoying new American music. It was founded in 1939 as a membership organization by composers Marion Bauer, Aaron Copland, Howard Hanson, Harrison Kerr, Otto Luening, and Quincy Porter. For many years the main activity of the center was the accumulation of a library of American music which accepted score submissions from all composers who joined as members. The center's library, which eventually contained over 60,000 individual scores, featured published materials as well as unpublished manuscripts, many of which wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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