Charity (Reni, New York)
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Charity (Reni, New York)
''Charity'' is an oil on canvas painting by Guido Reni, now in the Metropolitan Museum of Art, to which it was donated by Mr and Mrs Charles Wrightsman in 1974. The work is first recorded in a 1767 inventory of the collection of Joseph Wenzel I, Prince of Liechtenstein. It remained in the princely collection until Johann II, Prince of Liechtenstein auctioned it in Paris on 16 May 1882. It then remained in a Parisian private collection until about 1933 with as misattribution to Simon Vouet Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and ..., after which it passed through two art dealers before being bought in New York by the Wrightsmans in 1968. References {{17C-painting-stub Paintings by Guido Reni Paintings in the collection of the Metropolitan Museum of Art 17th-century al ...
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Charity MET DT10776
Charity may refer to: Giving * Charitable organization or charity, a non-profit organization whose primary objectives are philanthropy and social well-being of persons * Charity (practice), the practice of being benevolent, giving and sharing * Charity (Christian virtue), the Christian religious concept of unlimited love and kindness * Principle of charity, in philosophy and rhetoric Places * Charity, Missouri, a community in the United States * Charity, Guyana, a small township * Mount Charity, Antarctica * Charity Glacier, Livingston Island, Antarctica * Charity Lake, British Columbia, Canada * Charity Island (Michigan), United States * Charity Island (Tasmania), Australia * Little Charity Island, Lake Huron, Michigan * Charity Creek, Sydney, Australia Entertainment * Charity (play), ''Charity'' (play), an 1874 play by W. S. Gilbert * Charity (novel), ''Charity'' (novel), third in the ''Faith, Hope, Charity'' espionage trilogy of novels by Len Deighton * Charity (Dilbert episode) ...
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Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Joseph Wenzel I, Prince Of Liechtenstein
Josef Wenzel I (Josef Wenzel Lorenz; 9 August 1696 – 10 February 1772), often referred to as just Wenzel, was the Prince of Liechtenstein between 1712 and 1718, and 1748 and 1772, as well as regent of Liechtenstein between 1732 and 1745. He first succeeded his distant cousin Hans-Adam I, even though he was not next in line. The actual heir was his uncle Anton Florian, he was not very popular among the family and therefore Hans-Adam chose Josef Wenzel as his heir. He later decided to hand over the Principality in exchange for him getting the Dominion of Rumburk in 1718. Thirty years later he inherited Liechtenstein again after his nephew Prince Johann Nepomuk Karl died without male issue. Biography Born in 1696 at Prague, Josef Wenzel was the eldest son of Prince Philipp Erasmus of Liechtenstein (11 September 1664 – 13 January 1704) and Countess Christina Theresa von Löwenstein-Wertheim-Rochefort (12 October 1665 – 14 April 1730). He was a great-grandnephew of Karl, the ...
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Johann II, Prince Of Liechtenstein
Johann II (Johann Maria Franz Placidus; 5 October 1840 – 11 February 1929), nicknamed the Good (german: Johann II. der Gute), was Prince of Liechtenstein from 12 November 1858 until his death in 1929. His reign of 70 years and 91 days is the third-longest of any sovereign monarch in European history, after those of King Louis XIV and Queen Elizabeth II respectively, and fourth-longest overall (for which exact dates are known) after King Louis XIV, Queen Elizabeth II, and King Bhumibol Adulyadej respectively. Early life Johann II was the elder son of Aloys II, Prince of Liechtenstein and Countess Franziska Kinsky of Wchinitz and Tettau. He ascended to the throne shortly after his 18th birthday. Until he was surpassed by Elizabeth II on 9 May 2022, his reign had been the longest precisely documented tenure of any European monarch since antiquity in which a regent (that is, a regent serving in place of an underage sovereign) was never employed.
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Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also ...
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Paintings By Guido Reni
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings In The Collection Of The Metropolitan Museum Of Art
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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17th-century Allegorical Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ...
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Allegorical Paintings By Italian Artists
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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