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Charcoal (typeface)
Charcoal is a sans-serif typeface designed by David Berlow of Font Bureau during the period 1994–1997. Charcoal was the default menu font in Apple Computer's Mac OS 8 and 9, replacing the relatively harder-to-read Chicago as part of the new Platinum interface. In Mac OS X developer preview 3, it was replaced with Lucida Grande as the system typeface. Charcoal is designed for high legibility, even at smaller point sizes, displayed on computer monitors. While similar in design to grotesque sans-serifs, Charcoal has a distinctive organic quality. The letterforms have a high x-height, a vertical axis, and maintain generous counter-form in and around the letterforms. Descending characters, g, j, p, q, and y are shallow, compensating for the high x-height, and allowing for reduced leading in text. While designed primarily for monitor display, Charcoal has had considerable popularity in print, including in letterpress printing. Virtueis a free TrueType TrueType is an outline font ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Bureau
The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History Font Bureau was founded in 1989 by Roger Black and David Berlow. Before founding Font Bureau, Roger Black was an established publications designer and consultant. David Berlow is a noted type designer. ''The New York Times Magazine'', ''Newsweek'', ''Esquire Magazine'', ''Rolling Stone'' and the ''Wall Street Journal'' rank among Font Bureau's client list. Apart from Black and Berlow, other prominent designers at Font Bureau have included Tobias Frere-Jones, later of Hoefler & Frere-Jones and Frere-Jones Type, and Cyrus Highsmith, later of Occupant Fonts and Morisawa. Matthew Carter has been a frequent collaborator with the foundry. In October 2009, news sources reported that Font Bureau was "suing NBC Universal for at least $2 million ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Font
Chicago is a sans-serif typeface designed by Susan Kare for Apple Computer. It was used in the Macintosh operating system user interface between 1984 and 1997 and was an important part of Apple’s brand identity. It is also used in early versions of the iPod user interface. Chicago was initially a bitmap font; as the Apple OS’s capabilities improved, Apple commissioned the type foundry Bigelow & Holmes to create a vector-based TrueType version. The typeface is named after the U.S. city of Chicago, following the theme of original Macintosh fonts being named after major world cities. Susan Kare has stated that Chicago was the first font to be developed for the Macintosh. Before the team settled on the convention of naming fonts after “world cities”, it was called ''Elefont'' (''Elefont'' is also the name of a bold semi-serif typeface designed by Bob McGrath in 1978). The first bitmap version included only a 12 pt. version. This font, with only very minor changes to spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), " Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mac OS 8
Mac OS 8 is an operating system that was released by Apple Computer on July 26, 1997. It includes the largest overhaul of the classic Mac OS experience since the release of System 7, approximately six years before. It places a greater emphasis on color than prior versions. Released over a series of updates, Mac OS 8 represents an incremental integration of many of the technologies which had been developed from 1988 to 1996 for Apple's overly ambitious OS named Copland. Mac OS 8 helped modernize the Mac OS while Apple developed its next-generation operating system, Mac OS X (renamed in 2012 to OS X and then in 2016 to macOS). Mac OS 8 is one of Apple's most commercially successful software releases, selling over 1.2 million copies in the first two weeks. As it came at a difficult time in Apple's history, many pirate groups refused to traffic in the new OS, encouraging people to buy it instead. Mac OS 8.0 introduces the most visible changes in the lineup, including the Platinum in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago (typeface)
Chicago is a sans-serif typeface designed by Susan Kare for Apple Computer. It was used in the Macintosh operating system user interface between 1984 and 1997 and was an important part of Apple’s brand identity. It is also used in early versions of the iPod user interface. Chicago was initially a bitmap font; as the Apple OS’s capabilities improved, Apple commissioned the type foundry Bigelow & Holmes to create a vector-based TrueType version. The typeface is named after the U.S. city of Chicago, following the theme of original Macintosh fonts being named after major world cities. Susan Kare has stated that Chicago was the first font to be developed for the Macintosh. Before the team settled on the convention of naming fonts after “world cities”, it was called ''Elefont'' (''Elefont'' is also the name of a bold semi-serif typeface designed by Bob McGrath in 1978). The first bitmap version included only a 12 pt. version. This font, with only very minor changes to spaci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platinum (theme)
The Appearance Manager is a component of Mac OS 8 and Mac OS 9 that controls the overall look of the Macintosh graphical user interface widgets and supports several themes. It was originally developed for Apple's ill-fated Copland project, but with the cancellation of this project the system was moved into newer versions of the Mac OS. The Appearance Manager is also available free as part of a downloadable SDK for System 7. The Appearance Manager is implemented as an abstraction layer between the Control Manager and QuickDraw. Previously, controls made direct QuickDraw calls to draw user interface elements such as buttons, scrollbars, window title bars, etc. With the Appearance Manager, these elements are abstracted into a series of APIs that draw the item as a distinct entity on behalf of the client code, thus relieving the Control Manager of the task. This extra level of indirection allows the system to support the concept of switchable "themes", since client code simply re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mac OS X
macOS (; previously OS X and originally Mac OS X) is a Unix operating system developed and marketed by Apple Inc. since 2001. It is the primary operating system for Apple's Mac (computer), Mac computers. Within the market of desktop and laptop computers it is the Usage share of operating systems#Desktop and laptop computers, second most widely used desktop OS, after Microsoft Windows and ahead of ChromeOS. macOS succeeded the classic Mac OS, a Mac operating system with nine releases from 1984 to 1999. During this time, Apple cofounder Steve Jobs had left Apple and started another company, NeXT Computer, NeXT, developing the NeXTSTEP platform that would later be acquired by Apple to form the basis of macOS. The first desktop version, Mac OS X 10.0, was released in March 2001, with its first update, 10.1, arriving later that year. All releases from Mac OS X Leopard, Mac OS X 10.5 Leopard and after are UNIX 03 certified, with an exception for OS X Lion, OS X 10. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucida Grande
Lucida Grande is a humanist sans-serif typeface. It is a member of the Lucida family of typefaces designed by Charles Bigelow and Kris Holmes. It is best known for its implementation throughout the macOS user interface from 1999 to 2014, as well as in other Apple software like Safari for Windows. As of OS X Yosemite (version 10.10), the system font was changed from Lucida Grande to Helvetica Neue. In OS X El Capitan (version 10.11) the system font changed again, this time to San Francisco. The typeface looks very similar to Lucida Sans and Lucida Sans Unicode. Like Sans Unicode, Grande supports the most commonly used characters defined in version 2.0 of the Unicode standard. Three weights of Lucida Grande: Normal, Bold, and Black, in three styles: Roman, Italic, and Oblique, were developed by Bigelow & Holmes. Apple released the Regular (Normal Roman) and Bold Roman with OS X. In June, 2014, Bigelow & Holmes released four weights: Light, Normal, Bold, and Black, in three st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TrueType
TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating systems. The primary strength of TrueType was originally that it offered font developers a high degree of control over precisely how their fonts are displayed, right down to particular pixels, at various font sizes. With widely varying rendering technologies in use today, pixel-level control is no longer certain in a TrueType font. History ''TrueType'' was known during its development stage, first by the codename "Bass" and later on by the codename "Royal". The system was developed and eventually released as TrueType with the launch of Mac System 7 in May 1991. The initial TrueType outline fonts, four-weight families of ''Times Roman'', ''Helvetica'', ''Courier'', and the pi font "Symbol" replicated the original PostScript fonts of the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
