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Chantilly Codex
The Chantilly Codex (''Chantilly, Musée Condé MS 564'') is a manuscript of medieval music containing pieces from the style known as the ''Ars subtilior''. It is held in the museum at the Château de Chantilly in Chantilly, Oise. Most of the compositions in the Chantilly Codex date from c. 1350–1400. There are 112 pieces total, mostly by French composers, and all of them polyphonic. The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goscalch
Petrus de Goscalch (fl. 1378–94) was a composer from the papal choir at Avignon of whom only one composition, "En nul estat", survives in the Chantilly Codex The Chantilly Codex (''Chantilly, Musée Condé MS 564'') is a manuscript of medieval music containing pieces from the style known as the ''Ars subtilior''. It is held in the museum at the Château de Chantilly in Chantilly, Oise. Most of the co ..., but who may be significant as the possible author of the third part of The Berkeley Treatise of 1375.Reinhard Strohm, Bonnie J. Blackburn ''Music as Concept and Practice in the Late Middle Ages'' 0198162057 2001 "The Berkeley Treatise is an anonymous five-part compilation of works on fundamentals and mode, discant, mensuration (this part a version of the Libellus cantus mensurabilis secundum Johannem de Muris), musica speculativa, and tuning ... Its third part bears the date 1375 (and in a concordant manuscript an attribution to Goscalcus Francigena, possibly identical with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palgrave Macmillan
Palgrave Macmillan is a British academic and trade publishing company headquartered in the London Borough of Camden. Its programme includes textbooks, journals, monographs, professional and reference works in print and online. It maintains offices in London, New York, Shanghai, Melbourne, Sydney, Hong Kong, Delhi, and Johannesburg. Palgrave Macmillan was created in 2000 when St. Martin's Press in the US united with Macmillan Publishers in the UK to combine their worldwide academic publishing operations. The company was known simply as Palgrave until 2002, but has since been known as Palgrave Macmillan. It is a subsidiary of Springer Nature. Until 2015, it was part of the Macmillan Group and therefore wholly owned by the German publishing company Holtzbrinck Publishing Group (which still owns a controlling interest in Springer Nature). As part of Macmillan, it was headquartered at the Macmillan campus in Kings Cross London with other Macmillan companies including Pan Macm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursula Günther
Ursula Günther (15 June 1927 – 20 or 21 November 2006) was a German musicologist specializing in the fourteenth and early fifteenth centuries and the music of Giuseppe Verdi. She coined the term , to categorize the rhythmically complex music that followed . Life Ursula Günther was born Ursula Rösse in Hamburg.*Hans Heinrich Eggebrecht, "Günther, Ursula". In The ''New Grove Dictionary of Music and Musicians,'' second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). After studying piano with D. Kraus and H. E. Riebensahm and music theory with H. Stahmer in Hamburg, she graduated with a music teacher's degree in 1947. From 1948 she studied music with Heinrich Husmann at the University of Hamburg along with other subjects such as art history, German and Romance Literature, philosophy, psychology, and phonetics. In 1957 at Hamburg she wrote a thesis under the tutelage of Heinrich Besseler on the change in style of the French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Senleches
Jacob Senleches ( fl. 1382/1383 – 1395) (also Jacob de Senlechos .e. Senleches'' and Jacopinus Senlesses) was a Franco-Flemish composer and harpist of the late Middle Ages. He composed in a style commonly known as the '' ars subtilior''. Life and career It has been suggested that Jacob Senleches was born in Senleches (or Sanlesches) in Cambrai, today France. In 1382, Senleches seems to have been present at the court of Eleanor of Aragon, Queen of Castile (d. September 1382), possibly in her service. In ''Fuions de ci,'' he laments Eleanor's death and resolves to seek his fortune either "en Aragon, en France ou en Bretaingne". Afterwards, he is found in the service of Pedro de Luna, Cardinal of Aragon (later Antipope Benedict XIII, 1394–1423), as a harpist. There is a treasury document assigning payments to one "Jaquemin de Sanleches, juglar de harpe" from the royal household in Navarra dated August 21, 1383. The payment was made so that Jacquemin could return to "his master", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trebor (composer)
Trebor was a 14th-century composer of polyphonic chansons, active in Navarre and other southwest European courts c. 1380-1400. He may be the same person also called Triboll, Trebol, and Borlet in other contemporaneous sources. His name is likely a reversal of Robert. Music His compositions are associated with the style known as '' ars subtilior'', and six of his works survive in one of the most important surviving manuscripts of ''ars subtilior'' music, the Chantilly Codex. Some of his pieces explicitly reference historical events such as the Aragonese conquest of Sardinia in 1388-89 and the reign of Gaston Febus, the count of Foix. His music was well known to Avignonese composers of the time, such as Grimace and F. Andrieu, who quoted some of his pieces in their works. He is noted for his use of displacement syncopation and sustain In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
S Uciredor
Rodericus (or S Uciredor) was a French composer of the 14th century. Rodericus is known through a single ballade attributed to him in the Chantilly Codex as S Uciredor, which is "Rodericus" spelled backwards. The piece, ''Angelorum Psalat'', is in two voices and is an exemplary work of the Ars subtilior style, with many similarities to works of Jacob Senleches. ''Angelorum Psalat'' exhibits considerable rhythmic complexity and its text employs contrasting imagery of original sin and the harmony of the spheres, a common poetic device of the age. Nothing is known of Rodericus's life, although Gilbert Reaney suggested that he is Rodrigo de la Guitarra, since Rodrigo is the only known contemporaneous musician with the same name. However, this Rodrigo appears in Toledo as late as 1458, which would have made him extraordinarily long-lived, even assuming he composed maturely from a young age. No other supporting evidence had arisen since Reaney's conjecture. Crawford Young suggested i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Cuvelier
Johannes Cuvelier (''fl'' c. 1372–d. after 1387) was a composer of the '' Ars subtilior'', whose surviving works are preserved in the Chantilly Codex. He was possibly born in Tournai and worked at the court of Charles V. His most important work is the poem '' La Chanson de Bertrand du Guesclin'', a tribute to the Breton military commander Bertrand du Guesclin Bertrand du Guesclin ( br, Beltram Gwesklin; 1320 – 13 July 1380), nicknamed "The Eagle of Brittany" or "The Black Dog of Brocéliande", was a Breton knight and an important military commander on the French side during the Hundred Years' Wa .... References Ars subtilior composers 14th-century births Year of death unknown French classical composers Musicians from Tournai 14th-century French composers {{France-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magister Franciscus
Magister Franciscus () was a French composer-poet in the '' ars nova'' style of late medieval music. He is known for two surviving works, the three- part ballades: ''De Narcissus'' and ''Phiton, Phiton, beste tres venimeuse''; the former was widely distributed in his lifetime. Modern scholarship disagrees on whether Franciscus was the same person as the composer F. Andrieu. Identity career Franciscus may be the same person as the F. Andrieu who wrote ''Armes, amours/O flour des flours'', a ''déploration'' on the death of poet-composer Guillaume de Machaut (–1377). Although, the scholarly consensus on this identification is unclear. He may also be Franciscus de Goano or Johannes Franchois. Machaut was the most dominant and important composer of the 14th century, and Franciscus's works show many similarities to his, suggesting the two were contemporaries. Music Only two of his works survive, the three- part ballades: ''De Narcissus'' and ''Phiton, Phiton, beste tres venim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Vaillant
Jehan Vaillant (; also spelled Johannes Vayllant) was a French composer and music theorist. He is named immediately after Guillaume de Machaut by the '' Règles de la seconde rhétorique'', which describes him as a "master … who had a school of music in Paris".Quoted in : ''maistre … lequel tenoit à Paris escolle de musique''. Besides five (possibly six) pieces of music surviving to his name, he was also the author of a treatise on tuning. With Grimace and F. Andrieu and P. des Molins, Vaillant was part of the post-Machaut generation whose music shows few distinctly ''ars subtilior'' features, leading scholars to recognize Vaillant's work as closer to the '' ars nova'' style of Machaut. Life and career Vaillant's works are conserved in the Chantilly Manuscript, which is also the main source for the works of the Papal singers Matheus de Sancto Johanne, Johannes Symonis Hasprois and Johannes Haucourt. This connexion with the Papal group suggests to certain modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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