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Chanchullo
"Chanchullo" (; literally: "scam", "racket", "hustle") is a danzón-mambo composed by Cuban bassist Israel "Cachao" López. It was first released as a single in 1957 by Arcaño y sus Maravillas. It was the third single released on Cuban independent record label Gema and has been covered by multiple artists including Tito Puente, Típica '73 and Rubén González. Puente himself reworked the song as the successful " Oye cómo va", later recorded by Santana, for which Cachao received no credit. Instrumental versions of the song have been recorded variously under the titles "Mambolandia" and "Mambología", often credited to Peruchín. Composition and recordings The first recording of "Chanchullo" was made in 1949 for RCA Victor by Julio Gutiérrez's orchestra under the title "Mambolandia" and credited to Peruchín, who plays piano on the track. An edited version of "Mambolandia" was included in the 1950 Cuban-Argentine film '' Off to Havana I Go'', specifically for a dancing scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanchullo (album)
''Chanchullo'' (; literally: "scam", "racket", "hustle") is a studio album by Cuban pianist Rubén González. It was recorded over the course of three years under the direction of trombonist Jesús "Aguaje" Ramos, and released on September 19, 2000, through World Circuit. The album was nominated for the Best Traditional Tropical Latin Album at the 44th Annual Grammy Awards on February 27, 2002. It also received a nomination for Tropical/Salsa Album of the Year by a Male Artist at the 2001 Billboard Latin Music Awards. Recording The album showcases the styles of Cuban ballroom music that González cultivated for three decades as a member of Enrique Jorrín's orchestra, primarily danzón and cha-cha-chá. The opener and title track, "Chanchullo", is a danzón-mambo written by Israel "Cachao" López in the 1950s. González's recording is in the form of a descarga, an improvised jam session.Fordham, John (2000). Sleeve notes from ''Chanchullo'' – Rubén González, World Cir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubén González (pianist)
Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have "forged the style of modern Cuban piano playing in the 1940s". Between the 1940s and his retirement in the 1980s, he played with Cuba's most successful acts, including Paulina Álvarez, Arsenio Rodríguez, Orquesta América del 55, Orquesta Riverside and Enrique Jorrín. In the 1990s, he came out of retirement to play in the revival ensembles Afro-Cuban All Stars and Buena Vista Social Club, also recording solo material and performing live until 2002. Biography Early life and career González was born in Santa Clara, Cuba, on 26 May 1919. His family moved to the small village of Encrucijada when he was 6 years old. He took up the piano at age seven and graduated from the Cienfuegos Conservatory at age 15.Lucy Duran. Sleeve notes from ''Introducing... Rubén González'', World Circuit Records WCD 049, 1997. He grew up wanting to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcaño Y Sus Maravillas
Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). Such upbeat version of the danzón served as a precursor of the mambo popularized by Pérez Prado, as well as the chachachá created by Enrique Jorrín, a violinist who started his career in the Maravillas. Other important musicians in the Maravillas were pianist Jesús López (unrelated to Orestes and Israel), timbalero Ulpiano Díaz, violinist Félix Reina and flautist Eulogio Ortiz. Antonio Arcaño, former member of singer Fernando Collazo's La Maravilla del Siglo, founded his orchestra in November 1937 under the name La Maravilla de Arcaño, featuring many of the members of Collazo's group. Collazo himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oye Como Va
"Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on ''El Rey Bravo'' (Tico Records). The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album ''Abraxas''. This version was released as a single in 1971, reaching number 13 on the ''Billboard'' Hot 100, number 11 on the ''Billboard'' Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959. The song has been praised by critics and inducted into the Latin Grammy Hall of Fame in 2001 and the Grammy Hall of Fame in 2002. Due to its multinational origins—Cuban, Puerto Rican and American—and its many versions by artists from all over the world, "Oye cómo va" has come to represent "the interconnectedness, hybridity and transnationality" of Latin music in the United States. Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachao
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific Charanga (Cuba), charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel "Cachao" López
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buena Vista Social Club
Buena Vista Social Club is an ensemble of Cuban musicians established in 1996. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years. The group's eponymous album was recorded in March 1996 and released in September 1997, quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. German director Wim Wenders captured the performance on film for a documentary—also called ''Buena Vista Social Club''—that included interviews with the musicians conducted in Havana. Wenders' film was released in June 1999 to critical a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón-mambo
The danzón-mambo (also known as ''danzón de nuevo ritmo'') is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form. Origins The danzón-mambo was created by the musicians and arrangers of Antonio Arcaño's charanga, Arcaño y sus Maravillas, which was founded in 1937 (Orovio 1981:324). According to Santos (1982), The main forces behind Arcano's mambo were the Lopez brothers, Orestes ... and Israel (the great "Cachao") ..., who did most of the composing and arranging for the group, and played the 'cello and the string bass, respectively. Characteristics Generally speaking, the ''danzón-mambo'' represents a further and stronger incorporation of elements of the ''son'' into the ''danzón''. The first sections, or ''danzones'', did not depart significantly from the traditional ''danz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Arcaño
Antonio Arcaño Betancourt (Atarés, Havana 29 December 1911 – 1994) was a Cuban flautist, bandleader and founder of Arcaño y sus Maravillas, one of Cuba's most successful charangas. He retired from playing in 1945, but continued as director of the group until its dissolution in 1958. Despite his early retirement due to health problems, he is considered one of the most influential flautists in Cuba. After leaving La Maravilla del Siglo, a very popular charanga, Arcaño founded La Maravilla de Arcaño, later known as Arcaño y sus Maravillas. The band featured the López brothers, Israel López "Cachao" and Orestes López, composers and multi-instrumentalists that originated the danzón-mambo, the direct precursor of the mambo, through compositions such as " Rareza de Melitón", "Se va el matancero" and, above all, "Mambo", the piece that lent its name to the genre. Arcaño was posthumously inducted into the International Latin Music Hall of Fame in 2000. See also * José Faja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Típica 73
Típica 73 was an American charanga and salsa band in the 1970s and early 1980s, that was formed by musicians from Ray Barretto's band. "Típica" refers to the typical configuration of a Cuban chararanga while "73" refers to the year that group was founded. Tipica 73 was the first American salsa band to record in Cuba (''Típica 73 En Cuba Intercambio Cultural'') and included Adalberto Santiago, Alfredo de la Fé, José Alberto "El Canario" and Panamanian singer Luis Argumedes Camilo Azuquita who performed in the album of 1977. In the New York salsa scene in the early 1970s, the group began with Johnny "Dandy" Rodriguez Jr. and four of Ray Barretto's original band including Adalberto Santiago (who all left Barretto simultaneously to start Tipica 73 in 1972), and, after combining the conjunto percussive style (congas, timbales, and bongos) with a horn section, the band became one of the biggest stars of the salsa movement in the US. However, the band's line-up ended up with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón-mambo
The danzón-mambo (also known as ''danzón de nuevo ritmo'') is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form. Origins The danzón-mambo was created by the musicians and arrangers of Antonio Arcaño's charanga, Arcaño y sus Maravillas, which was founded in 1937 (Orovio 1981:324). According to Santos (1982), The main forces behind Arcano's mambo were the Lopez brothers, Orestes ... and Israel (the great "Cachao") ..., who did most of the composing and arranging for the group, and played the 'cello and the string bass, respectively. Characteristics Generally speaking, the ''danzón-mambo'' represents a further and stronger incorporation of elements of the ''son'' into the ''danzón''. The first sections, or ''danzones'', did not depart significantly from the traditional ''danz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (1938 Song)
"Mambo" is a 1938 danzón nuevo ritmo by Arcaño y sus Maravillas. It was composed by the band's cellist/multi-instrumentalist Orestes López. The piece includes a final section with syncopated montunos which would give rise to the mambo music genre popularized by Dámaso Pérez Prado and others. Personnel *Antonio Arcaño (replaced by Eulogio Ortiz on 1951 recording) – flute *Jesús López – piano *Israel "Cachao" López – double bass *Orestes López – cello *Miguel Valdés – viola *Enrique Jorrín – violin *Elio Valdés – violin *Fausto Muñoz – violin * Félix Reina - violin *Antonio Sánchez "Musiquita" – violin *Ulpiano Díaz – timbales *Eliseo Martínez – tumbadora *Gustavo Tamayo Gustavo E. Tamayo is a Colombian ophthalmologist known for developing a refractive surgery method known as Contoured Ablation Patterns (CAP), which enables doctors to make surgeries faster and at an easier rate. Tamayo has also developed and pat ... – güiro References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
