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Chances (Roxette Song)
"Chances" is a song by Swedish pop music duo Roxette, released on 28 December 1988 by EMI as the first international single from their second studio album, '' Look Sharp!'' (1988). The single was issued on 7" and 12" vinyl formats exclusively in Germany, France and Italy, where it failed to chart. The single was followed two weeks later by "The Look", which became their breakthrough international hit. Composition and style "Chances" is a pop rock song, containing instrumentation and elements indicative of hard rock and industrial pop. The album version has a length of four minutes and fifty-seven seconds, while the single edit is fifty seconds shorter. The song is performed in the key of E minor, and is composed in the time signature with an allegro moderato tempo of 118 beats per minute. The intro is composed of two repetitions of an E♭– D♭– B♭– C♯ sequence, and each verse and pre-chorus consists of two sequences of Em–D–Bm–C. The refrain is built o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxette
Roxette was a Swedish pop rock duo, consisting of Marie Fredriksson (vocals and keyboards) and Per Gessle (vocals and guitar). Formed in 1986, the duo became an international act in the late 1980s, when they released their breakthrough second album '' Look Sharp!'' Their third album '' Joyride,'' released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits, and several US Hot 100 hits, including four US number-ones with "The Look", " Listen to Your Heart", "It Must Have Been Love", featured on the soundtrack of '' Pretty Woman'', and " Joyride". Their other hits include "Dressed for Success", "Dangerous", and " Fading Like a Flower". Before coming together to form the duo, Fredriksson and Gessle were already established artists in Sweden, she having released a number of solo albums and he being the lead singer and songwriter of Gyllene Tider, a band that had three No. 1 albums. On the advice of the managing director of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Music Publishing
EMI Music Publishing Ltd. is a British multinational music publishing company headquartered in London, owned by parent company Sony Corporation of America. In May 2018, Sony Music Publishing agreed to increase its stake in EMI to 90%, pending regulatory approval. Sony has agreed to pay $2.3 billion to acquire EMI, as well as assume EMI's debt of $1.359 billion. In July 2018, Sony bought out the Michael Jackson estate's 10% stake in EMI for $287.5 million. With Sony and Jackson's share valued at $1.091 billion that gives EMI Music Publishing a valuation of $4.75 billion. On 26 October 2018, the European Commission approved of Sony's acquisition of EMI. In November 2018, Sony Music Publishing completed its acquisition of EMI, which was completely merged into Sony Music Publishing. Following these transactions, Sony owned 100% of EMI Music Publishing. EMI currently exists for the artists that it signed pre-2012, effectively becoming an in-name-only unit of Sony Music Publishing. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B♭ (musical Note)
B (B-flat) is the eleventh step of the Western chromatic scale (starting from C). It lies a diatonic semitone above A and a chromatic semitone below B, thus being enharmonic to A, even though in some musical tunings, B will have a different sounding pitch than A. B-flat is also enharmonic to C (C-double flat). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the B above middle C is approximately 466.164 Hz. See pitch (music) for a discussion of historical variations in frequency. While orchestras tune to an A provided by the oboist, wind ensembles usually tune to a B-flat provided by a tuba, horn, or clarinet. In Germany, Russia, Poland and Scandinavia, this pitch is designated B, with 'H' used to designate the B-natural. Since the 1990s, B-flat is often denoted Bb or "Bess" instead of B in Swedish music textbooks. Natural B is called B by Swedish jazz and pop musicians, but still denoted H in classical music. See B (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D♭ (musical Note)
D (D-flat) is a musical note lying a diatonic semitone above C and a chromatic semitone below D. It is thus enharmonic to C. In the French solfège it is known as re bémol. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle D (or D4) is approximately 277.183 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on D * D major: D E F G A B C D * D natural minor: D E F G A B C D * D harmonic minor: D E F G A B C D * D melodic minor ascending: D E F G A B C D * D melodic minor descending: D C B A G F E D Diatonic scales * D Ionian: D E F G A B C D * D Dorian: D E F G A B C D * D Phrygian: D E F G A B C D * D Lydian: D E F G A B C D * D Mixolydian: D E F G A B C D * D Aeolian: D E F G A B C D * D Locrian: D E F G A B C D Jazz melodic minor * D ascending melodic minor: D E F G A B C D * D Dorian ♭2: D E F G A B C D * D Lydian augm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E♭ (musical Note)
E (E-flat) or mi bémol is the fourth semitone of the solfège. It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ( D-sharp) or ''re dièse''. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D is not the same as E. E is a perfect fourth above B, whereas D is a major third above B. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the E above middle C (or E4) is approximately 311.127 Hz. See pitch (music) for a discussion of historical variations in frequency. In German nomenclature, it is known as Es, sometimes (especially in the context of musical motifs, e.g. DSCH motif) abbreviated to S. Designation by octave Scales Common scales beginning on E * E major: E F G A B C D E * E natural minor: E F G A B C D E * E harmonic minor: E F G A B C D E * E melodic minor ascending: E F G A B C D E * E melodic minor descending: E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro Moderato
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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